Ella Baxter – författare

'Sharp' - The Guardian'Excellent' - Glamour'Darkly funny' - Harper's BAZAAR'Chaotic' - The SkinnyAmelia is no stranger to sex and death.Her job as a cosmetic mortician at her family's funeral parlour might be unusual but she's good at it. When it comes to meeting people who are still breathing she uses dating apps. Combining with someone else's body at night Amelia can become something else, at least for a while.But when a sudden loss severs her ties with someone she loves, Amelia sets off on a seventy-two-hour mission to outrun her grief - skipping out on the funeral, running away to stay with her father in Tasmania and experimenting on the local BDSM scene. There, she learns even more about sex, death, grief and the different ways pain works its way through the body. It'll take a pair of fathers, a bruising encounter wiht a stranger and recognition of her own body's limits to bring Amelia back to herself.Wise and heartbreakingly funny, Ella Baxter’s New Animal is a stunning debut.'Self-destructive anti-heroines are in vogue, but what Amelia's story makes clear is how under-represented female sexuality still is.' – The Telegraph, The Four best Debut Novels to Read'There's a compelling quality to Amelia's honesty that recalls Raven Leilani's Luster or the sex-addicted eponymous narrator of Leïla Slimani's Adele.' - The Irish Times

'Sharp' - The Guardian'Excellent' - Glamour'Darkly funny' - Harper's BAZAAR'Chaotic' - The SkinnyAmelia is no stranger to sex and death.Her job as a cosmetic mortician at her family's funeral parlour might be unusual but she's good at it. When it comes to meeting people who are still breathing she uses dating apps. Combining with someone else's body at night Amelia can become something else, at least for a while.But when a sudden loss severs her ties with someone she loves, Amelia sets off on a seventy-two-hour mission to outrun her grief - skipping out on the funeral, running away to stay with her father in Tasmania and experimenting on the local BDSM scene. There, she learns even more about sex, death, grief and the different ways pain works its way through the body. It'll take a pair of fathers, a bruising encounter wiht a stranger and recognition of her own body's limits to bring Amelia back to herself.Wise and heartbreakingly funny, Ella Baxter’s New Animal is a stunning debut.'Self-destructive anti-heroines are in vogue, but what Amelia's story makes clear is how under-represented female sexuality still is.' – The Telegraph, The Four best Debut Novels to Read'There's a compelling quality to Amelia's honesty that recalls Raven Leilani's Luster or the sex-addicted eponymous narrator of Leïla Slimani's Adele.' - The Irish Times

A thrillingly weird novel about art, obsession, and the feral nature of female creativity.Sabine is a conceptual artist whose latest show, Fuck You, Help Me, is about to launch, when her world begins to unravel. Stalked by a mysterious figure whose approaches grow increasingly threatening, she spirals deeper into her neuroses as exhibition day approaches and her fear transforms into something primal and untamed. Accompanied by her strange alter egos from hyper-realistic baby puppets to the ghost of performance artist Caroline Schneemann Sabine hurtles toward a surreal climax that forces a reckoning with what it means to create, to be seen, and to survive as a woman artist in a voyeuristic world.Ella Baxter delivers a blazing work that dissects creativity and obsession with visceral humour and unflinching intensity. Part psychological thriller, part artistic manifesto, Woo Woo is a strange and haunting feast that pulses with rage and crackles with dark energy a literary firestorm unlike anything else.

A thrillingly weird novel about art, obsession, and the feral nature of female creativity. Sabine is a conceptual artist whose latest show, Fuck You, Help Me, is about to launch, when her world begins to unravel. Stalked by a mysterious figure whose approaches grow increasingly threatening, she spirals deeper into her neuroses as exhibition day approaches and her fear transforms into something primal and untamed. Accompanied by her strange alter egos — from hyper-realistic baby puppets to the ghost of performance artist Caroline Schneemann — Sabine hurtles toward a surreal climax that forces a reckoning with what it means to create, to be seen, and to survive as a woman artist in a voyeuristic world.Ella Baxter delivers a blazing work that dissects creativity and obsession with visceral humour and unflinching intensity. Part psychological thriller, part artistic manifesto, Woo Woo is a strange and haunting feast that pulses with rage and crackles with dark energy — a literary firestorm unlike anything else.