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Ella Baxter - Woo Woo, Häftad

Häftad, Engelska, 2026

Woo Woo

Av Ella Baxter

142 kr

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Beskrivning
A thrillingly weird novel about art, obsession, and the feral nature of female creativity. Sabine is a conceptual artist whose latest show, Fuck You, Help Me, is about to launch, when her world begins to unravel. Stalked by a mysterious figure whose approaches grow increasingly threatening, she spirals deeper into her neuroses as exhibition day approaches and her fear transforms into something primal and untamed. Accompanied by her strange alter egos — from hyper-realistic baby puppets to the ghost of performance artist Caroline Schneemann — Sabine hurtles toward a surreal climax that forces a reckoning with what it means to create, to be seen, and to survive as a woman artist in a voyeuristic world.Ella Baxter delivers a blazing work that dissects creativity and obsession with visceral humour and unflinching intensity. Part psychological thriller, part artistic manifesto, Woo Woo is a strange and haunting feast that pulses with rage and crackles with dark energy — a literary firestorm unlike anything else.
Produktinformation
  • Utgivningsdatum: 2026-01-15
  • Mått: 129 x 198 x 16 mm
  • Vikt: 214 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 272
  • Förlag: Scribe Publications
  • ISBN: 9781917189439
  • Utmärkelser: Short-listed for Victorian Premier’s Literary Awards 2025 (Australia)
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Mer om författaren

Ella Baxter is a writer and artist living on unceded land of the Wurundjeri people. In her spare time she runs a small business making bespoke death shrouds. Her debut novel, New Animal, was published in 2021. Woo Woo is her second novel.

Recensioner i media

‘A hyper-focused character study of a working artist in the age of platform capitalism. It at once lampoons and indulges the quirks of the self-marketing creative … As both a satire of the contemporary art world and a sincere portrait of the “chronically online” artist, Woo Woo effectively captures the emergent energies of a generation accustomed to transgression and feminism, but still struggling to metabolise these terms when a living woman embodies them.’

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