Teck Fann Goh is Lecturer in Arts and Cultural Management at the University of Melbourne. She obtained her PhD from the School of Media, Film and Journalism at Monash University, Australia. Her research focuses on the implementation of cultural policy in the organisation of film festivals and how institutions practice cultural diplomacy on the international stage to enhance cultural connections. Her other research interests include contemporary film cultures and Asian media and popular culture.

• Chapter 1: Introduction.- Chapter 2: Screening Japan Abroad: Situating the Emergence of Japanese Film Festivals in the Asia-Pacific.- Chapter 3: Organising Japanese Film Festivals: Institutional Goals, Structures and Actors.- Chapter 4: Programming Japan Abroad: Japanese Film Festivals and the Politics of National Images.- Chapter 5: Going to Japanese Film Festivals: Audiences, Motivations and Experiences.- Chapter 6: Conclusion.

Teck Fann Goh is Lecturer in Arts and Cultural Management at the University of Melbourne. She obtained her PhD from the School of Media, Film and Journalism at Monash University, Australia. Her research focuses on the implementation of cultural policy in the organisation of film festivals and how institutions practice cultural diplomacy on the international stage to enhance cultural connections. Her other research interests include contemporary film cultures and Asian media and popular culture.

• Chapter 1: Introduction.- Chapter 2: Screening Japan Abroad: Situating the Emergence of Japanese Film Festivals in the Asia-Pacific.- Chapter 3: Organising Japanese Film Festivals: Institutional Goals, Structures and Actors.- Chapter 4: Programming Japan Abroad: Japanese Film Festivals and the Politics of National Images.- Chapter 5: Going to Japanese Film Festivals: Audiences, Motivations and Experiences.- Chapter 6: Conclusion.

Teck Fann Goh is Lecturer in Arts and Cultural Management at the University of Melbourne. She obtained her PhD from the School of Media, Film and Journalism at Monash University, Australia. Her research focuses on the implementation of cultural policy in the organisation of film festivals and how institutions practice cultural diplomacy on the international stage to enhance cultural connections. Her other research interests include contemporary film cultures and Asian media and popular culture.

• Chapter 1: Introduction.- Chapter 2: Screening Japan Abroad: Situating the Emergence of Japanese Film Festivals in the Asia-Pacific.- Chapter 3: Organising Japanese Film Festivals: Institutional Goals, Structures and Actors.- Chapter 4: Programming Japan Abroad: Japanese Film Festivals and the Politics of National Images.- Chapter 5: Going to Japanese Film Festivals: Audiences, Motivations and Experiences.- Chapter 6: Conclusion.