Janet Russek is a photographer and, since 1980, has operated the photography gallery Scheinbaum and Russek Ltd. in Santa Fe, New Mexico, with her partner, David Scheinbaum. She was a founding member of the Santa Fe Children’s Museum and has served on the Board of Directors of both the Association of International Photography Art Dealers and The Marion Center for Photographic Arts. Russek has curated numerous exhibitions, including La Mirada Critica, Luis Gonzalez Palma, and the Lannan Foundation (2007). Her photographs have been featured in numerous periodicals, including Black & White Magazine, Hyperallergic, Lenscratch, The Santa Fean, and Trend Magazine, and in books such as Judy Chicago and Frances Borzello’s Frida Kahlo: Face to Face (Prestel Publishing, 2010), Thomas F. Barrow and Kristin Barendsen’s Photography, New Mexico (Fresco Fine Art Publications, 2008), Mary Anne Redding and Krista Elrick’s Through the Lens: Creating Santa Fe (The Museum of New Mexico Press, 2008). Russek’s books include The Tenuous Stem (Radius Books, 2013), and, with David Scheinbaum, Remnants: Photographs of the Lower East Side (Radius Books, 2017), Images in the Heavens, Patterns on the Earth: The I Ching (Museum of New Mexico Press, 2004), and Ghost Ranch: Land of Light (Balcony Press, 1997). Her Website is janetrussek.com. David Scheinbaum is a photographer and, with his wife, Janet Russek, and daughter, Andra Russek, operates Scheinbaum and Russek Ltd., a private fine art photography dealer in Santa Fe, New Mexico. He was formerly the Director/Chair of the Photography Department and The Marion Center for Photographic Arts at the Santa Fe University of Art and Design and is Professor Emeritus at the College of Santa Fe. Scheinbaum’s publications include Enso: What is Beheld (Museum of New Mexico Press, 2024), Varanasi: City Immersed in Prayer (George F. Thompson Publishing, 2022), Hip-Hop: Portraits of an Urban Hymn (Damiani Editore, 2013), Beaumont’s Kitchen (Radius Books, 2009), Stone: A Substantial Witness (Museum of New Mexico Press, 2006), Miami Beach: Photographs of An American Dream (University Presses of Florida, 1990), Bisti (University of New Mexico Press, 1987), and, with Janet Russek, Remnants: Photographs of the Lower East Side (Radius Books, 2017), Images in the Heavens, Patterns on the Earth: The I Ching (Museum of New Mexico Press, 2004), and Ghost Ranch: Land of Light (Balcony Press, 1997). Scheinbaum has received The New Mexico Governor’s Award for Excellence in the Arts in 2010 and The Santa Fe Arts Commission’s Mayor’s Award for Excellence in the Arts in 2001. His Website is www.davidscheinbaum.com. Jean-Marie Avisard has been a part of the team of gardeners at Claude Monet’s gardens since 1988 and, since 2018, has been the Head Gardener of Monet’s Gardens at Giverny. As Head Gardener he has worked tirelessly within the gardens, insisting on the importance of the entire team, while ensuring the transmission of knowledge for the future. Jan Huntley, for more than twenty-five years, has been Head of the Munn Artist-in-Residency and Horticulture Internships Programmes of the Versailles Foundation Inc. Claude Monet, where she focuses on paying homage to the past while opening paths of inspiration for the future. Paul Hayes Tucker is an art historian, curator, and author widely recognized as one of the world's foremost authorities on the French Impressionist painter Claude Monet. He is Professor Emeritus at the University of Massachusetts Boston where he taught for thirty-six years. Tucker has written and edited eleven books, including Claude Monet, Late Work (Gagosian Gallery, 2010), The Impressionists at Argenteuil (National Gallery, 2000), Monet in the 20th Century (Yale University Press, 1998), Claude Monet: Life and Art (Yale University Press, 1995), and Monet at Argenteuil (Yale University Press, 1982), and has curated more than half a dozen international exhibitions, lectured at museum around the world, and contributed numerous essays to museum catalogues and art historical publications.