Julius Bryant is keeper emeritus of the Victoria and Albert Museum (V&A), London. After training in London at University College and the Courtauld Institute of Art, Dr. Bryant worked at Sotheby’s, the V&A, and the Iveagh Bequest, Kenwood. As the first director of museums and collections at English Heritage, he established a nationwide team of curators and conservators and specialised in the acquisition, restoration, and redisplay of historic houses open to the public. He rediscovered and “saved for the nation” many historic objects that returned to their former homes, especially furniture by William Kent, Robert Adam, George Bullock, John Lockwood Kipling, and Peter Malacrida. His most significant acquisition for English Heritage was the Wernher Collection of Renaissance and later decorative arts from Luton Hoo. Dr. Bryant was the V&A’s lead curator for exhibitions organised with BGC on James “Athenian” Stuart (2006–07), William Kent (2013–14), and John Lockwood Kipling (2017–18). He also contributed to the BGC exhibition Majolica Mania (2021–22) and is currently writing for BGC’s exhibition on Philip Webb. His next book, The Great Exhibition in Art: Picturing the First World’s Fair, 1851 (October 2025) forms the prequel to his 3-volume history of the V&A.

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• ForewordAcknowledgementsI: Overview of the CollectionKenwood: London’s ‘finest country residence’Lord Iveagh as a Collector: ‘This Dream of a Golden Age’Introduction to the CollectionArrangement of the CatalogueII: Seventieeth-Century ArtistsII: Eighteenth- and Nineteenth-Century Continental ArtistsIII: Eighteenth- and Nineteenth-Century British ArtistsIV: The Wider CollectionV: Family PortraitsAnnex I: Purchases from Agnew’s by Sir E. C. GuinnessAnnex II: Paintings in the Iveagh Bequest (1929)Annex III: Acquisitions by Kenwood (1929–2025)BibliographyIndexPhotographic Credits

Julius Bryant is keeper emeritus of the Victoria and Albert Museum (V&A), London. After training in London at University College and the Courtauld Institute of Art, Dr. Bryant worked at Sotheby’s, the V&A, and the Iveagh Bequest, Kenwood. As the first director of museums and collections at English Heritage, he established a nationwide team of curators and conservators and specialised in the acquisition, restoration, and redisplay of historic houses open to the public. He rediscovered and “saved for the nation” many historic objects that returned to their former homes, especially furniture by William Kent, Robert Adam, George Bullock, John Lockwood Kipling, and Peter Malacrida. His most significant acquisition for English Heritage was the Wernher Collection of Renaissance and later decorative arts from Luton Hoo. Dr. Bryant was the V&A’s lead curator for exhibitions organised with BGC on James “Athenian” Stuart (2006–07), William Kent (2013–14), and John Lockwood Kipling (2017–18). He also contributed to the BGC exhibition Majolica Mania (2021–22) and is currently writing for BGC’s exhibition on Philip Webb. His next book, The Great Exhibition in Art: Picturing the First World’s Fair, 1851 (October 2025) forms the prequel to his 3-volume history of the V&A.

Select Guide Rating

• ForewordAcknowledgementsI: Overview of the CollectionKenwood: London’s ‘finest country residence’Lord Iveagh as a Collector: ‘This Dream of a Golden Age’Introduction to the CollectionArrangement of the CatalogueII: Seventieeth-Century ArtistsII: Eighteenth- and Nineteenth-Century Continental ArtistsIII: Eighteenth- and Nineteenth-Century British ArtistsIV: The Wider CollectionV: Family PortraitsAnnex I: Purchases from Agnew’s by Sir E. C. GuinnessAnnex II: Paintings in the Iveagh Bequest (1929)Annex III: Acquisitions by Kenwood (1929–2025)BibliographyIndexPhotographic Credits

Julius Bryant is keeper emeritus of the Victoria and Albert Museum (V&A), London. After training in London at University College and the Courtauld Institute of Art, Dr. Bryant worked at Sotheby’s, the V&A, and the Iveagh Bequest, Kenwood. As the first director of museums and collections at English Heritage, he established a nationwide team of curators and conservators and specialised in the acquisition, restoration, and redisplay of historic houses open to the public. He rediscovered and “saved for the nation” many historic objects that returned to their former homes, especially furniture by William Kent, Robert Adam, George Bullock, John Lockwood Kipling, and Peter Malacrida. His most significant acquisition for English Heritage was the Wernher Collection of Renaissance and later decorative arts from Luton Hoo. Dr. Bryant was the V&A’s lead curator for exhibitions organised with BGC on James “Athenian” Stuart (2006–07), William Kent (2013–14), and John Lockwood Kipling (2017–18). He also contributed to the BGC exhibition Majolica Mania (2021–22) and is currently writing for BGC’s exhibition on Philip Webb. His next book, The Great Exhibition in Art: Picturing the First World’s Fair, 1851 (October 2025) forms the prequel to his 3-volume history of the V&A.

Select Guide Rating

• ForewordAcknowledgementsI: Overview of the CollectionKenwood: London’s ‘finest country residence’Lord Iveagh as a Collector: ‘This Dream of a Golden Age’Introduction to the CollectionArrangement of the CatalogueII: Seventieeth-Century ArtistsII: Eighteenth- and Nineteenth-Century Continental ArtistsIII: Eighteenth- and Nineteenth-Century British ArtistsIV: The Wider CollectionV: Family PortraitsAnnex I: Purchases from Agnew’s by Sir E. C. GuinnessAnnex II: Paintings in the Iveagh Bequest (1929)Annex III: Acquisitions by Kenwood (1929–2025)BibliographyIndexPhotographic Credits