Costerus New Series – serie
Visar alla böcker i serien Costerus New Series. Handla med fri frakt och snabb leverans.
96 produkter
96 produkter
Del 210 - Costerus New Series
Performance and Performativity in Contemporary Indian Fiction in English
Häftad, Engelska, 2015
1 609 kr
Skickas inom 5-8 vardagar
This book starts with a consideration of a 1997 issue of the New Yorker that celebrated fifty years of Indian independence, and goes on to explore the development of a pattern of performance and performativity in contemporary Indian fiction in English (Salman Rushdie, Arundhati Roy and Vikram Chandra). Such fiction, which constructs identity through performative acts, is built around a nomadic understanding of the self and implies an evolution of narrative language towards performativity whereby the text itself becomes nomadic. A comparison with theatrical performance (Peter Brook’s Mahabharata and Girish Karnad’s ‘theatre of roots’) serves to support the argument that in both theatre and fiction the concepts of performance and performativity transform classical Indian mythic poetics. In the mythic symbiosis of performance and storytelling in Indian tradition within a cyclical pattern of estrangement from and return to the motherland and/or its traditions, myth becomes a liberating space of consciousness, where rigid categories and boundaries are transcended.
Del 212 - Costerus New Series
Cultural Melancholia: US Trauma Discourses Before and After 9/11
Inbunden, Engelska, 2015
2 634 kr
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In Cultural Melancholia: US Trauma Discourses Before and After 9/11, Christina Cavedon frames her examination of 9/11 fiction, especially Jay McInerney’s The Good Life and Don DeLillo’s Falling Man, with a thorough discussion of what US reactions to the terrorist attacks of September 11, 2001 disclose about American culture. Offering a comparative reading of pre- and post-9/11 literary, public, and academic discourses, she deconstructs the still commonly held belief that cultural repercussions of the attacks primarily testify to a cultural trauma in the wake of the collectively witnessed media event. She innovatively re-interprets discourses to be symptomatic of a malaise which had afflicted American culture already prior to 9/11 and can best be approached with melancholia as an analytical concept.
Del 215 - Costerus New Series
Forgotten Film Adaptations of D.H. Lawrence’s Short Stories
Inbunden, Engelska, 2016
1 811 kr
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This book looks beyond fidelity to emphasize how each adaptation of D.H. Lawrence’s short stories functions as a creative response to a text, foregrounding the significance of its fluidity, transtextuality, and genre. The adaptations analysed range from the first to the most recent and draw attention to the fluidity of textual sources, the significance of generic conventions and space in film, the generic potentialities latent within Lawrence’s tales, and the evolving nature of adaptation. By engaging with recent advances in adaptation theory to discuss the evolving critical reception of the author’s work and the role of the reader, this book provides a fresh, forward-looking approach to Lawrence studies.
Del 218 - Costerus New Series
Radical Planes? 9/11 and Patterns of Continuity
Inbunden, Engelska, 2016
2 054 kr
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Radical Planes? 9/11 and Patterns of Continuity, edited by Dunja M. Mohr and Birgit Däwes, explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed ‘everything,’ and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity?
Del 219 - Costerus New Series
Jane Austen Speaks Norwegian
The Challenges of Literary Translation
Inbunden, Engelska, 2018
1 798 kr
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What can translations reveal about the global reception of any authorship? In Jane Austen Speaks Norwegian: The Challenges of Literary Translation, Marie Nedregotten Sørbø compares two novels and six translations of them. The discussion is entirely in English, as all Norwegian versions are back-translated. This study therefore lends itself to comparisons with other languages, and aims to fill its place as one component in a worldwide field of research; how Jane Austen is understood and transmitted. Moreover, this book presents a selection of pertinent issues for any translator, including abbreviation and elaboration, style and vocabulary, and censorship. Sørbø gives vivid examples of how literary translation happens, and how it serves to interpret and refashion literature for new readerships.
