Elizabeth Osborne, PhD, is Assistant Professor in the Department of World Languages, Worcester State University, USA.Sofía Ruiz-Alfaro, PhD, is Associate Professor in the Department of Spanish and Linguistics, Franklin and Marshall College, USA.

• Introduction - Elizabeth Osborne and Sofía Ruiz-Alfaro.- 1. Restoring Names, Stories, and Voices for Cinematographic Maids: Toward a New Poetics of Domestic Service in Recent Argentine Films - María Julia Rossi.- 2. Moving beyond Maternalism: Negotiating Models of Womanhood in La Nana, Cama adentro, and Hilda - Elizabeth Osborne.- 3. Leftovers No More: Affect, Food and Power in Recent Latin American Films on Domestic Work - Karina Elizabeth Vázquez.- 4. Serious Camp: Juan Gabriel’s Queer Repertoire in ¿Qué le dijiste a Dios? - Olivia Cosentino.- 5. Defamiliarizing the Maid: Alicia Scherson’s Play - Susana Domingo Amestoy.- 6. Beyond Tropes: Otherness and the Identity of the Brazilian Maid in Domésticas-O Filme and Doméstica - Maurício Sellman Oliveira.- 7. Partial Affection: The Place(s) of Female Domestic Workers in Recent Brazilian Cinema - Carlos Cortez Minchillo.- 8. Domestic Labor and the Crisis of Care in La tierra y la sombra and La Sirga - Marcelo Carosi.- 9. Domestic Matters: Hollywood and the Politics of Representing la doméstica in Babel and Cake - Sofía Ruiz-Alfaro.- 10. Filmography - Kerry Moynihan.

Elizabeth Osborne, PhD, is Assistant Professor in the Department of World Languages, Worcester State University, USA.Sofía Ruiz-Alfaro, PhD, is Associate Professor in the Department of Spanish and Linguistics, Franklin and Marshall College, USA.

• Introduction - Elizabeth Osborne and Sofía Ruiz-Alfaro.- 1. Restoring Names, Stories, and Voices for Cinematographic Maids: Toward a New Poetics of Domestic Service in Recent Argentine Films - María Julia Rossi.- 2. Moving beyond Maternalism: Negotiating Models of Womanhood in La Nana, Cama adentro, and Hilda - Elizabeth Osborne.- 3. Leftovers No More: Affect, Food and Power in Recent Latin American Films on Domestic Work - Karina Elizabeth Vázquez.- 4. Serious Camp: Juan Gabriel’s Queer Repertoire in ¿Qué le dijiste a Dios? - Olivia Cosentino.- 5. Defamiliarizing the Maid: Alicia Scherson’s Play - Susana Domingo Amestoy.- 6. Beyond Tropes: Otherness and the Identity of the Brazilian Maid in Domésticas-O Filme and Doméstica - Maurício Sellman Oliveira.- 7. Partial Affection: The Place(s) of Female Domestic Workers in Recent Brazilian Cinema - Carlos Cortez Minchillo.- 8. Domestic Labor and the Crisis of Care in La tierra y la sombra and La Sirga - Marcelo Carosi.- 9. Domestic Matters: Hollywood and the Politics of Representing la doméstica in Babel and Cake - Sofía Ruiz-Alfaro.- 10. Filmography - Kerry Moynihan.

Elizabeth Osborne, PhD, is Assistant Professor in the Department of World Languages, Worcester State University, USA.Sofía Ruiz-Alfaro, PhD, is Associate Professor in the Department of Spanish and Linguistics, Franklin and Marshall College, USA.

• Introduction - Elizabeth Osborne and Sofía Ruiz-Alfaro.- 1. Restoring Names, Stories, and Voices for Cinematographic Maids: Toward a New Poetics of Domestic Service in Recent Argentine Films - María Julia Rossi.- 2. Moving beyond Maternalism: Negotiating Models of Womanhood in La Nana, Cama adentro, and Hilda - Elizabeth Osborne.- 3. Leftovers No More: Affect, Food and Power in Recent Latin American Films on Domestic Work - Karina Elizabeth Vázquez.- 4. Serious Camp: Juan Gabriel’s Queer Repertoire in ¿Qué le dijiste a Dios? - Olivia Cosentino.- 5. Defamiliarizing the Maid: Alicia Scherson’s Play - Susana Domingo Amestoy.- 6. Beyond Tropes: Otherness and the Identity of the Brazilian Maid in Domésticas-O Filme and Doméstica - Maurício Sellman Oliveira.- 7. Partial Affection: The Place(s) of Female Domestic Workers in Recent Brazilian Cinema - Carlos Cortez Minchillo.- 8. Domestic Labor and the Crisis of Care in La tierra y la sombra and La Sirga - Marcelo Carosi.- 9. Domestic Matters: Hollywood and the Politics of Representing la doméstica in Babel and Cake - Sofía Ruiz-Alfaro.- 10. Filmography - Kerry Moynihan.