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    1. Kultur
    2. Konstböcker
    3. Konsthistoria

    Smiling Angel

    Following the trail of stones in the Regensburg cathedral

    AvFriedrich Fuchs

    Häftad, Engelska, 2016

    232 kr

    Tillfälligt slut

    Beskrivning

    His juvenile carefreeness has made him famous; the figure has become the true landmark not only of the Cathedral, but of the entire city. His smile puts a spell on viewers. The reason why an angel may laugh so heartily touches on core questions of the Christian faith and leads right into the heart of the Middle Ages, when laughing was actually considered sinful. In this case, however, the radiantly smiling angel brings good news to Mary, his counterpart, and also to the world, since he is announcing the incarnation of Christ. The archangel Gabriel and Mary are the two oldest and artistically most valuable stone statues of the entire church. They are at the centre of a concise, yet richly illustrated explanation of the Regensburg Cathedral, in which light and colour play an eminent role, also in helping us understand the development of this church through the ages.

    Produktinformation

    • Utgivningsdatum:2016-10-31
    • Mått:140 x 240 x undefined mm
    • Vikt:340 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:128
    • Förlag:Schnell & Steiner GmbH, Verlag
    • ISBN:9783795431822

    Utforska kategorier

    • Konsthistoria inom Kultur

    Innehållsförteckning

    • Regensburg: City of Romans, Dukes, and BishopsNew construction of a Gothic cathedralMaster »Ludwig«, the so-called »Erminoldmeister«Mason’s marksGabriel and Mary – the oldest sculptures on the workbenchThe stained glass: light and colour as carriers of meaningGabriel and Mary – the original placement in the inner choirThe former choir screen between the nave and the inner choirColourful sculptures as living building blocks of the cathedralThe temporary main entrance in the southern transeptDelayed construction progress and construction of the temporary west façadeThe main entrance and the west façadeGabriel and Mary – New neighbours in the inner choirThe overall colour scheme of the cathedral in the late Middle AgesAbandonment of construction of the west façadeRestyling of the interior around 1620/30 – The golden yellow cathedralNew colours for the sculptures Conservation of the external structuresRestyling of the interior in Late Baroque (around 1700) – The olive grey cathedralReduction of the sculptures’ colourfulnessGabriel and Mary in new festive garmentsThe cathedral in the early 19th century – return to the Gothic styleRecovery of Gothic elements in the church interiorThe dream project: completion of the towersGabriel and Mary have to moveThe “completed” cathedral: a perennial con- struction site – the ravages of time afflict the sandstoneRe-establishment of the cathedral workshopGabriel and Mary return to the Romanesque cathedralA makeshift material: concreteConstruction of a bishop’s gravesite and resto- ration of the church interiorNew stained glass pictures for the cathedralThe ravages of time afflict the limestone: com- prehensive external cleaningThe ravages of time afflict the concreteCreation of a sacrament chapel in the south choirA new cathedral organThe main entrance is restoredThe cathedral workshop                                  Photo credits/Bibliographical referencesImpressum