Anthony Burgess, Stanley Kubrick and A Clockwork Orange

Matthew Melia is a senior lecturer in film, media and English literature at Kingston University, UK. He is co-editor of The Jaws Book: New Perspectives on the Classic Summer Blockbuster (2020) and a special edition of Historical Journal of Film, Radio and Television:  ‘50 Years of A Clockwork Orange’ (2022).Georgina Orgill is the Stanley Kubrick Archivist at University of the Arts London, UK, where she is responsible for managing the Stanley Kubrick Archive. She is a qualified archivist with an MA in Archives and Records Management.

• Introduction. By Matt Melia and Georgina Orgill.- Part 1: Authorship and A Clockwork Orange.- Chapter 1: Dangerous arts: the clash between Anthony Burgess, Stanley Kubrick, A Clockwork Orange and the World. By Filippo Ulivieri.- Chapter 2: Fresh Juice From A Clockwork Orange: Anthony Burgess’s Novel and its Aftermath. By Andrew Biswell.- Chapter 3:  Evolving  A Clockwork Orange. By Matt Melia.- Part 2: Language and Adaptation.- Chapter 4: “The colours of the real world only seem really real when you viddy them on the screen”: The adaptation of Nadsat in Stanley Kubrick’s A Clockwork Orange. By Jim Clarke and Benet Vincent.- Chapter 5: ‘Language, Language’: The Social Politics of ‘Goloss’ in A Clockwork Orange. By Julian Preece.- Chapter 6:  Adapting A Clockwork Orange. By I.Q Hunter.- Part 3: Architectural, Art Historical and Theoretical Approaches to A Clockwork Orange.- Chapter 7:  ‘The Violence of the Image OR HowStanley Kubrick Visualised Anthony Burgess’s Novel’. By Dijana Metlic.- Chapter 8: ‘Architecture and Freedom in A Clockwork Orange’. By Joe Darlington.- Chapter 9: Glazzies Wide Open: Spectral Torture, Kubrick and A Clockwork Orange. By Murray Pomerance.- Part 4: 20th Century Contexts for A Clocwkork Orange.- Chapter 10:  ‘A particularly bad film of, like, a concentration camp’: Jews and Germans in A Clockwork Orange’. By Peter Kramer and Nathan Abrams.- Chapter 11: When Burgess met the Stilyagi on a white night: Subcultures, hegemony and resistance in the soviet roots of  A Clockwork Orange‘s droogs.’ By Cristian Pasotti.- Chapter 12: ‘Alex’s voice in A Clockwork Orange: Nadsat, Cinema and Cold War Brainwashing Scares’. By Joy McEntee.- Part 5: A Clockwork Orange in the 21st Century.- Chapter 13: ‘A Thing Living and Not Growing’. By Ajay Hothi.- Chapter 14: ‘A Clockwork Orange and its representations of Sexual Violence’. By Karen Ritzenhoff.