Paul Vanouse is an artist, SUNY Distinguished Professor and founding director of the Coalesce Center for Biological Art at the University at Buffalo, USA. A pioneer of bio-media art, his artwork employs molecular biology techniques to challenge entrenched notions of individual, racial, and national identity, and the cultural authority of DNA. His projects have been exhibited in 30 countries and widely across the US. Venues have included Albright-Knox Art Gallery (Buffalo), New Museum (New York), Andy Warhol Museum (Pittsburgh), Walker Art Center (Minneapolis), Henry Art Gallery (Seattle), Museo Nacional de Bellas Artes (Buenos Aires), Louvre (Paris), Haus Der Kulturen Der Welt and Schering Stiftung (Berlin), ZKM (Karlsruhe), and TePapa Museum (Wellington). His recent, multi-sensory, bio-media artwork, "Labor", received a Golden Nica at Prix Ars Electronica.

• 1.  Introduction.- 2.  Making Difference.- 3.  BLOOD, COMPARING: Relative Velocity Inscription Device.- 4.  PATTERN, IDENTIFYING: Latent Figure Protocol.- 5.  EVIDENCE, PERFORMING: Suspect Inversion Center and Deep Woods PCR.- 6.   SPIT, ANONYMIZING: America Project.- 7.   MATTER, MAPPING: Ocular Revision.- 8.   SWEAT, (RE)MATERIALIZING: Labor.

Paul Vanouse is an artist, SUNY Distinguished Professor and founding director of the Coalesce Center for Biological Art at the University at Buffalo, USA. A pioneer of bio-media art, his artwork employs molecular biology techniques to challenge entrenched notions of individual, racial, and national identity, and the cultural authority of DNA. His projects have been exhibited in 30 countries and widely across the US. Venues have included Albright-Knox Art Gallery (Buffalo), New Museum (New York), Andy Warhol Museum (Pittsburgh), Walker Art Center (Minneapolis), Henry Art Gallery (Seattle), Museo Nacional de Bellas Artes (Buenos Aires), Louvre (Paris), Haus Der Kulturen Der Welt and Schering Stiftung (Berlin), ZKM (Karlsruhe), and TePapa Museum (Wellington). His recent, multi-sensory, bio-media artwork, "Labor", received a Golden Nica at Prix Ars Electronica.

• 1.  Introduction.- 2.  Making Difference.- 3.  BLOOD, COMPARING: Relative Velocity Inscription Device.- 4.  PATTERN, IDENTIFYING: Latent Figure Protocol.- 5.  EVIDENCE, PERFORMING: Suspect Inversion Center and Deep Woods PCR.- 6.   SPIT, ANONYMIZING: America Project.- 7.   MATTER, MAPPING: Ocular Revision.- 8.   SWEAT, (RE)MATERIALIZING: Labor.

Paul Vanouse is an artist, SUNY Distinguished Professor and founding director of the Coalesce Center for Biological Art at the University at Buffalo, USA. A pioneer of bio-media art, his artwork employs molecular biology techniques to challenge entrenched notions of individual, racial, and national identity, and the cultural authority of DNA. His projects have been exhibited in 30 countries and widely across the US. Venues have included Albright-Knox Art Gallery (Buffalo), New Museum (New York), Andy Warhol Museum (Pittsburgh), Walker Art Center (Minneapolis), Henry Art Gallery (Seattle), Museo Nacional de Bellas Artes (Buenos Aires), Louvre (Paris), Haus Der Kulturen Der Welt and Schering Stiftung (Berlin), ZKM (Karlsruhe), and TePapa Museum (Wellington). His recent, multi-sensory, bio-media artwork, "Labor", received a Golden Nica at Prix Ars Electronica.

• 1.  Introduction.- 2.  Making Difference.- 3.  BLOOD, COMPARING: Relative Velocity Inscription Device.- 4.  PATTERN, IDENTIFYING: Latent Figure Protocol.- 5.  EVIDENCE, PERFORMING: Suspect Inversion Center and Deep Woods PCR.- 6.   SPIT, ANONYMIZING: America Project.- 7.   MATTER, MAPPING: Ocular Revision.- 8.   SWEAT, (RE)MATERIALIZING: Labor.