Touch System

Alejandra Costamagna was born in Santiago, Chile, in 1970. She is the author of four novels, four collections of short stories, and an anthology of newspaper columns. Her work has been translated into Italian, Korean and French, and since 2010, she has been a member of the editorial committee in the Chilean independent publishing house Cuneta. She lives in Santiago de Chile.Lisa Dillman translates from Spanish and Catalan and teaches in the Department of Spanish and Portuguese at Emory University. Some of her recent translations include Such Small Hands by Andrés Barba, Signs Preceding the End of the World by Yuri Herrera, which won the Best Translated Book Award, and Monastery, co-translated with Daniel Hahn, by Eduardo Halfon. She lives in Decatur, GA.

“Alejandra Costamagna’s characters embody that semblance of truth that provokes that famous and pleasant confusion; the genuine miracle of literature: what happens when life seems to be inside of the book; when the characters seem so real that for a long and valuable second we become, along with the book that is in our hands, less real.”—Alejandro Zambra"The Touch System is a novel that condenses the virtues of all Alejandra Costamagna’s previous works: a work in between memory and imagination, the question of origins, the recurrence of family and, of course, a stylistic condensation that is distinctive of a great writer.”—El País“A mandatory reference in contemporary Chileans—one might say even Latin American—literature... a literary voice that invites us to revisit our own lives with a new look.”—El EspectadorPraise for Alejandra Costagmagna“Alejandra Costamagna’s stories never cease to surprise: an acute sentence, a beautiful and precious detail, a scene that leaves that leaves you breathless. This brilliant collection is proof, yet again, of the singularity of her voice and her enviable talent.”—Daniel Alarcón, author of At Night We Walk in Circles“Alejandra Costamagna writes with precise and lethal finesse on excesses. In these stories of obsession, pleasure, violence and illness, words are like scalpels that dissect trembling, furious bodies, sometimes overwhelmed by their own desire.”—Mariana Enríquez, author of Things We Lost in the Fire