The Author: D. Keith Peacock was awarded his Ph.D. from Exeter University in 1972 and is currently Senior Lecturer in Drama at the University of Hull. Dr Peacock has lectured in the United States, the West Indies and Hungary. He is the author of many articles and books, the most recently published being Thatcher’s Theatre (1999).

• Contents: Performance Aesthetics: The Introduction – The Post-War Years: Illustration of the realist theatre between 1945 and 1956 – Joan Littlewood and Theatre Workshop: a discussion of performance aesthetics – The Royal Shakespeare Company 1960-1964: the ensemble work of a permanent company and an Ensemble – Body and Sensation: Peter Brook’s non-naturalistic production approaches – Physical Theatre: its development in Britain from the late 1960s to the mid-1990s – An afterword that describes the pattern of evolution that has emerged from the study.

The Author: D. Keith Peacock was awarded his Ph.D. from Exeter University in 1972 and is currently Senior Lecturer in Drama at the University of Hull. Dr Peacock has lectured in the United States, the West Indies and Hungary. He is the author of many articles and books, the most recently published being Thatcher’s Theatre (1999).

• Contents: Performance Aesthetics: The Introduction – The Post-War Years: Illustration of the realist theatre between 1945 and 1956 – Joan Littlewood and Theatre Workshop: a discussion of performance aesthetics – The Royal Shakespeare Company 1960-1964: the ensemble work of a permanent company and an Ensemble – Body and Sensation: Peter Brook’s non-naturalistic production approaches – Physical Theatre: its development in Britain from the late 1960s to the mid-1990s – An afterword that describes the pattern of evolution that has emerged from the study.

The Author: D. Keith Peacock was awarded his Ph.D. from Exeter University in 1972 and is currently Senior Lecturer in Drama at the University of Hull. Dr Peacock has lectured in the United States, the West Indies and Hungary. He is the author of many articles and books, the most recently published being Thatcher’s Theatre (1999).

• Contents: Performance Aesthetics: The Introduction – The Post-War Years: Illustration of the realist theatre between 1945 and 1956 – Joan Littlewood and Theatre Workshop: a discussion of performance aesthetics – The Royal Shakespeare Company 1960-1964: the ensemble work of a permanent company and an Ensemble – Body and Sensation: Peter Brook’s non-naturalistic production approaches – Physical Theatre: its development in Britain from the late 1960s to the mid-1990s – An afterword that describes the pattern of evolution that has emerged from the study.