The editors of this volume are former members of the DFG-Center for Advanced Studies FOR 2603 “Russian-Language Poetry in Transition: Poetic Forms Addressing Boundaries of Genre, Language, and Culture across Europe, Asia, and the Americas” (2017–2022). David Hock (Princeton University) was a research assistant. Ekaterina Friedrichs and Hannah Schlimpen were postdoctoral researchers; currently, they both are research assistants of the network “Transculturality and its Borders” (Forschungsinitiative Rheinland-Pfalz) at the University of Trier. Herle Christin Jessen is a professor of Romance Philology at the Ludwig Maximilian University of Munich.

• David Hock Introduction 1 I Niall Binns "Where’s the Dialogue?" The Contrasting Traditions of Twentieth-Century Poetry in Chile and Spain 9 Lucía Stecher On Writing Poetry in Postcolonial Texts: Dionne Brand’s "The Blue Clerk: Ars Poetica in 59 Versos" 21 Mikhail Martynov The Problem of Community in the Poetry of Subcomandante Marcos and Egor Letov 31 Herle-Christin Jessen The Poetics of Pain in the Poetry of Juan Gelman 41 II María Lucía Puppo The Balance of an "Old Poet Who Writes": Networks around Poetry and Art in Juana Bignozzi’s Final Book of Poems 55 Kirill Korchagin, Elizaveta Kuzina Between Poetry and the Visual Avant-Garde: Intermediality and Structuralism in Octavio Paz’s and Jagdish Swaminathan’s Oeuvres 67 Ekaterina Friedrichs The "third world of the fifth dimension" and the "metisization of meaning": A Topology of Sense in Natalia Azarova’s "brazil" 83 III Екатерина Волкова Америко Сбросить Пушкина с парохода современности: о переводах русскоязычной поэзии в Бразилии 95 Claus Telge Translating Pablo Neruda, or: How Erich Arendt and Hans Magnus Enzensberger Did the Same Thing Differently 117 Юрий Орлицкий Русский Неруда – один из «основоположников» советского верлибра 137