Juan L. Pérez-de-Luque is Associate Professor of English at the University of Córdoba. His research focuses on ideological approaches to popular culture in English, particularly within the genres of horror, science-fiction and fantasy. Paula Martín-Salván is Professor of English at the University of Córdoba. Her research focuses on representations of community, secrecy and transparency in contemporary fiction.

• TABLE OF CONTENTS - Introduction: Democracy, Secrecy, Dissidence - Juan L. Pérez-de-Luque and Paula Martín-Salván - Post-Truth Secrets - Clare Birchall - The Political is the Psychological: Hauntology, Autoimmunity and the Construction and Fragmentation of Secrets and Crypts in Anna Burns’ Little Constructions - Felicity Smith - Secrecy, Politics and Ethics in Ishiguro’s The Buried Giant - María Luisa Pascual Garrido - Teju Cole’s Poetics of Secrecy and Revelation - Kai Wiegandt - (In)sanity is Her Alibi: on Silence, Secrecy, and (in)Sanity as Chinese American Epistemology in The Woman Warrior - Luna Chung - "Begin with the assumption that you don’t know anything about being Black": Cultural Opacity in Jonathan Franzen’s Crossroads - Jesús Blanco Hidalga - "The Noir Rhetoric of Ireland’s Rule of Secrecy in Benjamin Black’s Elegy for April and April in Spain" - Auxiliadora Pérez-Vides - Dissent and Secrecy in the Works of Shirley Jackson - Samantha Landau - The Private and the Public in Mason & Dixon - Sascha Pöhlmann - "Thinking Positive / Saying Positive": Transparency, Solidarity, and Failure in George Saunders' Pastoralia- Ed Smith - Posthumanism, Secrecy, and Transparency: From Jennifer Egan’s "Black Box" (2012) to "Lulu the Spy, 2032" in The Candy House - Sonia Baelo-Allué

Juan L. Pérez-de-Luque is Associate Professor of English at the University of Córdoba. His research focuses on ideological approaches to popular culture in English, particularly within the genres of horror, science-fiction and fantasy. Paula Martín-Salván is Professor of English at the University of Córdoba. Her research focuses on representations of community, secrecy and transparency in contemporary fiction.

• TABLE OF CONTENTS - Introduction: Democracy, Secrecy, Dissidence - Juan L. Pérez-de-Luque and Paula Martín-Salván - Post-Truth Secrets - Clare Birchall - The Political is the Psychological: Hauntology, Autoimmunity and the Construction and Fragmentation of Secrets and Crypts in Anna Burns’ Little Constructions - Felicity Smith - Secrecy, Politics and Ethics in Ishiguro’s The Buried Giant - María Luisa Pascual Garrido - Teju Cole’s Poetics of Secrecy and Revelation - Kai Wiegandt - (In)sanity is Her Alibi: on Silence, Secrecy, and (in)Sanity as Chinese American Epistemology in The Woman Warrior - Luna Chung - "Begin with the assumption that you don’t know anything about being Black": Cultural Opacity in Jonathan Franzen’s Crossroads - Jesús Blanco Hidalga - "The Noir Rhetoric of Ireland’s Rule of Secrecy in Benjamin Black’s Elegy for April and April in Spain" - Auxiliadora Pérez-Vides - Dissent and Secrecy in the Works of Shirley Jackson - Samantha Landau - The Private and the Public in Mason & Dixon - Sascha Pöhlmann - "Thinking Positive / Saying Positive": Transparency, Solidarity, and Failure in George Saunders' Pastoralia- Ed Smith - Posthumanism, Secrecy, and Transparency: From Jennifer Egan’s "Black Box" (2012) to "Lulu the Spy, 2032" in The Candy House - Sonia Baelo-Allué

Juan L. Pérez-de-Luque is Associate Professor of English at the University of Córdoba. His research focuses on ideological approaches to popular culture in English, particularly within the genres of horror, science-fiction and fantasy. Paula Martín-Salván is Professor of English at the University of Córdoba. Her research focuses on representations of community, secrecy and transparency in contemporary fiction.

• TABLE OF CONTENTS - Introduction: Democracy, Secrecy, Dissidence - Juan L. Pérez-de-Luque and Paula Martín-Salván - Post-Truth Secrets - Clare Birchall - The Political is the Psychological: Hauntology, Autoimmunity and the Construction and Fragmentation of Secrets and Crypts in Anna Burns’ Little Constructions - Felicity Smith - Secrecy, Politics and Ethics in Ishiguro’s The Buried Giant - María Luisa Pascual Garrido - Teju Cole’s Poetics of Secrecy and Revelation - Kai Wiegandt - (In)sanity is Her Alibi: on Silence, Secrecy, and (in)Sanity as Chinese American Epistemology in The Woman Warrior - Luna Chung - "Begin with the assumption that you don’t know anything about being Black": Cultural Opacity in Jonathan Franzen’s Crossroads - Jesús Blanco Hidalga - "The Noir Rhetoric of Ireland’s Rule of Secrecy in Benjamin Black’s Elegy for April and April in Spain" - Auxiliadora Pérez-Vides - Dissent and Secrecy in the Works of Shirley Jackson - Samantha Landau - The Private and the Public in Mason & Dixon - Sascha Pöhlmann - "Thinking Positive / Saying Positive": Transparency, Solidarity, and Failure in George Saunders' Pastoralia- Ed Smith - Posthumanism, Secrecy, and Transparency: From Jennifer Egan’s "Black Box" (2012) to "Lulu the Spy, 2032" in The Candy House - Sonia Baelo-Allué