Lenard D. Moore is an internationally acclaimed poet and anthologist. Moore is the author of A Temple Looming, Desert Storm: A Brief History, Forever Home, and The Open Eye. He is the editor for All the Songs We Sing: Celebrating the 25th Anniversary of the Carolina African American Writers’ Collective and One Window’s Light: A Collection of Haiku. He is the founder and executive director of the Carolina African American Writers’ Collective. The executive chairman of the North Carolina Haiku Society, he was also the first African American president of the Haiku Society of America. His awards include the North Carolina Award for Literature and the Haiku Museum of Tokyo Award. An army veteran, he teaches African American literature and creative writing at the University of Mount Olive where he is the poet-in-residence.

"In poem after poem, The Geography of Jazz inspired the reader through powerful images delivered with haiku-like precision. From his opening poem ‘Swing Cool,’ where drums, piano, and bass sound ‘steady as the spring moon / Inciting the indigo sky,’ Lenard Moore summons jazz sounds. Life itself becomes jazz, as ‘pigeons peck peanuts / Drum Beaks / On the sidewalk.’ This book is a truly rich harvest of jazz poetry." — William Ferris, author of Give My Poor Heart Ease: Voices of the Mississippi Blues“Internationally acclaimed for his mastery of Japanese poetic forms, Lenard D. Moore demonstrates sprezzatura (as defined by Baldassare Castiglione) in mapping The Geography of Jazz. His poems involve disciplined attentiveness to the sonic imperatives of jazz and sensitivity to the agony and ecstasy that characterizes jazz performances. His poems provide a micro-atlas of the vast territory of jazz, and they mask, with fine discrimination, the intense labor of conjoining music and poetry. Those who read Moore’s jazz poems/ maps accurately shall discover a rewarding world of spatial, temporal, and spiritual experiences.” —Jerry W. Ward, Jr., author of The Katrina Papers: A Journal of Trauma and Recovery“Lenard D. Moore’s The Geography of Jazz retraces the terrain of this most American of musical art forms, with short poems and two longer lyric sequences that gain energy and pathos in their jazz-imbued rhythms. There are tributes here to renowned singers and instrumentalists familiar to most readers (Billie, Dizzy, Duke, Ella, Miles, Nina, Thelonious), as well as celebrations of artists more recently arrived on the scene (Eliane Elias, Nneena Freelon, Branford Marsalis, Esperanza Spalding), and poems in forms and freedoms that draw the vital connections between jazz and poetry. Though these poems harken to jazz as if, by exploring ‘chords / into progression,’ the poet could ‘step into another world,’ the gestures toward transcendence also open the way for the music’s ‘fallen / shadows [to] lead me slowly back into my childhood’ –a deep-rivered poet’s heritage indeed. Such dual progressions enhance and grace the rhythmic contours of this poetic geography.” — Carolyne Wright, author of Seasons of Mangoes & Brainfire

Lenard D. Moore is an internationally acclaimed poet and anthologist. Moore is the author of A Temple Looming, Desert Storm: A Brief History, Forever Home, and The Open Eye. He is the editor for All the Songs We Sing: Celebrating the 25th Anniversary of the Carolina African American Writers’ Collective and One Window’s Light: A Collection of Haiku. He is the founder and executive director of the Carolina African American Writers’ Collective. The executive chairman of the North Carolina Haiku Society, he was also the first African American president of the Haiku Society of America. His awards include the North Carolina Award for Literature and the Haiku Museum of Tokyo Award. An army veteran, he teaches African American literature and creative writing at the University of Mount Olive where he is the poet-in-residence.