2 567 kr
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Paul Muldoon and the Language of Poetry is the first book in years that attends to the entire oeuvre of the Irish-American poet, critic, lyricist, dramatist and Princeton professor from his debut with New Weather in 1973 up to his very recent publications. Ruben Moi’s book explores, in correspondence with language philosophy and critical debate, how Muldoon’s ingenious language and inventive form give shape and significance to his poetry, and how his linguistic panache and technical verve keep language forever surprising, new and alive.
Del 223 - Costerus New Series
Ethics and Aesthetics in Toni Morrison’s Fiction
Inbunden, Engelska, 2018
1 703 kr
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Ethics and Aesthetics in Toni Morrison’s Fiction investigates Morrison’s aesthetics in terms of narrative’s ethical import. Morrison’s writing is concerned with ethically debatable issues and it offers a problematic representation of human experiences in African American history. Whilst previous critical studies consider ethics in relation to events in the story, Palladino explores its intersection with aesthetics. Narrativizing the moral law, Morrison’s imperative is to relate the past, and to find ways to tell what is often unspeakable. The quest for ways to narrate horrific facts is a quest for an aesthetics which includes an appeal to the reader and thus necessarily engages with the ethical. This study foregrounds the equivocal as a key feature of narrative ethics.
Del 224 - Costerus New Series
American Migrant Fictions
Space, Narrative, Identity
Inbunden, Engelska, 2018
1 798 kr
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In American Migrant Fictions: Space, Narrative, Identity, Sonia Weiner focuses on novels of five American migrant writers of the late twentieth and early twenty-first centuries, who construct spatial paradigms within their narratives to explore questions of linguistic diversity, identities and be-longings. By weaving visual techniques within their narratives (photography, comics, cartography) authors Aleksandar Hemon, G.B. Tran, Junot Díaz, Boris Fishman and Vikram Chandra convey a surplus of perspectives and gesture towards alternative spaces, spatial in-between-ness and transnational space.
Del 226 - Costerus New Series
Biblical Women in Contemporary Novels in English
From Margaret Atwood to Jenny Diski
Inbunden, Engelska, 2020
2 216 kr
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How are well-known female characters from the Bible represented in late 20th-century novels? In Biblical Women in Contemporary Novels in English, Ingrid Bertrand presents a detailed analysis of biblical rewritings by Roberts, Atwood, Tennant, Diamant and Diski focusing on six different women (Eve, Noah’s wife, Sarah, Bilhah, Dinah and Mary Magdalene). She shows how these heroines give themselves a voice that rests not only on words but also on silences. Exploring the many forms that silence can take, she presents an innovative typology that sheds new light on this profoundly meaningful phenomenon.
Del 227 - Costerus New Series
Emblematic Strategies in Pre-Raphaelite Literature
Inbunden, Engelska, 2019
2 297 kr
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In this book, Heather McAlpine argues that emblematic strategies play a more central role in Pre-Raphaelite poetics than has been acknowledged, and that reading Pre-Raphaelite works with an awareness of these strategies permits a new understanding of the movement’s engagements with ontology, religion, representation, and politics. The emblem is a discursive practice that promises to stabilize language in the face of doubt, making it especially interesting as a site of conflicting responses to Victorian crises of representation. Through analyses of works by the Pre-Raphaelite Brotherhood, Christina Rossetti, Dante Gabriel Rossetti, Gerard Manley Hopkins, A.C. Swinburne, and William Morris, Emblematic Strategies examines the Pre-Raphaelite movement’s common goal of conveying “truth” while highlighting differences in its adherents’ approaches to that task.
Del 229 - Costerus New Series
American History in Transition
From Religion to Science
Inbunden, Engelska, 2020
2 162 kr
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In American History in Transition, Yoshinari Yamaguchi provides fresh insights into early efforts in American history writing, ranging from Jeremy Belknap’s Massachusetts Historical Society to Emma Willard’s geographic history and Francis Parkman’s history of deep time to Henry Adams’s thermodynamic history. Although not a well-organized set of professional researchers, these historians shared the same concern: the problems of temporalization and secularization in history writing.As the time-honored framework of sacred history was gradually outdated, American historians at that time turned to individual facts as possible evidence for a new generalization, and tried different “scientific” theories to give coherency to their writings. History writing was in its transitional phase, shifting from religion to science, deduction to induction, and static to dynamic worldview.
