Transit Books – förlag

From a writer who has “invented a new form” (Annie Ernaux), an exploration of mortality, alienation, boredom, surveillance, and how we regard ourselves among the animals.

Animal Stories begins with Kate Zambreno’s visit to the monkey house at the Jardin des Plantes in Paris, where one stark tree “seems to be the stage design for a simian production of Waiting for Godot.” But who are the players and who is the audience, and can they recognize each other?

What follows is a series of reports from the deep strangeness of the zoo, a space that is “more often than not deeply sad, an odd choice for regular pilgrimages of fun.” Amid excursions with their young children, Zambreno turns to Garry Winogrand’s photographs and John Berger’s writings on animals, reshaping the spectator as the subject to decode our complex “zoo feelings”—what we project, and what we refuse to see. Then, in the “Kafka system” that dovetails with these zoo studies, Zambreno thinks through the notebooks and animal stories of a writer known for playing at the threshold between species, continuing their investigation into the false divide between human and animal.

Drawing on forms including reports, essays, journals, and stories, Zambreno renders visible the enclosures we construct and the ones we occupy ourselves.

A Guardian Best Book of 2017

“Every once in a while a novel does not record reality but creates a whole new reality, one that casts a light on our darkest feelings. Kafka did that. Bruno Schulz did that. Now the Spanish writer Andrés Barba has done it with the terrifying Such Small Hands.”—Edmund White

Life changes at the orphanage the day seven-year-old Marina shows up. She is different from the other girls: at once an outcast and object of fascination. As Marina struggles to find her place, she invents a game whose rules are dictated by a haunting violence. Written in hypnotic, lyrical prose, alternating between Marina’s perspective and the choral we of the other girls, Such Small Hands evokes the pain of loss and the hunger for acceptance.

A tin man ponders the mysteries of death as a heart starts to take charge of his limbs, while in a place not so far away a boy tries to play the piano like Margarita, the teacher’s cruel and beautiful niece. In stories filled with violence and tenderness, love and disconnection, Carlos Yushimito’s debut shines.

Boston Globe Best Books of 2018

"This short but profoundly moving novel by the young Brazilian writer is one of the finest explorations of love you will find anywhere this year."—John Freeman, The Boston Globe

After a falling out, Cora and Julia reunite for a long-planned road trip through Brazil. As they drive from town to town, the complications of their friendship resurface. By the end of the trip, they must decide what the future holds, in a queer, coming-of-age debut novel that has been celebrated in Brazil.

Mara is a simultaneous interpreter who moves to a provincial town in Argentina in order to speak as little as possible for a year. Steeled with the ten rules of silence set out in her manual of rhetoric, she takes a job as a guard in the local museum. The advantages of her work are threatened when she’s asked to assist in the re-embalming of the museum’s pride and joy: two horses—of great national and historical significance—are disintegrating and must be saved. But her goal and her slippery grasp on sanity lead her to more anarchistic means to bolster her purpose. Bold, subversive, and threaded through with acerbic wit, Include Me Out is an homage to silence and the impossibility of achieving it.

When Bea meets Erica at the home of a mutual friend, this chance encounter sets the stage for the story of two women torn between desire and taboo in the years leading up to the Nazi occupation of Amsterdam. Erica, a reckless young journalist, pursues passionate but abusive affairs with different women. Bea, a reserved secretary, grows increasingly obsessed with Erica, yet denial and shame keep her from recognizing her attraction. Only Bea’s discovery that Erica is half-Jewish and a member of the Dutch resistance—and thus in danger—brings her closer to accepting her own feelings.

First published in 1955 in the Netherlands, Dola de Jong’s The Tree and the Vine was a groundbreaking work in its time for its frank and sensitive depiction of the love between two women, now available in a new translation.