Richard Todd – författare

Originally published in 1984, Iris Murdoch, widely regarded as one of the major British novelists of her generation at the time, was undoubtedly one of the most popular and prolific, having published twenty-one novels since 1954 (she went on to write many more). But the course of her fiction-writing career was regarded with unease by some of her readers in that it seemed marked by an increasing conservatism of approach which could not have been foreseen in her earliest published fiction. She was acknowledged as one of Britain’s leading moral philosophers and although this study is careful to respect the distinctive integrity of her fiction-writing and her philosophy, it none the less assumes her active presence in contemporary debate as one of the most powerful and original theorists of fiction writing at the time. In this study, Richard Todd systematically, but discriminatingly, surveys all her fiction to date, and attempts to show how her fundamental theme, the interplay between the roles of artist and saint, is developed and expressed in her fiction.

Originally published in 1984, Iris Murdoch, widely regarded as one of the major British novelists of her generation at the time, was undoubtedly one of the most popular and prolific, having published twenty-one novels since 1954 (she went on to write many more). But the course of her fiction-writing career was regarded with unease by some of her readers in that it seemed marked by an increasing conservatism of approach which could not have been foreseen in her earliest published fiction. She was acknowledged as one of Britain’s leading moral philosophers and although this study is careful to respect the distinctive integrity of her fiction-writing and her philosophy, it none the less assumes her active presence in contemporary debate as one of the most powerful and original theorists of fiction writing at the time. In this study, Richard Todd systematically, but discriminatingly, surveys all her fiction to date, and attempts to show how her fundamental theme, the interplay between the roles of artist and saint, is developed and expressed in her fiction.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWSGood Prose is an inspiring book about writing—about the creation of good prose—and the record of a warm and productive literary friendship. The story begins in 1973, in the offices of The Atlantic Monthly, in Boston, where a young freelance writer named Tracy Kidder came looking for an assignment. Richard Todd was the editor who encouraged him. From that article grew a lifelong association. Before long, Kidder’s The Soul of a New Machine, the first book the two worked on together, had won the Pulitzer Prize. It was a heady moment, but for Kidder and Todd it was only the beginning of an education in the art of nonfiction.   Good Prose explores three major nonfiction forms: narratives, essays, and memoirs. Kidder and Todd draw candidly, sometimes comically, on their own experience—their mistakes as well as accomplishments—to demonstrate the pragmatic ways in which creative problems get solved. They also turn to the works of a wide range of writers, novelists as well as nonfiction writers, for models and instruction. They talk about narrative strategies (and about how to find a story, sometimes in surprising places), about the ethical challenges of nonfiction, and about the realities of making a living as a writer. They offer some tart and emphatic opinions on the current state of language. And they take a clear stand against playing loose with the facts. Their advice is always grounded in the practical world of writing and publishing.   Good Prose—like Strunk and White’s The Elements of Style—is a succinct, authoritative, and entertaining arbiter of standards in contemporary writing, offering guidance for the professional writer and the beginner alike. This wise and useful book is the perfect companion for anyone who loves to read good books and longs to write one.Praise for Good Prose  “Smart, lucid, and entertaining.”—The Boston Globe   “You are in such good company—congenial, ironic, a bit old-school—that you’re happy to follow [Kidder and Todd] where they lead you.”—The Wall Street Journal   “[A] well-structured, to-the-point, genuinely useful, and fun-to-read guide to writing narrative nonfiction, essays, and memoir . . . Crisp, informative, and mind-expanding.”—Booklist     “A gem . . . The finer points of creative nonfiction are molded into an inspiring read that will affect the would-be writer as much as Anne Lamott’s Bird by Bird or Stephen King’s On Writing. . . . This is a must read for nonfiction writers.”—Library Journal   “As approachable and applicable as any writing manual available.”—Associated PressFrom the Hardcover edition.

A.S. Byatt (1936) has become known world-wide for her award-winning novel Possession (1990). This thrilling story of romance and literary detection, spanning the nineteenth and twentieth centuries, has prompted a widespread reappraisal of Byatt’s entire oeuvre throughout Europe, the United States, and elsewhere, where she is often read in translation. Richard Todd’s assessment of Byatt’s literary identity treats the entire range of her writing from her earliest novels and essays to the present. Topics covered include Byatt’s conviction that all her writing forms part of one activity along with her astonishing range of reading; her fictional treatment of families and biographers; her belief that her characters must be portrayed as thinking being profoundly affected by joy and loss; her interest in writing about painting; and her articulately-held belief on matters such as religion and philosophy, metaphor and fairy tale.