Del 230 - Costerus New Series
Women and Crime in Post-Transitional South African Crime Fiction
A Study of Female Victims, Perpetrators and Detectives
Inbunden, Engelska, 2020
1 905 kr
Skickas inom 5-8 vardagar
In this ground-breaking study, Sabine Binder analyses the complex ways in which female crime fictional victims, detectives and perpetrators in South African crime fiction resonate with widespread and persistent real crimes against women in post-apartheid South Africa. Drawing on a wide range of crime novels written over the last decade, Binder emphasises the genre’s feminist potential and critically maps its political work at the intersection of gender and race. Her study challenges the perception of crime fiction as a trivial genre and shows how, in South Africa at least, it provides a vibrant platform for social, cultural and ethical debates, exposing violence, misogyny and racism and shedding light on the problematics of law and justice for women faced with crime.
893 kr
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In T. S. Eliot’s Ascetic Ideal, Joshua Richards charts an intellectual history of T. S. Eliot’s interaction with asceticism. This history is drawn from Eliot’s own education in the topic with the texts he read integrated into detailed textual analysis. Eliot’s early encounters with the ascetic ideal began a lifetime of interplay and reflection upon self-denial, purgation, and self-surrender. In 1909, he began a study of mysticism, likely, in George Santayana’s seminar, and thereafter showed the influence of this education. Yet, his interaction with the ascetic ideal and his background in mysticism was not a simple thing; still, his early cynicism was slowly transformed to an embrace.
Del 231 - Costerus New Series
Twilight Histories
Nostalgia and the Victorian Historical Novel
Inbunden, Engelska, 2022
2 067 kr
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Twilight Histories explores the relationship between nostalgia and the Victorian historical novel, arguing that both responded to the turbulence brought by accelerating modernisation. Nostalgia began as a pathological homesickness, its first victims seventeenth-century soldiers serving abroad. Only gradually did it become the sentimental memory we understand it as today. In a striking parallel to nostalgia’s origin, the historical novel emerged in the tumultuous early-years of the nineteenth century, at a time when the Napoleonic Wars once again set troops on the move, creating a new wave of homesick soldiers. In the historical novels of Gaskell, Thackeray, Dickens, Eliot and Hardy, nostalgia offered a language in which to describe the experience of living through changing times as a homesickness for history.Twilight Histories has been included in Oxford Bibliographies’ Historical Novel category, where it has been reviewed as “[a]n illuminating study of mid-Victorian novels of the recent past—the period of the French Revolution and Napoleonic Wars.”
Del 237 - Costerus New Series
Postmodernism in Arthur Miller’s Long-Late Period
Inbunden, Engelska, 2025
1 734 kr
Skickas inom 3-6 vardagar
Having made his reputation in the 1940s and ‘50s, Arthur Miller continued to write into the twenty-first century, producing his final play in 2004, the year before his death. With little critical, academic, or theatrical attention being paid to his plays after 1968’s The Price, he had one of the longest “late” periods in literary history.This book brings new attention to Miller’s writing from this period, analysing 5 plays—The Archbishop’s Ceiling, Some Kind of Love Story, Clara and The Ride Down Mt. Morgan, Resurrection Blues—and a host of essays to highlight the influence of postmodernism on his work. Using relevant novels and films, these plays are situated within the context of their cultural moments to show that Miller remained an engaged, aware, and contemporary writer until his death.
