Anne Jerslev is Professor Film and Media Studies at the Department of Communication, University of Copenhagen. She is author of a number of publications on Lynch in both English, German and Danish. Jerslev is co-editor of  Impure Cinema. Intermedial and Intercultural Approaches to Film. London, I.B. Tauris, 2014.

• 1. Introduction.- 2. David Lynch and the digital.- 3. David Lynch and visual noise.- 4.David Lynch and fear: the uncanny and the sublime.- 5.  David Lynch and time: textures of ageing.- 6. David Lynch and the fragment – how not to tell a story.- 7. Conclusion: the precarious and the powerful.

Anne Jerslev is Professor Film and Media Studies at the Department of Communication, University of Copenhagen. She is author of a number of publications on Lynch in both English, German and Danish. Jerslev is co-editor of  Impure Cinema. Intermedial and Intercultural Approaches to Film. London, I.B. Tauris, 2014.

• 1. Introduction.- 2. David Lynch and the digital.- 3. David Lynch and visual noise.- 4.David Lynch and fear: the uncanny and the sublime.- 5.  David Lynch and time: textures of ageing.- 6. David Lynch and the fragment – how not to tell a story.- 7. Conclusion: the precarious and the powerful.

Anne Jerslev is Professor Film and Media Studies at the Department of Communication, University of Copenhagen. She is author of a number of publications on Lynch in both English, German and Danish. Jerslev is co-editor of  Impure Cinema. Intermedial and Intercultural Approaches to Film. London, I.B. Tauris, 2014.

• 1. Introduction.- 2. David Lynch and the digital.- 3. David Lynch and visual noise.- 4.David Lynch and fear: the uncanny and the sublime.- 5.  David Lynch and time: textures of ageing.- 6. David Lynch and the fragment – how not to tell a story.- 7. Conclusion: the precarious and the powerful.