Elizabeth Gregory is Professor of English and Director of the Women’s, Gender & SexualityStudies Program at the University of Houston, USA.Stacy Carson Hubbard is Associate Professor of English, University of Buffalo, USA.

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• Elizabeth Gregory & Stacy Carson Hubbard.- “These Things”: Moore’s Habits of Adduction.- Moore’s Numbers.- Yellow Roses and Bulbuls: Marianne Moore’s Persian Effects.- Contrarieties Equally True: Marianne Moore and William Blake.- “The Teacher Was Speaking of Unrhymed Verse”: Marianne Moore, E. H. Kellogg, and the Poetry of Modernist Hermeneutics.- Editorial Compression: Marianne Moore at The Dial Magazine.- Marianne Moore and Modern Labor.- Marianne Moore’s “Light Is Speech”: Decision Magazine and the Wartime Work of Intellectual Exchange.- “Mysteries Expound Mysteries”: Marianne Moore’s Influence on John Ashbery.- “The first grace of style”: Marianne Moore and the Writing of Dancing.- “Passion for the Particular”: Marianne Moore, Henry James, Beatrix Potter and the Refuge of Close Reading.- Is Andy Warhol Marianne Moore?: Celebrity, Celibacy and Subversion.- “ArchivingMarianne Moore”.-“Finding Moore: No Search Engines, No Indexes, No Computers”.- “Documenting Moore”.- “Discovering Moore”.- “Advertising Moore”.-“Editing Moore”.

Elizabeth Gregory is Professor of English and Director of the Women’s, Gender & SexualityStudies Program at the University of Houston, USA.Stacy Carson Hubbard is Associate Professor of English, University of Buffalo, USA.

Select Guide Rating

• Elizabeth Gregory & Stacy Carson Hubbard.- “These Things”: Moore’s Habits of Adduction.- Moore’s Numbers.- Yellow Roses and Bulbuls: Marianne Moore’s Persian Effects.- Contrarieties Equally True: Marianne Moore and William Blake.- “The Teacher Was Speaking of Unrhymed Verse”: Marianne Moore, E. H. Kellogg, and the Poetry of Modernist Hermeneutics.- Editorial Compression: Marianne Moore at The Dial Magazine.- Marianne Moore and Modern Labor.- Marianne Moore’s “Light Is Speech”: Decision Magazine and the Wartime Work of Intellectual Exchange.- “Mysteries Expound Mysteries”: Marianne Moore’s Influence on John Ashbery.- “The first grace of style”: Marianne Moore and the Writing of Dancing.- “Passion for the Particular”: Marianne Moore, Henry James, Beatrix Potter and the Refuge of Close Reading.- Is Andy Warhol Marianne Moore?: Celebrity, Celibacy and Subversion.- “ArchivingMarianne Moore”.-“Finding Moore: No Search Engines, No Indexes, No Computers”.- “Documenting Moore”.- “Discovering Moore”.- “Advertising Moore”.-“Editing Moore”.

Elizabeth Gregory is Professor of English and Director of the Women’s, Gender & SexualityStudies Program at the University of Houston, USA.Stacy Carson Hubbard is Associate Professor of English, University of Buffalo, USA.

Select Guide Rating

• Elizabeth Gregory & Stacy Carson Hubbard.- “These Things”: Moore’s Habits of Adduction.- Moore’s Numbers.- Yellow Roses and Bulbuls: Marianne Moore’s Persian Effects.- Contrarieties Equally True: Marianne Moore and William Blake.- “The Teacher Was Speaking of Unrhymed Verse”: Marianne Moore, E. H. Kellogg, and the Poetry of Modernist Hermeneutics.- Editorial Compression: Marianne Moore at The Dial Magazine.- Marianne Moore and Modern Labor.- Marianne Moore’s “Light Is Speech”: Decision Magazine and the Wartime Work of Intellectual Exchange.- “Mysteries Expound Mysteries”: Marianne Moore’s Influence on John Ashbery.- “The first grace of style”: Marianne Moore and the Writing of Dancing.- “Passion for the Particular”: Marianne Moore, Henry James, Beatrix Potter and the Refuge of Close Reading.- Is Andy Warhol Marianne Moore?: Celebrity, Celibacy and Subversion.- “ArchivingMarianne Moore”.-“Finding Moore: No Search Engines, No Indexes, No Computers”.- “Documenting Moore”.- “Discovering Moore”.- “Advertising Moore”.-“Editing Moore”.