Del 238 - Costerus New Series
Crime, Justice, and Defoe
Law Enforcement Reported and Imagined in Eighteenth-Century England
Inbunden, Engelska, 2025
1 853 kr
Skickas inom 3-6 vardagar
Having filched a little white bundle from under the noses of an apothecary’s apprentice and his maid in London’s Leadenhall Street, Defoe’s Moll Flanders is sure that she will be "taken next time and be carry’d to Newgate and be Try’d for my Life". The likelihood of being arrested, tried and executed runs like an electric current through Moll’s accounts of the many successful getaways that follow, and of how she negotiates her way out of the hands of her victims and would-be prosecutors, constables, magistrates and judges. These narratives cannot be understood in terms of the framework of law enforcement practice taken for granted by modern consumers of crime fiction and news reports. Crime, Justice, and Defoe brings to the surface assumptions embedded in both Moll Flanders and Colonel Jack about who might do or say what at a crime scene, before a J.P., in court, and during negotiations for a pardon, assumptions to which we are now culturally blind. For help with this, the book draws on social histories of crime and justice, on early modern prescriptive manuals, on magistrates’ examinations of accused persons, and on reports of trials for property crime held at the Old Bailey in the early 1720s. It pays special attention to the changes taking place in law enforcement in Defoe’s lifetime and asks how his fictions may have helped naturalise those changes, or hindered them. In the process, the book explores the multi-layered narrative techniques used to tell readers both what ‘really’ happened and how matters might - or should - have turned out differently.
Del 113 - Costerus New Series
Matter of Kings' Lives
The Design of Past and Present in the early fourteenth-century verse chronicles by Pierre de Langtoft and Robert Mannyng
Häftad, Engelska, 1997
1 392 kr
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The rhymed chronicles by Pierre de Langtoft and Robert Mannyng, written between c.1305 and 1338, form a unique pair in the history of English literature and historiography. Both were written in the North of England, both deal with the history of the kings of England from Brutus to the death of Edward I in July 1307. Yet the differences between them are significant. Langtoft wrote in Anglo-Norman with a specific purpose and a specific audience in mind. Robert Mannyng translated a large part of Langtoft's work into English for a very different kind of audience. Although he stayed close to his source-text in many places, his deviations offer insights into the way the English clergy and the public they addressed viewed themselves, their history and their future.The Matter of Kings' Lives is of interest to social and political historians, especially those interested in the reign of Edward I and Anglo-Scottish relations, and to literary historians who may find that these works have more to offer than has hitherto been realized.
Del 123 - Costerus New Series
Theme Parks, Rainforests and Sprouting Wastelands
European essays on theory and performance in contemporary British fiction
Häftad, Engelska, 2000
907 kr
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This lively and fascinating new collection of European essays on contemporary Anglophone fiction has arisen out of the ESSE/3 Conference, which was held in Glasgow in September 1995. The contributors live and work in University English Departments in Bulgaria, Croatia, France, Germany, Hungary, Italy, The Netherlands, Portugal and Spain, as well as in the United Kingdom itself.Essays on general theoretical aspects of the subject head and conclude the collection, and there are also essays on individual writers or groups of writers, such as John Fowles, A.S. Byatt, Charles Palliser, Peter Ackroyd, William Golding, Doris Lessing, Daphne du Maurier, Angela Carter and Christina Stead. The performative aspect of the subject-matter of these essays is balanced by a locational aspect, including utopian and dystopian writing in authors as diverse as Michael Crichton, Jenny Diski and Salman Rushdie, and the travel literature of Bruce Chatwin.These essays show theoretical alertness, but no single theoretical position is privileged. The aim of the collection is to provide an indication of the range of work being carried out throughout European academe on Anglophone (mainly British) writing today.
Del 117 - Costerus New Series
Talking to the Dead
A Study of Irish Funerary Traditions
Häftad, Engelska, 1998
816 kr
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Talking to the Dead is an essay on death and its tenacious hold on Irish culture. There are few traditions in which funerary motifs have been so ubiquitous in literature, popular rituals, folk representations, public rhetorics, even constructions of place. There are even fewer cultures in which funerary genres and preoccupations constitute the central thread of continuity. The Irish Theatrum Mortis is not simply an obsession of writers from the bards to Beckett and Heaney. Nor is it confined to contemporary Republican iconography. It is to be found in the pages of the local press, in acts of ritual resistance to unpopular decisions, in the way in which significant public events are narrated and framed. Though the funerary Ireland presented here may well yield to the new, positive self-image of the Celtic Tiger, it is the authors' contention that at the end of the twentieth century the funerary sign continues to define Irish identity. For good and ill, it is the centre that holds.
