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Frank G. Bosman - Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein, Inbunden

Inbunden, Engelska, 2024

Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein

Av Frank G. Bosman

Del i serien Theology, Religion, and Pop Culture

1203 kr

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Beskrivning
The critically acclaimed if controversial game series Wolfenstein is famous for its inclusion of historical objects and figures from the realm of Nazi Occultism, including the Swastika, the Spear of Destiny, the Thule Medallion, Heinrich Himmler, Helena Blavatsky, and Karl Wiligut. The series was criticized for its alleged Nazi glorification and for completely neglecting primary victims of the Second World War, the Jewish people. But since its reboot with Wolfenstein: New Order in 2014, the series has a new, distinct filo semitic flavor, including a number of explicit Jewish characters, a playable concentration camp level, and several theological discussions on God and the existence of evil. In Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein, game theologian Frank G. Bosman critically examines both the Nazi occultist and Judaist inspirations and aspirations of the game series, putting forth the question if the series has not invertedly ventured into implicit antisemitic territory by including the Da’at Yichud, a fictional, ancient, and distinct Jewish organization harboring the great minds of history.
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Frank G. Bosman is cultural theologian working as a senior researcher at the Tilburg School of Catholic Theology, Tilburg, the Netherlands.

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Frank Bosman has long been recognized as one of the leading scholars at the intersection of video games and the Bible. His new volume is an important work, showing readers how exegesis can happen in surprising places. If we’re not paying attention, it’s easy to miss the biblical interpretation that’s happening all around us – in all its messy, problematic, and fascinating ways. Bosman doesn’t shy away from the uncomfortable spaces of popular culture’s interpretation of the Bible, but leans into them as a way we can learn about the surprising turns of religious tradition.

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