Mara R. Wade is professor emerita of Germanic Languages and Literatures at the University of Illinois at Urbana-Champaign and is the immediate past president of the Renaissance Society of America. She earned the Ph.D. in Germanic Languages and Literatures at the University of Michigan, Ann Arbor, under the supervision of Professor Gerhard Dünnhaupt. Her research focuses on emblems, digital humanities, court studies of Germany and Scandinavia, gender studies, and German literature and the arts in the early modern period. She is an associate editor of Emblematica: Essays in Word and Image, having served until January 2023 as Editor in Chief. She is is the PI for Emblematica Online. She was a Getty Scholar 2018-2019 and a Newberry Library fellow 2016-2017; she holds a senior research prize from the Alexander von Humboldt Foundation. She was also awarded the prize for excellence in undergraduate teaching from the College of Liberal Arts and Sciences, University of Illinois.

“Chloe has been conceived since 1984 as a book series of the journal Daphnis for in-depth interdisciplinary research on German literature and culture of the early modern period (14th-18th centuries). The series also deals with the relations of German literature to the European cultures of this period and phenomena of cultural transfer from a comparative perspective. The volumes, edited by renowned guest editors, explore thematically focused new fields of research, bundle the latest findings on important authors of the period and preserve the cultural heritage of this time through innovative renegotiations.”- Ulrich Seelbach, University Bielefeld, Germany

• ContentsList of IllustrationsNotes on ContributorsIntroductionMara R. WadePart 1: Transitions, Translations, Transformations1 From Villain to Jokester: The Early Reception of the Ulenspiegel FigurePeter Hess2 The Year 1663: Exploring Ambiguities in a Pamphlet about the Turk (Erasmus Francisci, 1627–1694)Gerhild Scholz Williams3 The Translation of Horace’s Odes by Andreas Heinrich BucholtzVictoria Gutsche4 Cabeza de Vaca’s (Mostly) Non-Iberian Offspring: Images of the “Other” in (Some of) the Other European AccountsDwight E. Raak TenHuisenPart 2: At Court and in Town: Text, Sound, and Image5 Toward a Definition of Royalty: Images of Sophie Charlotte, First Queen in PrussiaSara Smart6 German Nuptial Music in the Seventeenth Century: Sound in Service of the SacredJanette Tilley7 Emblematic Virtues: The Orations for Ferdinand Carl and Sigismund Franz, Archdukes of TirolCornelia Niekus Moore8 The Concept of Heraldry in Sixteenth- and Seventeenth-Century German-Speaking Territories as Seen through the Lens of Printed WappenbücherKathleen Smith9 Emblems in Motion: From the Altdorf Academy and the Nürnberg Town Hall to Sweden and the Colony of PennsylvaniaMara R. WadePart 3: The Organization of Knowledge: Case Studies from the Herzog August Bibliothek, Wolfenbüttel10 “Mit vielen Concepten und sittlichen Lehren unterspickt”: Bibliographic Approaches and the Ethics of Early Modern LiteratureMatthias Roick11 Venice without Venice: Traces of Italian Printed Music in German Manuscripts during the Thirty Years’ WarJason Rosenholtz-Witt12 Why Is Boccaccio’s Decameron in the Ethica Section of the Herzog August Bibliothek, Wolfenbüttel?Enrica ZaninIndex

Mara R. Wade is professor emerita of Germanic Languages and Literatures at the University of Illinois at Urbana-Champaign and is the immediate past president of the Renaissance Society of America. She earned the Ph.D. in Germanic Languages and Literatures at the University of Michigan, Ann Arbor, under the supervision of Professor Gerhard Dünnhaupt. Her research focuses on emblems, digital humanities, court studies of Germany and Scandinavia, gender studies, and German literature and the arts in the early modern period. She is an associate editor of Emblematica: Essays in Word and Image, having served until January 2023 as Editor in Chief. She is is the PI for Emblematica Online. She was a Getty Scholar 2018-2019 and a Newberry Library fellow 2016-2017; she holds a senior research prize from the Alexander von Humboldt Foundation. She was also awarded the prize for excellence in undergraduate teaching from the College of Liberal Arts and Sciences, University of Illinois.

“Chloe has been conceived since 1984 as a book series of the journal Daphnis for in-depth interdisciplinary research on German literature and culture of the early modern period (14th-18th centuries). The series also deals with the relations of German literature to the European cultures of this period and phenomena of cultural transfer from a comparative perspective. The volumes, edited by renowned guest editors, explore thematically focused new fields of research, bundle the latest findings on important authors of the period and preserve the cultural heritage of this time through innovative renegotiations.”- Ulrich Seelbach, University Bielefeld, Germany