Del 120 - Costerus New Series
Medieval Chronicle
Proceedings of the 1st International Conference on the Medieval Chronicle. Driebergen/Utrecht 13-16 July 1996
Häftad, Engelska, 1999
1 433 kr
Skickas inom 5-8 vardagar
In the summer of 1996 the first international conference was held on the medieval chronicle, a genre which until then had received but scant attention from historians or specialists in literary history or art history. There are several reasons why the chronicle is particularly suited as the topic of an international conference. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions.It is the aim of the present volume to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds.
Del 122 - Costerus New Series
United Stories of America
Studies in the Short Story Composite
Häftad, Engelska, 1999
893 kr
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This book discusses the American short story composite, or short story cycle, a neglected form of writing consisting of autonomous stories interlocking into a whole. The critical work done on this genre has so far focused on the closural strategies of the composites, on how unity is accomplished in these texts. This study takes into consideration, to a greater degree than earlier criticism, the short story composite as an open work, emphasizing the tension between the independent stories and the unified work, between the discontinuity and fragmentation, on the one hand, and the totalizing strategies, on the other. The discussion of the genre is illustrated with references to numerous American short story composites.
Del 124 - Costerus New Series
Poetry and the Sense of Panic
Critical Essays on Elizabeth Bishop and John Ashbery
Häftad, Engelska, 2000
839 kr
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For all the disciplined artifice of Elizabeth Bishop and John Ashbery, the essays in this collection show that panic plays a crucial role in their work, giving substance to Bishop's claim that “an element of mortal panic and fear” underlines all art. Panic emerges as a condition of creative anxiety and the self-imposed demands of originality in response to the poetic traditions Bishop and Ashbery inherited. These concerns are explored in essays addressed to Bishop and Ashbery's engagement with European Surrealism as an alternative to the dominant poetics of Modernism and its aftermath in the middle years of the twentieth century. Other essays debate the philosophical, religious, and political orientation of their work in relation to Romantic orthodoxies and Postmodern ironies in terms of cultural history, ideology and poetic practice. This collection provides original commentaries on the work of two poets widely regarded as amongst the most significant American poets of the second half of the twentieth century with essays by notable scholars from the United States and Britain known for their special interests in modern poetry including Joanne Feit Diehl, Mark Ford, Edward Larissy, Peter Nicholls, Peter Robinson, Thomas Travisano, Cheryl Walker and Geoff Ward.
Del 148 - Costerus New Series
From Earth to Art
The Many Aspects of the Plant-World in Anglo-Saxon England. Proceedings of the First ASPNS Symposium, University of Glasgow, 5-7 April 2000
Häftad, Engelska, 2003
1 690 kr
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From Earth to Art presents papers from the ‘Early Medieval Plant Studies’ symposium, a meeting designed to explore the various disciplines which could help to elucidate the plant-names of Anglo-Saxon England, many of which are not understood. The range of disciplines represented includes landscape history, place-name studies, botany, archaeology, art history, Old English literature, the history of food and of medicine, and linguistic approaches such as semantics and morphology. This collection represents a first experimental step in the work of the Anglo-Saxon Plant-Name Survey (ASPNS), a multidisciplinary research project based in the University of Glasgow. ASPNS is dedicated to collecting and reviewing, for the first time, the total multidisciplinary evidence for each plant-name, and establishing new or improved identifications. The results will have implications for various historical studies such as agriculture, pharmacology, nutrition, climate, dialect, and more. Included in the book is the first ASPNS word-study, concerned with the Old English word æspe (the ancestor of ‘aspen’), and it is shown that this tree-name had a broader meaning than has hitherto been suspected. This book will be of interest to historians, botanists, archaeologists, linguists, geographers, gardeners, herbalists, conservationists and anyone interested in the crucial role of plants in history.