The celebrated literary memoir and chronicle of one man''s search for the elusive gift of authenticity.Troubled by the lack of substance in contemporary life, Richard Todd suspects that much of what we experience is false. In this unique pursuit of the "genuine," Todd examines his search for authenticity in places and objects, in politics and ideas, and in ourselves, and recounts his efforts to understand the desire to be a real person in a real world.

No detailed description available for "In Other Words".

For many years, scholarship on Thomas Browne (1605-1682) saw him as tangential to his period’s thought and writing: an obscure and quaint stylist, detached from the turbulence of mid-seventeenth century England. This volume contributes to the current reevalution of Browne’s involvement in his times: identifying his political commitments, milieu, reading, and readers. The essays collected in this volume place Browne’s works in unexpected contexts – in Holland, Poland and Germany, in Restoration politics, in publishing history and medical theory. It presents new research into his reputation in the later seventeenth century, his manuscripts, medical dissertation, association with the Hartlib circle and habits of revision. Essays on familiar works place them in new light, while readings of his letters, notebooks, and lesser works broaden our understanding of Browne as a writer. The result is a fuller picture of Browne’s significance in seventeenth-century European culture.Contributors include: Eric Achermann, Hugh Adlington, Reid Barbour, Harm Beukers, Siobhán Collins, Louise Denmead, Karen Edwards, Doris Einsiedel, Kevin Killeen, Mary Ann Lund, Philip Major, Antonia Moon, Kathryn Murphy, Brent Nelson, and Claire Preston.

In The Sufi Doctrine of Man, Richard Todd examines the life and thought of Ibn 'Arabī's chief disciple, Ṣadr al-Dīn al-Qūnawī (13th century C.E.). Making use of manuscript sources, he analyzes and contextualizes Qūnawī's esoteric vision of the nature and purpose of human existence, a doctrine which incorporates core elements of Qūnawī's metaphysics, cosmology, psychology, and eschatology. Qūnawī's thought is placed in relation to Ibn 'Arabī's and that of the Ikhwān al-Ṣafā', and his interaction with the Avicennian tradition is explored by focusing on his dialogue with the philosopher al-Ṭūsī. Although not as famous as his master, Qūnawī is shown to have been a sophisticated metaphysician in his own right, who had a major impact on Sufi thought.

In The Sufi Doctrine of Man, Richard Todd examines the life and thought of Ibn 'Arabi's chief disciple, Sadr al-Din al-Qunawi (13th century C.E.). Making use of manuscript sources, he analyzes and contextualizes Qunawi's esoteric vision of the nature and purpose of human existence, a doctrine which incorporates core elements of Qunawi's metaphysics, cosmology, psychology, and eschatology. Qunawi's thought is placed in relation to Ibn 'Arabi's and that of the Ikhwan al-Safa', and his interaction with the Avicennian tradition is explored by focusing on his dialogue with the philosopher al-Tusi. Although not as famous as his master, Qunawi is shown to have been a sophisticated metaphysician in his own right, who had a major impact on Sufi thought.

This lively and fascinating new collection of European essays on contemporary Anglophone fiction has arisen out of the ESSE/3 Conference, which was held in Glasgow in September 1995. The contributors live and work in University English Departments in Bulgaria, Croatia, France, Germany, Hungary, Italy, The Netherlands, Portugal and Spain, as well as in the United Kingdom itself.Essays on general theoretical aspects of the subject head and conclude the collection, and there are also essays on individual writers or groups of writers, such as John Fowles, A.S. Byatt, Charles Palliser, Peter Ackroyd, William Golding, Doris Lessing, Daphne du Maurier, Angela Carter and Christina Stead. The performative aspect of the subject-matter of these essays is balanced by a locational aspect, including utopian and dystopian writing in authors as diverse as Michael Crichton, Jenny Diski and Salman Rushdie, and the travel literature of Bruce Chatwin.These essays show theoretical alertness, but no single theoretical position is privileged. The aim of the collection is to provide an indication of the range of work being carried out throughout European academe on Anglophone (mainly British) writing today.