Benjamin Acosta-Hughes is professor of Greek and Latin at the Ohio State University. He has published extensively on Hellenistic poetry, most recently Arion’s Lyre. Archaic Lyric into Hellenistic Poetry (Princeton, 2010).Luigi Lehnus is professor of Classical Philology at the Università Statale di Milano. A scholar of Archaic lyric, Hellenistic poetry and Roman poetry, he is the editor of the forthcoming Teubner edition of Callimachus’ fragments.Susan Stephens is Sara Hart Kimball Professor in the Humanities and Professor of Classics at Stanford University. She is the author of Seeing Double: Intercultural Poetics in Ptolemaic Alexandria (Berkeley 2003).Contributors include: Benjamin Acosta-Hughes, Marcus Asper, Silvia Barbantani, Alessandro Barchiesi, Giovanni Benedetto, Mario Citroni, Adele- Teresa Cozzoli, Christophe Cusset, Claudio De Stefani, Yannick Durbec, Maria-Rosaria Falivene, Marco Fantuzzi, Annette Harder, Richard Hunter, Nita Krevans, Luigi Lehnus, Emanuele Lelli, Enrico Magnelli, Giulio Massimilla, Andrew Morrison, Peter Parsons, Mark Payne, Ivana Petrovic, Filippomaria Pontani, Lucia Prauscello, Évelyne Prioux, Allen Romano, Ruth Scodel, Susan Stephens, Gregor Weber.

"[...]Acosta-Hughes, Lehnus, and Stephens have managed to assemble a collection of essays that not only advances Callimachean studies significantly, but, even more amazingly, is a delight to read from start to finish. I will be returning to all of these papers in the years ahead because one read does not suffice, given the detail, and because sometimes a μέγα βιβλίον can actually be a μέγα καλόν. James J. Clauss in BMCR, 30.05.2012

• ContributorsAbbreviations Introduction, Susan StephensI. The Material Author1. Callimachus Rediscovered in Papyri, Luigi Lehnus2. The Aetia through Papyri, Giulio Massimilla3. Callimachus as Fragment, Annette Harder4. The Diegeseis Papyrus: Archaeological Context, Format, and Contents, Maria Rosaria Falivene5. Callimachus’ Traces: The First Modern Collectors, Filippomaria Pontani6. Callimachus’ Philology, Nita Krevans7. Callimachus and His Koinai, Peter ParsonsII. Social Contexts8. Dimensions of Power: Callimachean Geopoetics and the Ptolemaic Empire, Markus Asper9. Callimachus on Kings and Kingship, Silvia Barbantani10. Callimachus’ Queens, Évelyne Prioux11. Poet and Court, Gregor Weber12. The Gods of Callimachus, Richard Hunter13. Callimachus and Contemporary Religion: The Hymn to Apollo, Ivana PetrovicIII. Sources and Models14. Digging Up the Musical Past: Callimachus and New Music, Lucia Prauscello15. Callimachus and Contemporary Criticism, Allen J. Romano16. Callimachus’ Muses, Andrew Morrison17. Callimachus and the Atthidographers, Giovanni Benedetto18. Callimachus and Fable, Ruth Scodel19. Proverbs and Popular Sayings in Callimachus, Emanuele LelliIV. Personae20. The Poet as a Child, Adele-Teresa Cozzoli21. Speaking with Authority: Polyphony in Callimachus’s Hymns, Marco Fantuzzi22. Other Poetic Voices in Callimachus, Christophe Cusset23. Individual Figures in Callimachus, Yannick Durbec24. Iambic Theatre: The Childhood of Callimachus Revisited, Mark PayneV. Callimachus’ Afterlife25. Roman Callimachus, Alessandro Barchiesi26. Callimachus and Later Greek Poetry, Claudio De Stefani and Enrico Magnelli27. Arte Allusiva: Pasquali and Onward, Mario CitroniEpilogue, Benjamin Acosta-HughesBibliographyIndex LocorumGeneral Index