1 082 kr
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Ideas about the human mind are culturally specific and over time vary in form and prominence. The Life of the Mind in Old English Poetry presents the first extensive exploration of Anglo-Saxon beliefs about the mind and how these views informed Old English poetry. It identifies in this poetry a particular cultural focus on the mental world and formulates a multivalent model of the mind behind it, as the seat of emotions, the site of temptation, the container of knowledge, and a heroic weapon. The Life of the Mind in Old English Poetry treats a wide range of Old English literary genres (in the context of their Latin sources and analogues where applicable) in order to discover how ideas about the mind shape the narrative, didactic, and linguistic design of poetic discourse. Particular attention is paid to the rich and slippery vernacular vocabulary for the mind which suggests a special interest in the subject in Old English poetry. The book argues that Anglo-Saxon poets were acutely conscious of mental functions and perceived the psychological basis not only of the cognitive world, but also of the emotions and of the spiritual life.
Del 144 - Costerus New Series
Medieval Chronicle II
Proceedings of the 2nd International Conference on the Medieval Chronicle. Driebergen/Utrecht 16-21 July 1999
Häftad, Engelska, 2002
1 339 kr
Skickas inom 5-8 vardagar
After the success of the first international conference on the medieval chronicle, it was decided that another would be in place. It was held in the summer of 1999, and again drew some 150 participants. There are several reasons why the chronicle is particularly suited as the topic of an international conference. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world.Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. Like its predecessor this volume of conference papers aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. They are introduced by the opening address by David Dumville, on the question What is a chronicle?
Del 145 - Costerus New Series
In Words and Deeds
The Spectacle of Incest in English Renaissance Tragedy
Häftad, Engelska, 2002
1 339 kr
Skickas inom 5-8 vardagar
Departing from earlier studies which regarded incest as a literary topos or dramatic metaphor foregrounding political, social, or legal issues, Words and Deeds: The Spectacle of Incest in English Renaissance Tragedy argues that the presence of incest on the Renaissance stage is a strategy for the enactment of the spectator’s tragic experience. Incest is explored neither as a sin nor as a crime, but as an “unspeakable” experience filtered through dramatic words and deeds. The incitement of desire, visual pleasure, and unconscious fantasy, as well as traumatic rejection, pain, and horror, are all aspects of this paradoxical and uncanny experience. Aristotelian theory of tragedy, Freudian and Lacanian psychoanalysis, and Michel Foucault’s notions of the deployment of sexuality and alliance, concur in the analysis of plays where incest is a central or a secondary motif – Ford’s ’Tis Pity She’s a Whore, Beaumont and Fletcher’s Cupid’s Revenge, Webster’s The Duchess of Malfi – and others where incest is an effect of language and mise-en-scène – Sackville and Norton’s Gorboduc, Shakespeare’s King Lear. The variety of topics and the combination of critical perspectives makes In Words and Deeds an attractive book for students and teachers of Renaissance drama, as well as for those with a special interest in psychoanalytic and other new theoretical approaches to the literary text.
Del 133 - Costerus New Series
Lexis and Texts in Early English
Studies presented to Jane Roberts
Häftad, Engelska, 2001
1 400 kr
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These papers reflect the long and distinguished career of Professor Jane Roberts in the field of medieval English studies, and especially her pioneering work on A Thesaurus of Old English, which provides novel source material for several of the contributions to the volume. Many of the papers deal with aspects of early lexicology and lexicography, while others focus on linguistic and literary features of Old and Middle English texts and their interpretation. They will thus be of interest to researchers in many areas of early English. A special introductory article describes the interlinked development of A Thesaurus of Old English, The Historical Thesaurus of English, and the proposed Thesaurus of Middle English.Contributors include: Rosamund Allen, Janet M. Bately, Carole P. Biggam, Michelle Brown, Julie Coleman, Janet Cowen, Jodi-Ann George, Joyce Hill, Rosemary Huisman, Giovanni Iarmartino, George Kane, Éamonn Ó Carragáin, Michiko Ogura, Peter Orton, Jeremy J. Smith, E.G. Stanley, Paul Szarmach, Ronald Waldron.
