Ruby Cheung is Associate Professor in Film Studies at the University of Southampton, UK, where she leads international film industry studies at undergraduate, postgraduate (taught) and PhD levels. Ruby is an internationally recognized specialist in the study of contemporary Hong Kong cinema, Chinese-language film industries, as well as film festivals. She is the author of New Hong Kong Cinema: Transitions to Becoming Chinese in 21st-century East Asia (2016), and the main editor/co-editor of six other books.

• Chapter 1. Introduction: Hong Kong’s Indie Films of the 2010s and Film Independence.- Chapter 2. The Fabric of 2010s Hong Kong Film Industry.- Chapter 3. Creative Labour.- Chapter 4. Subject Matter.- Chapter 5. The Use of Language.- Chapter 6. Distribution and Exhibition.- Chapter 7. Conclusion: A New Start or an Endgame?.

Ruby Cheung is Associate Professor in Film Studies at the University of Southampton, UK, where she leads international film industry studies at undergraduate, postgraduate (taught) and PhD levels. Ruby is an internationally recognized specialist in the study of contemporary Hong Kong cinema, Chinese-language film industries, as well as film festivals. She is the author of New Hong Kong Cinema: Transitions to Becoming Chinese in 21st-century East Asia (2016), and the main editor/co-editor of six other books.

• Chapter 1. Introduction: Hong Kong’s Indie Films of the 2010s and Film Independence.- Chapter 2. The Fabric of 2010s Hong Kong Film Industry.- Chapter 3. Creative Labour.- Chapter 4. Subject Matter.- Chapter 5. The Use of Language.- Chapter 6. Distribution and Exhibition.- Chapter 7. Conclusion: A New Start or an Endgame?.

Ruby Cheung is Associate Professor in Film Studies at the University of Southampton, UK, where she leads international film industry studies at undergraduate, postgraduate (taught) and PhD levels. Ruby is an internationally recognized specialist in the study of contemporary Hong Kong cinema, Chinese-language film industries, as well as film festivals. She is the author of New Hong Kong Cinema: Transitions to Becoming Chinese in 21st-century East Asia (2016), and the main editor/co-editor of six other books.

• Chapter 1. Introduction: Hong Kong’s Indie Films of the 2010s and Film Independence.- Chapter 2. The Fabric of 2010s Hong Kong Film Industry.- Chapter 3. Creative Labour.- Chapter 4. Subject Matter.- Chapter 5. The Use of Language.- Chapter 6. Distribution and Exhibition.- Chapter 7. Conclusion: A New Start or an Endgame?.