Benjamin Acosta-Hughes is professor of Greek and Latin at the Ohio State University. He has published extensively on Hellenistic poetry, most recently Arion’s Lyre. Archaic Lyric into Hellenistic Poetry (Princeton, 2010).Luigi Lehnus is professor of Classical Philology at the Università Statale di Milano. A scholar of Archaic lyric, Hellenistic poetry and Roman poetry, he is the editor of the forthcoming Teubner edition of Callimachus’ fragments.Susan Stephens is Sara Hart Kimball Professor in the Humanities and Professor of Classics at Stanford University. She is the author of Seeing Double: Intercultural Poetics in Ptolemaic Alexandria (Berkeley 2003).Contributors include: Benjamin Acosta-Hughes, Marcus Asper, Silvia Barbantani, Alessandro Barchiesi, Giovanni Benedetto, Mario Citroni, Adele- Teresa Cozzoli, Christophe Cusset, Claudio De Stefani, Yannick Durbec, Maria-Rosaria Falivene, Marco Fantuzzi, Annette Harder, Richard Hunter, Nita Krevans, Luigi Lehnus, Emanuele Lelli, Enrico Magnelli, Giulio Massimilla, Andrew Morrison, Peter Parsons, Mark Payne, Ivana Petrovic, Filippomaria Pontani, Lucia Prauscello, Évelyne Prioux, Allen Romano, Ruth Scodel, Susan Stephens, Gregor Weber.

"[...]Acosta-Hughes, Lehnus, and Stephens have managed to assemble a collection of essays that not only advances Callimachean studies significantly, but, even more amazingly, is a delight to read from start to finish. I will be returning to all of these papers in the years ahead because one read does not suffice, given the detail, and because sometimes a μέγα βιβλίον can actually be a μέγα καλόν. James J. Clauss in BMCR, 30.05.2012

• ContributorsAbbreviations Introduction, Susan StephensI. The Material Author1. Callimachus Rediscovered in Papyri, Luigi Lehnus2. The Aetia through Papyri, Giulio Massimilla3. Callimachus as Fragment, Annette Harder4. The Diegeseis Papyrus: Archaeological Context, Format, and Contents, Maria Rosaria Falivene5. Callimachus’ Traces: The First Modern Collectors, Filippomaria Pontani6. Callimachus’ Philology, Nita Krevans7. Callimachus and His Koinai, Peter ParsonsII. Social Contexts8. Dimensions of Power: Callimachean Geopoetics and the Ptolemaic Empire, Markus Asper9. Callimachus on Kings and Kingship, Silvia Barbantani10. Callimachus’ Queens, Évelyne Prioux11. Poet and Court, Gregor Weber12. The Gods of Callimachus, Richard Hunter13. Callimachus and Contemporary Religion: The Hymn to Apollo, Ivana PetrovicIII. Sources and Models14. Digging Up the Musical Past: Callimachus and New Music, Lucia Prauscello15. Callimachus and Contemporary Criticism, Allen J. Romano16. Callimachus’ Muses, Andrew Morrison17. Callimachus and the Atthidographers, Giovanni Benedetto18. Callimachus and Fable, Ruth Scodel19. Proverbs and Popular Sayings in Callimachus, Emanuele LelliIV. Personae20. The Poet as a Child, Adele-Teresa Cozzoli21. Speaking with Authority: Polyphony in Callimachus’s Hymns, Marco Fantuzzi22. Other Poetic Voices in Callimachus, Christophe Cusset23. Individual Figures in Callimachus, Yannick Durbec24. Iambic Theatre: The Childhood of Callimachus Revisited, Mark PayneV. Callimachus’ Afterlife25. Roman Callimachus, Alessandro Barchiesi26. Callimachus and Later Greek Poetry, Claudio De Stefani and Enrico Magnelli27. Arte Allusiva: Pasquali and Onward, Mario CitroniEpilogue, Benjamin Acosta-HughesBibliographyIndex LocorumGeneral Index

