Aastha Gandhi teaches theatre and performance coursework for graduate programmes at the School of Culture and Creative Expressions, Ambedkar University Delhi, India. Her recently published essays include: ‘Indian Circus: a Melting Pot of Migrant Artists, Performativity, and Race’ (The Palgrave Handbook of Theatre and Migration, Palgrave Macmillan, 2023) and ‘The Indo-Soviet Circus Exchange amidst the Cold War: a State Propaganda or a People’s Art Form?’  (Performing the Cold War in the Postcolonial World: Theatre, Film, Literature, and Things, 2023). A researcher and performer, Aastha's research engages with the circus, networks, law, and discourses of the performing body. A degree in law adds to her multi- faceted, inter-disciplinary approach to performance research.

• Chapter I: Introduction.- PART I.- Chapter II: Mapping Histories of the Indian Circus and Migrant Artists.- Chapter III: The Cold War, State Hegemony, and the Artists.- Chapter IV: Circus as a Trans-temporal Community—Mapping Networks, Circuits, and Migration.- PART II.- Chapter V: Bodies on the Ground and in the Air: Performance Acts and Performers.- Chapter VI: Precarious Bodies and Negotiations with Laws.- Chapter VII: Coda: Mobile Materials, Performing Objects, and New Directions in the Circus.

Aastha Gandhi teaches theatre and performance coursework for graduate programmes at the School of Culture and Creative Expressions, Ambedkar University Delhi, India. Her recently published essays include: ‘Indian Circus: a Melting Pot of Migrant Artists, Performativity, and Race’ (The Palgrave Handbook of Theatre and Migration, Palgrave Macmillan, 2023) and ‘The Indo-Soviet Circus Exchange amidst the Cold War: a State Propaganda or a People’s Art Form?’  (Performing the Cold War in the Postcolonial World: Theatre, Film, Literature, and Things, 2023). A researcher and performer, Aastha's research engages with the circus, networks, law, and discourses of the performing body. A degree in law adds to her multi- faceted, inter-disciplinary approach to performance research.

• Chapter I: Introduction.- PART I.- Chapter II: Mapping Histories of the Indian Circus and Migrant Artists.- Chapter III: The Cold War, State Hegemony, and the Artists.- Chapter IV: Circus as a Trans-temporal Community—Mapping Networks, Circuits, and Migration.- PART II.- Chapter V: Bodies on the Ground and in the Air: Performance Acts and Performers.- Chapter VI: Precarious Bodies and Negotiations with Laws.- Chapter VII: Coda: Mobile Materials, Performing Objects, and New Directions in the Circus.