Bokus
Amalia Ran, Moshe Morad - Mazal Tov, Amigos! Jews and Popular Music in the Americas, Inbunden

Inbunden, Engelska, 2016

Mazal Tov, Amigos! Jews and Popular Music in the Americas

Av Amalia Ran, Moshe Morad

Del 7 i serien Jewish Latin America

2348 kr

Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

Beskrivning
Winner of the Jewish Music Special Interest Group Paper Prize of 2018Mazal Tov, Amigos! Jews and Popular Music in the Americas seeks to explore the sphere of Jews and Jewishness in the popular music arena in the Americas. It offers a wide-ranging review of new and old trends from an interdisciplinary standpoint, including history, musicology, ethnomusicology, ethnic studies, cultural studies, and even Queer studies. The contribution of Jews to the development of the music industry in the United States, Argentina, or Brazil cannot be measured on a single scale. Hence, these essays seek to explore the sphere of Jews and popular music in the Americas and their multiple significances, celebrating the contribution of Jewish musicians and Jewishness to the development of new musical genres and ideas.
Produktinformation
  • Utgivningsdatum: 2016-01-21
  • Mått: 155 x 235 x 20 mm
  • Vikt: 555 g
  • Format: Inbunden
  • Språk: Engelska
  • Serie: Jewish Latin America
  • Antal sidor: 256
  • Förlag: Brill
  • ISBN: 9789004184473
Utforska kategorier
Mer om författaren

Amalia Ran, Ph. D. (2007), Tel Aviv University, is a researcher of Latin American studies. Her publications include: Made of Shores: Judeo Argentinean Fiction Revisited (Lehigh UP, 2011) and the edited volume, Returning to Babel: Jewish Latin American Experiences and Representations (Brill, 2011).Moshe Morad, Ph. D. (2013), is lecturer at Tel Aviv University and Ono Academic College, broadcaster and director of two music radio stations. His publications include articles, book chapters, and the monograph, Fiesta de diez pesos: Music and Gay Identity in Special Period Cuba (Ashgate, 2014).

Recensioner i media

“By placing chapters on Jews and popular music in the USA alongside chapters on their South American analogues, the context of these studies becomes subtly altered. This isn’t just because the Argentinian and Brazilian artists discussed are often much less well known globally than American ones, but also because a ‘hemispheric’ focus enables – potentially at least – a destabilisation of the sometimes inward-looking perspective that dominates discussions of Jews, popular music and the USA. As Cohen argues: ‘By adding Jewishness to [the] multidimensional North–South topography, existing histories of political upheaval, activism, population movement, and zealous diplomacy gain new veins of inquiry’ (p. 241). Or, to put it another way, by considering North and South American Jewish popular music together, we might be able to re-position Jewish music in the Diaspora communities of the Americas into a more fluid notion of Diaspora.” Keith Kahn-Harris, Popular Music, Volume 36 - Issue 1 - January 2017

Betyg & recensioner

0 recensioner

Inga recensioner tillgängliga.