• ContentsList of IllustrationsNotes on ContributorsIntroductionMara R. WadePart 1: Transitions, Translations, Transformations1 From Villain to Jokester: The Early Reception of the Ulenspiegel FigurePeter Hess2 The Year 1663: Exploring Ambiguities in a Pamphlet about the Turk (Erasmus Francisci, 1627–1694)Gerhild Scholz Williams3 The Translation of Horace’s Odes by Andreas Heinrich BucholtzVictoria Gutsche4 Cabeza de Vaca’s (Mostly) Non-Iberian Offspring: Images of the “Other” in (Some of) the Other European AccountsDwight E. Raak TenHuisenPart 2: At Court and in Town: Text, Sound, and Image5 Toward a Definition of Royalty: Images of Sophie Charlotte, First Queen in PrussiaSara Smart6 German Nuptial Music in the Seventeenth Century: Sound in Service of the SacredJanette Tilley7 Emblematic Virtues: The Orations for Ferdinand Carl and Sigismund Franz, Archdukes of TirolCornelia Niekus Moore8 The Concept of Heraldry in Sixteenth- and Seventeenth-Century German-Speaking Territories as Seen through the Lens of Printed WappenbücherKathleen Smith9 Emblems in Motion: From the Altdorf Academy and the Nürnberg Town Hall to Sweden and the Colony of PennsylvaniaMara R. WadePart 3: The Organization of Knowledge: Case Studies from the Herzog August Bibliothek, Wolfenbüttel10 “Mit vielen Concepten und sittlichen Lehren unterspickt”: Bibliographic Approaches and the Ethics of Early Modern LiteratureMatthias Roick11 Venice without Venice: Traces of Italian Printed Music in German Manuscripts during the Thirty Years’ WarJason Rosenholtz-Witt12 Why Is Boccaccio’s Decameron in the Ethica Section of the Herzog August Bibliothek, Wolfenbüttel?Enrica ZaninIndex

Mara R. Wade is professor emerita of Germanic Languages and Literatures at the University of Illinois at Urbana-Champaign and is the immediate past president of the Renaissance Society of America. She earned the Ph.D. in Germanic Languages and Literatures at the University of Michigan, Ann Arbor, under the supervision of Professor Gerhard Dünnhaupt. Her research focuses on emblems, digital humanities, court studies of Germany and Scandinavia, gender studies, and German literature and the arts in the early modern period. She is an associate editor of Emblematica: Essays in Word and Image, having served until January 2023 as Editor in Chief. She is is the PI for Emblematica Online. She was a Getty Scholar 2018-2019 and a Newberry Library fellow 2016-2017; she holds a senior research prize from the Alexander von Humboldt Foundation. She was also awarded the prize for excellence in undergraduate teaching from the College of Liberal Arts and Sciences, University of Illinois.

“Chloe has been conceived since 1984 as a book series of the journal Daphnis for in-depth interdisciplinary research on German literature and culture of the early modern period (14th-18th centuries). The series also deals with the relations of German literature to the European cultures of this period and phenomena of cultural transfer from a comparative perspective. The volumes, edited by renowned guest editors, explore thematically focused new fields of research, bundle the latest findings on important authors of the period and preserve the cultural heritage of this time through innovative renegotiations.”- Ulrich Seelbach, University Bielefeld, Germany

• ContentsList of IllustrationsNotes on ContributorsIntroductionMara R. WadePart 1: Transitions, Translations, Transformations1 From Villain to Jokester: The Early Reception of the Ulenspiegel FigurePeter Hess2 The Year 1663: Exploring Ambiguities in a Pamphlet about the Turk (Erasmus Francisci, 1627–1694)Gerhild Scholz Williams3 The Translation of Horace’s Odes by Andreas Heinrich BucholtzVictoria Gutsche4 Cabeza de Vaca’s (Mostly) Non-Iberian Offspring: Images of the “Other” in (Some of) the Other European AccountsDwight E. Raak TenHuisenPart 2: At Court and in Town: Text, Sound, and Image5 Toward a Definition of Royalty: Images of Sophie Charlotte, First Queen in PrussiaSara Smart6 German Nuptial Music in the Seventeenth Century: Sound in Service of the SacredJanette Tilley7 Emblematic Virtues: The Orations for Ferdinand Carl and Sigismund Franz, Archdukes of TirolCornelia Niekus Moore8 The Concept of Heraldry in Sixteenth- and Seventeenth-Century German-Speaking Territories as Seen through the Lens of Printed WappenbücherKathleen Smith9 Emblems in Motion: From the Altdorf Academy and the Nürnberg Town Hall to Sweden and the Colony of PennsylvaniaMara R. WadePart 3: The Organization of Knowledge: Case Studies from the Herzog August Bibliothek, Wolfenbüttel10 “Mit vielen Concepten und sittlichen Lehren unterspickt”: Bibliographic Approaches and the Ethics of Early Modern LiteratureMatthias Roick11 Venice without Venice: Traces of Italian Printed Music in German Manuscripts during the Thirty Years’ WarJason Rosenholtz-Witt12 Why Is Boccaccio’s Decameron in the Ethica Section of the Herzog August Bibliothek, Wolfenbüttel?Enrica ZaninIndex