Del 147 - Costerus New Series
Configuring Romanticism
Essays offered to C. C. Barfoot
Häftad, Engelska, 2003
1 447 kr
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Configuring Romanticism focuses on the ways in which “Romanticism” continues to change shape in light of new discoveries, new readings, new approaches. To this end, some essays here gathered offer novel interpretations of Romantic “classics” such as Wordsworth, Blake, and Southey, or discuss the Celtic roots of Romanticism. Others address the relationship of Romantic literature, particularly the work of Scott, Shelley, and De Quincey, to issues of colonialism and imperialism. Yet others trace the “afterlife” of Romanticism and the Romantics, specifically Byron, Shelley, and Keats, in the writings of Leigh Hunt, Elizabeth Gaskell, James Thomson, Algernon Swinburne, William Michael Rosetti, James Clarence Mangan, Francis Parkman, Gilbert and Sullivan, and T.S. Eliot, as well as in Dutch nineteenth-century criticism. The volume closes with discussions of the Romantic aspects of World War II propaganda, twentieth-century translations of the Aeneid in view of Romantic principles, the Romantic face of recent Québecois fiction, and present-day film versions of Jane Austen’s Emma.
Del 146 - Costerus New Series
Allegories of Telling
Self-Referential Narrative in Contemporary British Fiction
Häftad, Engelska, 2003
934 kr
Skickas inom 5-8 vardagar
Allegories of Telling: Self-Referential Narrative in Contemporary British Fiction has as its founding premise Ross Chambers’s notion that “one of the important powers of fiction is its power to theorize the act of storytelling in and through the act of storytelling.” In this critical study, Lynn Wells presents detailed readings of novels by five prominent British authors – John Fowles, Angela Carter, Graham Swift, A.S. Byatt and Salman Rushdie – with an emphasis on how the texts' self-referential aspects illuminate the acts of reading and writing fiction in contemporary Britain and, by extension, around the world. The book begins by situating contemporary British fiction historically as the product of an “aesthetics of compromise” arising from the “realism versus experimentalism” debate that consumed the English literary establishment during the 1960s. In her discussion of the texts, Lynn Wells then draws on a wide range of theoretical approaches, from narrative and psychoanalytic theory to existentialist philosophy and the historiographic ideas of thinkers such as Walter Benjamin, Michel Foucault and Giambattista Vico. These original readings challenge superficial “postmodern” interpretations of contemporary British fiction as pessimistically anti-historical, and reassert the value of readerly engagement and narrative reconstruction of the past.
Del 142 - Costerus New Series
Misreading England
Poetry and Nationhood Since the Second World War
Häftad, Engelska, 2002
1 217 kr
Skickas inom 5-8 vardagar
In Misreading England: Poetry and Nationhood Since the Second World War, Raphaël Ingelbien examines how issues of nationhood have affected the works and the reception of several English and Irish poets – Philip Larkin, Ted Hughes, Geoffrey Hill and Seamus Heaney. This study explores the interactions between post-war English poets and the ways in which they transformed or misread earlier poetic visions of England – Romantic, Georgian, Modernist. It also traces often neglected but crucial links between their troubled poetics of Englishness and Seamus Heaney’s poetry of Irish nationhood. This radically intertextual approach takes issue with influential accounts of post-war poetry that have drawn on postcolonialism. Instead of being made to reflect contemporary agendas, the poetics of nationhood are here considered in all their textual and ideological complexity, and restored to the historical, intellectual and literary contexts which postcolonial emphases on identity often play down or simplify. Whereas critics in post-devolution Britain increasingly use texts to debunk or promote specific versions of national identity, this study interrogates the very terms in which the debate has been conducted. Its metacritical analyses expose the contradictions of identity politics, and its intertextual readings help re-draw the map of post-war poetry in Britain and Ireland.