"In poem after poem, The Geography of Jazz inspired the reader through powerful images delivered with haiku-like precision. From his opening poem ‘Swing Cool,’ where drums, piano, and bass sound ‘steady as the spring moon / Inciting the indigo sky,’ Lenard Moore summons jazz sounds. Life itself becomes jazz, as ‘pigeons peck peanuts / Drum Beaks / On the sidewalk.’ This book is a truly rich harvest of jazz poetry." — William Ferris, author of Give My Poor Heart Ease: Voices of the Mississippi Blues“Internationally acclaimed for his mastery of Japanese poetic forms, Lenard D. Moore demonstrates sprezzatura (as defined by Baldassare Castiglione) in mapping The Geography of Jazz. His poems involve disciplined attentiveness to the sonic imperatives of jazz and sensitivity to the agony and ecstasy that characterizes jazz performances. His poems provide a micro-atlas of the vast territory of jazz, and they mask, with fine discrimination, the intense labor of conjoining music and poetry. Those who read Moore’s jazz poems/ maps accurately shall discover a rewarding world of spatial, temporal, and spiritual experiences.” —Jerry W. Ward, Jr., author of The Katrina Papers: A Journal of Trauma and Recovery“Lenard D. Moore’s The Geography of Jazz retraces the terrain of this most American of musical art forms, with short poems and two longer lyric sequences that gain energy and pathos in their jazz-imbued rhythms. There are tributes here to renowned singers and instrumentalists familiar to most readers (Billie, Dizzy, Duke, Ella, Miles, Nina, Thelonious), as well as celebrations of artists more recently arrived on the scene (Eliane Elias, Nneena Freelon, Branford Marsalis, Esperanza Spalding), and poems in forms and freedoms that draw the vital connections between jazz and poetry. Though these poems harken to jazz as if, by exploring ‘chords / into progression,’ the poet could ‘step into another world,’ the gestures toward transcendence also open the way for the music’s ‘fallen / shadows [to] lead me slowly back into my childhood’ –a deep-rivered poet’s heritage indeed. Such dual progressions enhance and grace the rhythmic contours of this poetic geography.” — Carolyne Wright, author of Seasons of Mangoes & Brainfire

Lenard D. Moore is an internationally acclaimed poet and anthologist. Moore is the author of A Temple Looming, Desert Storm: A Brief History, Forever Home, and The Open Eye. He is the editor for All the Songs We Sing: Celebrating the 25th Anniversary of the Carolina African American Writers’ Collective and One Window’s Light: A Collection of Haiku. He is the founder and executive director of the Carolina African American Writers’ Collective. The executive chairman of the North Carolina Haiku Society, he was also the first African American president of the Haiku Society of America. His awards include the North Carolina Award for Literature and the Haiku Museum of Tokyo Award. An army veteran, he teaches African American literature and creative writing at the University of Mount Olive where he is the poet-in-residence.

"In poem after poem, The Geography of Jazz inspired the reader through powerful images delivered with haiku-like precision. From his opening poem ‘Swing Cool,’ where drums, piano, and bass sound ‘steady as the spring moon / Inciting the indigo sky,’ Lenard Moore summons jazz sounds. Life itself becomes jazz, as ‘pigeons peck peanuts / Drum Beaks / On the sidewalk.’ This book is a truly rich harvest of jazz poetry." — William Ferris, author of Give My Poor Heart Ease: Voices of the Mississippi Blues“Internationally acclaimed for his mastery of Japanese poetic forms, Lenard D. Moore demonstrates sprezzatura (as defined by Baldassare Castiglione) in mapping The Geography of Jazz. His poems involve disciplined attentiveness to the sonic imperatives of jazz and sensitivity to the agony and ecstasy that characterizes jazz performances. His poems provide a micro-atlas of the vast territory of jazz, and they mask, with fine discrimination, the intense labor of conjoining music and poetry. Those who read Moore’s jazz poems/ maps accurately shall discover a rewarding world of spatial, temporal, and spiritual experiences.” —Jerry W. Ward, Jr., author of The Katrina Papers: A Journal of Trauma and Recovery“Lenard D. Moore’s The Geography of Jazz retraces the terrain of this most American of musical art forms, with short poems and two longer lyric sequences that gain energy and pathos in their jazz-imbued rhythms. There are tributes here to renowned singers and instrumentalists familiar to most readers (Billie, Dizzy, Duke, Ella, Miles, Nina, Thelonious), as well as celebrations of artists more recently arrived on the scene (Eliane Elias, Nneena Freelon, Branford Marsalis, Esperanza Spalding), and poems in forms and freedoms that draw the vital connections between jazz and poetry. Though these poems harken to jazz as if, by exploring ‘chords / into progression,’ the poet could ‘step into another world,’ the gestures toward transcendence also open the way for the music’s ‘fallen / shadows [to] lead me slowly back into my childhood’ –a deep-rivered poet’s heritage indeed. Such dual progressions enhance and grace the rhythmic contours of this poetic geography.” — Carolyne Wright, author of Seasons of Mangoes & Brainfire