Gerd Mathias Micheluzzi studied art history at the Universities of Graz and Vienna, serving as a research associate at the latter from 2016 to 2019. His dissertation was awarded the Elise Reimarus Prize of the Academy of Sciences and Humanities in Hamburg in 2023. Research fellowships have taken him to the Austrian Historical Institute in Rome, the Courtauld Institute of Art in London, and the Kunsthistorisches Institut in Florence (Max-Planck-Institute). From 2020 he was a research associate at the University of Hamburg, and since 2021 he has been a member of the DFG-Centre for Advanced Studies "Imaginaria of Force". His research focuses on medieval and early modern Italian art, with particular interest in the intersections of art, art theory, and the (proto-)sciences. His current project examines "Aesthetics of Unfolding", while he also contributes to the DFG project on the new translation and commentary of Leonardo da Vinci’s Libro di Pittura (part V of the Codex Urbinas 1270).

Gerd Mathias Micheluzzi studied art history at the Universities of Graz and Vienna, serving as a research associate at the latter from 2016 to 2019. His dissertation was awarded the Elise Reimarus Prize of the Academy of Sciences and Humanities in Hamburg in 2023. Research fellowships have taken him to the Austrian Historical Institute in Rome, the Courtauld Institute of Art in London, and the Kunsthistorisches Institut in Florence (Max-Planck-Institute). From 2020 he was a research associate at the University of Hamburg, and since 2021 he has been a member of the DFG-Centre for Advanced Studies "Imaginaria of Force". His research focuses on medieval and early modern Italian art, with particular interest in the intersections of art, art theory, and the (proto-)sciences. His current project examines "Aesthetics of Unfolding", while he also contributes to the DFG project on the new translation and commentary of Leonardo da Vinci’s Libro di Pittura (part V of the Codex Urbinas 1270).

Gerd Mathias Micheluzzi studied art history at the Universities of Graz and Vienna, serving as a research associate at the latter from 2016 to 2019. His dissertation was awarded the Elise Reimarus Prize of the Academy of Sciences and Humanities in Hamburg in 2023. Research fellowships have taken him to the Austrian Historical Institute in Rome, the Courtauld Institute of Art in London, and the Kunsthistorisches Institut in Florence (Max-Planck-Institute). From 2020 he was a research associate at the University of Hamburg, and since 2021 he has been a member of the DFG-Centre for Advanced Studies "Imaginaria of Force". His research focuses on medieval and early modern Italian art, with particular interest in the intersections of art, art theory, and the (proto-)sciences. His current project examines "Aesthetics of Unfolding", while he also contributes to the DFG project on the new translation and commentary of Leonardo da Vinci’s Libro di Pittura (part V of the Codex Urbinas 1270).