Art, Philosophy, and Ideology

Writings on Aesthetics and Visual Culture from the Avantgarde to Postsocialism

AvAleš Erjavec,Tyrus Miller

Inbunden, Engelska, 2024

Del 4 i serien Transcultural Aesthetics

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Beskrivning

This volume presents a selection of aesthetic and art theoretical writings by the internationally renowned philosopher Aleš Erjavec from the 1990s to the present. Erjavec was an active participant in the artistic revolt in Slovenia throughout the 1980 and became one of the most notable international theorists of late- and post-socialist developments in art. His work also extended to new, emergent forms of contemporary art and visual culture in global art and culture networks. The diverse contexts and artists with which he has engaged gives him a unique critical perspective on major debates in philosophical aesthetics and art theory.

Produktinformation

Utgivningsdatum:2024-04-24
Mått:155 x 235 x 31 mm
Vikt:805 g
Format:Inbunden
Språk:Engelska
Serie:Transcultural Aesthetics
Antal sidor:398
Förlag:Brill
ISBN:9789004697508

Utforska kategorier

Konstteori inom Kultur
Filosofiska discipliner inom Filosofi och religion

Mer om författaren

Aleš Erjavec, Ph.D. (1988), University of Ljubljana, is Research Professor Emeritus at the Institute of Philosophy of the Scientific Research Center of the Slovenian Academy of Sciences and Arts, Ljubljana, Slovenia. He has published widely on the avantgarde and post-socialist art, including Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements (Duke UP, 2015).Tyrus Miller, Ph.D. (1994), Stanford University, is Distinguished Professor of Art History and English at the University of California Irvine. He has published extensively on modernism and the avant-garde, the Frankfurt School, and Georg Lukács, including Georg Lukács and Critical Theory: Aesthetics, History, Utopia (Edinburgh UP, 2023).

Innehållsförteckning

Sources of Original PublicationList of Figures1 Editor’s IntroductionSECTION 1: Visual Aesthetics in Postsocialism, Postmodernism, and Contemporary Art2 Why Architecture in Post-Modern Times? (1989)3 Art, Cognition, Knowledge, and Diagnostics (1993)4 Seeing, Painting and Art (1996)5 Aesthetics as Philosophy (1999)6 Aesthetics: Philosophy of Art or Philosophy of Culture? (2001)7 Art beyond Aesthetics, or, the Consequences of Promiscuity (2001)8 The End of Art (c. 2003)9 Art and: a Toothless Tiger, a Cuddly Panda or a Snow Leopard? (2009)10 Aesthetics and the Aesthetic Today: after Adorno (2010)11 Artification and the Aesthetic Regime of Art (2012)12 Art and Aesthetics: from Modernism to Contemporary (2013)SECTION 2: Aesthetic Revolution and Avantgardes in East, Central and Western Europe13 Power, Freedom and Subversion: Political Theater and Its Limits (2009)14 Beat the Whites with the Red Wedge! (2014)15 Art, Aesthetics, and Politics (2014)16 Revolutions and the Avantgardes (2016)17 Ideology as World-View and Two Early Avantgarde Movements (2017)18 The Avantgardes, Utopias and Clothes (2017)19 (Post)Modern Aesthetics on Trial: Revisiting a Century of Avantgardes Interview with Oana Șerban (2017)SECTION 3: Spatial Turns: Central/East European Aesthetics in National, International, and Global Contexts20 Philosophy, National and International (1997)21 Global Aesthetics and the IAA/AIE (2002)22 Postmodernism and the Post-Socialist Condition (c. 2003)23 Locations, Relocations and Reinterpretations (2006)24 Eastern Europe, Art, and the Politics of Representation (2014)25 Zhuyi: from Absence to Bustle? (Comments on Wang Jianjiang’s Article “The Bustle and the Absence of Zhuyi”) (2017)26 Photography: of Nation and Mountains (2018)Index