"…high quality of the individual contributions." - in: MLR, 97,4 (2002), pp. 949-950"…excellent criticism …" - in: Years Work in English Studies, Vol. 81, No. 16 (2002)

• Lionel KELLY: Introduction: Poetry and the Sense of Panic. Mark FORD: Mont d'Espoir or Mount Despair: Early Bishop, Early Ashbery, and the French. Joanne FEIT DIEHL: Aggression and Reparation: Bishop and the Matter-Of-Fact. Benjamin COLBERT: Romantic Entanglements: Ashbery and the Fragment. Helen M. DENNIS: “Questions of Travel”: Elizabeth Bishop and the Negative Sublime. Dennis BROWN: John Ashbery's “A Wave” (1983): Time and Western Man. Edward LARRISSY: “Is Anything Central?”: Ashbery and the Idea of a Centre. Thomas TRAVISANO: Elizabeth Bishop and the Origins of Narrative Postmodernism. Krystyna MAZUR: The “Unfamiliar Stereotype”: Repetition in the Poetry of John Ashbery. John PILLING: The “Hybrid Mix” of Ashbery's Three Poems, or, How Not to Be French. Peter ROBINSON: “The Bliss of What?” Cheryl WALKER: Metaphysical Surrealism in Bishop. Peter NICHOLLS: John Ashbery and Language Poetry. Geoff WARD: Before and After Language: The New American Poetry. Notes on Contributors. Index.

"…high quality of the individual contributions." - in: MLR, 97,4 (2002), pp. 949-950"…excellent criticism …" - in: Years Work in English Studies, Vol. 81, No. 16 (2002)

• Lionel KELLY: Introduction: Poetry and the Sense of Panic. Mark FORD: Mont d'Espoir or Mount Despair: Early Bishop, Early Ashbery, and the French. Joanne FEIT DIEHL: Aggression and Reparation: Bishop and the Matter-Of-Fact. Benjamin COLBERT: Romantic Entanglements: Ashbery and the Fragment. Helen M. DENNIS: “Questions of Travel”: Elizabeth Bishop and the Negative Sublime. Dennis BROWN: John Ashbery's “A Wave” (1983): Time and Western Man. Edward LARRISSY: “Is Anything Central?”: Ashbery and the Idea of a Centre. Thomas TRAVISANO: Elizabeth Bishop and the Origins of Narrative Postmodernism. Krystyna MAZUR: The “Unfamiliar Stereotype”: Repetition in the Poetry of John Ashbery. John PILLING: The “Hybrid Mix” of Ashbery's Three Poems, or, How Not to Be French. Peter ROBINSON: “The Bliss of What?” Cheryl WALKER: Metaphysical Surrealism in Bishop. Peter NICHOLLS: John Ashbery and Language Poetry. Geoff WARD: Before and After Language: The New American Poetry. Notes on Contributors. Index.

"…high quality of the individual contributions." - in: MLR, 97,4 (2002), pp. 949-950"…excellent criticism …" - in: Years Work in English Studies, Vol. 81, No. 16 (2002)

• Lionel KELLY: Introduction: Poetry and the Sense of Panic. Mark FORD: Mont d'Espoir or Mount Despair: Early Bishop, Early Ashbery, and the French. Joanne FEIT DIEHL: Aggression and Reparation: Bishop and the Matter-Of-Fact. Benjamin COLBERT: Romantic Entanglements: Ashbery and the Fragment. Helen M. DENNIS: “Questions of Travel”: Elizabeth Bishop and the Negative Sublime. Dennis BROWN: John Ashbery's “A Wave” (1983): Time and Western Man. Edward LARRISSY: “Is Anything Central?”: Ashbery and the Idea of a Centre. Thomas TRAVISANO: Elizabeth Bishop and the Origins of Narrative Postmodernism. Krystyna MAZUR: The “Unfamiliar Stereotype”: Repetition in the Poetry of John Ashbery. John PILLING: The “Hybrid Mix” of Ashbery's Three Poems, or, How Not to Be French. Peter ROBINSON: “The Bliss of What?” Cheryl WALKER: Metaphysical Surrealism in Bishop. Peter NICHOLLS: John Ashbery and Language Poetry. Geoff WARD: Before and After Language: The New American Poetry. Notes on Contributors. Index.