Benjamin Acosta-Hughes is professor of Greek and Latin at the Ohio State University. He has published extensively on Hellenistic poetry, most recently Arion’s Lyre. Archaic Lyric into Hellenistic Poetry (Princeton, 2010).Luigi Lehnus is professor of Classical Philology at the Università Statale di Milano. A scholar of Archaic lyric, Hellenistic poetry and Roman poetry, he is the editor of the forthcoming Teubner edition of Callimachus’ fragments.Susan Stephens is Sara Hart Kimball Professor in the Humanities and Professor of Classics at Stanford University. She is the author of Seeing Double: Intercultural Poetics in Ptolemaic Alexandria (Berkeley 2003).Contributors include: Benjamin Acosta-Hughes, Marcus Asper, Silvia Barbantani, Alessandro Barchiesi, Giovanni Benedetto, Mario Citroni, Adele- Teresa Cozzoli, Christophe Cusset, Claudio De Stefani, Yannick Durbec, Maria-Rosaria Falivene, Marco Fantuzzi, Annette Harder, Richard Hunter, Nita Krevans, Luigi Lehnus, Emanuele Lelli, Enrico Magnelli, Giulio Massimilla, Andrew Morrison, Peter Parsons, Mark Payne, Ivana Petrovic, Filippomaria Pontani, Lucia Prauscello, Évelyne Prioux, Allen Romano, Ruth Scodel, Susan Stephens, Gregor Weber.

"[...]Acosta-Hughes, Lehnus, and Stephens have managed to assemble a collection of essays that not only advances Callimachean studies significantly, but, even more amazingly, is a delight to read from start to finish. I will be returning to all of these papers in the years ahead because one read does not suffice, given the detail, and because sometimes a μέγα βιβλίον can actually be a μέγα καλόν. James J. Clauss in BMCR, 30.05.2012

• ContributorsAbbreviations Introduction, Susan StephensI. The Material Author1. Callimachus Rediscovered in Papyri, Luigi Lehnus2. The Aetia through Papyri, Giulio Massimilla3. Callimachus as Fragment, Annette Harder4. The Diegeseis Papyrus: Archaeological Context, Format, and Contents, Maria Rosaria Falivene5. Callimachus’ Traces: The First Modern Collectors, Filippomaria Pontani6. Callimachus’ Philology, Nita Krevans7. Callimachus and His Koinai, Peter ParsonsII. Social Contexts8. Dimensions of Power: Callimachean Geopoetics and the Ptolemaic Empire, Markus Asper9. Callimachus on Kings and Kingship, Silvia Barbantani10. Callimachus’ Queens, Évelyne Prioux11. Poet and Court, Gregor Weber12. The Gods of Callimachus, Richard Hunter13. Callimachus and Contemporary Religion: The Hymn to Apollo, Ivana PetrovicIII. Sources and Models14. Digging Up the Musical Past: Callimachus and New Music, Lucia Prauscello15. Callimachus and Contemporary Criticism, Allen J. Romano16. Callimachus’ Muses, Andrew Morrison17. Callimachus and the Atthidographers, Giovanni Benedetto18. Callimachus and Fable, Ruth Scodel19. Proverbs and Popular Sayings in Callimachus, Emanuele LelliIV. Personae20. The Poet as a Child, Adele-Teresa Cozzoli21. Speaking with Authority: Polyphony in Callimachus’s Hymns, Marco Fantuzzi22. Other Poetic Voices in Callimachus, Christophe Cusset23. Individual Figures in Callimachus, Yannick Durbec24. Iambic Theatre: The Childhood of Callimachus Revisited, Mark PayneV. Callimachus’ Afterlife25. Roman Callimachus, Alessandro Barchiesi26. Callimachus and Later Greek Poetry, Claudio De Stefani and Enrico Magnelli27. Arte Allusiva: Pasquali and Onward, Mario CitroniEpilogue, Benjamin Acosta-HughesBibliographyIndex LocorumGeneral Index