Kerstin Schmidt Ph.D. (Freiburg 2005) and P.D. (Munich 2010), is Professor of English and Chair of American Studies at the Catholic University of Eichstätt-Ingolstadt, Germany.Julia Faisst, Ph.D. (Harvard University 2009), is Assistant Professor of American Studies at the Catholic University of Eichstätt-Ingolstadt, Germany.

• List of FiguresIntroduction: Picturing America: Photography and the Sense of PlaceKerstin Schmidt and Julia Faisst1 From Sewers to Selfies: The Evolution of Photographs into InfrastructureMitchell Schwarzer2 Nowhere, Now Here: Lee Friedlander’s Self Portrait and the National GroundShamoon Zamir3 Photography, Revision, and the City in Henry James’s New York Edition and Alvin Langdon Coburn’s LondonEmily Setina4 Gogol + Nikhil = Nikon? Power, Place, and Photography in Jhumpa Lahiri’s The NamesakeMichael Wutz5 Relations to the Real: The Fugitive Documentary of Stan Douglas and James CasebereKerstin Schmidt6 Waste Landscapes: Photographing the Course of EmpireMiles Orvell7 Wear Your Shelter: Climate Change Photography and Mary Mattingly’s NomadographiesJulia Faisst8 At Home: The Visual Culture of PrivacyJoseph Imorde9 Pictorialism in the American West and Regionalism Writ-LargeRachel McLean Sailor10 The Governing Eye: Heart Mountain through the Lens of War Relocation Authority and Bureau of Reclamation PhotographsEric J. Sandeen11 Over Here, Over There, Down Below: American Photographers Confront the Great WarDavid M. Lubin12 Remapping the Geography of Class: Photography, Protest, and the Politics of Space in the 1968 Poor People’s CampaignKatharina Fackler13 The Power of Place in Holocaust Postmemory PhotographyBettina Lockemann14 Non-Places: Stone Quarries Near EichstaettHubert P. KlotzeckIndex

Kerstin Schmidt Ph.D. (Freiburg 2005) and P.D. (Munich 2010), is Professor of English and Chair of American Studies at the Catholic University of Eichstätt-Ingolstadt, Germany.Julia Faisst, Ph.D. (Harvard University 2009), is Assistant Professor of American Studies at the Catholic University of Eichstätt-Ingolstadt, Germany.

• List of FiguresIntroduction: Picturing America: Photography and the Sense of PlaceKerstin Schmidt and Julia Faisst1 From Sewers to Selfies: The Evolution of Photographs into InfrastructureMitchell Schwarzer2 Nowhere, Now Here: Lee Friedlander’s Self Portrait and the National GroundShamoon Zamir3 Photography, Revision, and the City in Henry James’s New York Edition and Alvin Langdon Coburn’s LondonEmily Setina4 Gogol + Nikhil = Nikon? Power, Place, and Photography in Jhumpa Lahiri’s The NamesakeMichael Wutz5 Relations to the Real: The Fugitive Documentary of Stan Douglas and James CasebereKerstin Schmidt6 Waste Landscapes: Photographing the Course of EmpireMiles Orvell7 Wear Your Shelter: Climate Change Photography and Mary Mattingly’s NomadographiesJulia Faisst8 At Home: The Visual Culture of PrivacyJoseph Imorde9 Pictorialism in the American West and Regionalism Writ-LargeRachel McLean Sailor10 The Governing Eye: Heart Mountain through the Lens of War Relocation Authority and Bureau of Reclamation PhotographsEric J. Sandeen11 Over Here, Over There, Down Below: American Photographers Confront the Great WarDavid M. Lubin12 Remapping the Geography of Class: Photography, Protest, and the Politics of Space in the 1968 Poor People’s CampaignKatharina Fackler13 The Power of Place in Holocaust Postmemory PhotographyBettina Lockemann14 Non-Places: Stone Quarries Near EichstaettHubert P. KlotzeckIndex

Kerstin Schmidt Ph.D. (Freiburg 2005) and P.D. (Munich 2010), is Professor of English and Chair of American Studies at the Catholic University of Eichstätt-Ingolstadt, Germany.Julia Faisst, Ph.D. (Harvard University 2009), is Assistant Professor of American Studies at the Catholic University of Eichstätt-Ingolstadt, Germany.

• List of FiguresIntroduction: Picturing America: Photography and the Sense of PlaceKerstin Schmidt and Julia Faisst1 From Sewers to Selfies: The Evolution of Photographs into InfrastructureMitchell Schwarzer2 Nowhere, Now Here: Lee Friedlander’s Self Portrait and the National GroundShamoon Zamir3 Photography, Revision, and the City in Henry James’s New York Edition and Alvin Langdon Coburn’s LondonEmily Setina4 Gogol + Nikhil = Nikon? Power, Place, and Photography in Jhumpa Lahiri’s The NamesakeMichael Wutz5 Relations to the Real: The Fugitive Documentary of Stan Douglas and James CasebereKerstin Schmidt6 Waste Landscapes: Photographing the Course of EmpireMiles Orvell7 Wear Your Shelter: Climate Change Photography and Mary Mattingly’s NomadographiesJulia Faisst8 At Home: The Visual Culture of PrivacyJoseph Imorde9 Pictorialism in the American West and Regionalism Writ-LargeRachel McLean Sailor10 The Governing Eye: Heart Mountain through the Lens of War Relocation Authority and Bureau of Reclamation PhotographsEric J. Sandeen11 Over Here, Over There, Down Below: American Photographers Confront the Great WarDavid M. Lubin12 Remapping the Geography of Class: Photography, Protest, and the Politics of Space in the 1968 Poor People’s CampaignKatharina Fackler13 The Power of Place in Holocaust Postmemory PhotographyBettina Lockemann14 Non-Places: Stone Quarries Near EichstaettHubert P. KlotzeckIndex