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7 produkter
2 329 kr
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Reinterprets the dialogue between theories and practices of poetry in early modern EnglandExplores new perspectives on early modern poetic theory and practiceUnearths key lexicons and notions of Renaissance poetics in early modern English poemsFreshly rereads canonical poems and poets alongside less frequented authors and textsReads early modern poetic texts in the larger intellectual contexts of Britain and EuropeBrings together a transnational team of scholars on early modern English literatureHow did ideas about the poet's art surface in early modern texts? By looking into the intersections between poetry, poetics and other discourses logic, rhetoric, natural philosophy, medicine, mythography or religion the essays in this volume unearth notions that remained largely unwritten in the official literary criticism of the period. Focusing on questions of poetry's origins and style, and exploring individual responses to issues of authenticity, career design, difficulty, or inspiration, this collection revisits and renews the critical lexicons that connect poetic theory and practice in early modern English texts and their European contexts. Reading canonical poets and critics Sidney, Spenser, Marlowe, Shakespeare, Puttenham, Dryden alongside less studied figures such as Henry Constable, Barnabe Barnes, Thomas Lodge, Aemilia Lanyer, Fulke Greville or George Chapman, this book extends the coordinates for a dialogue between literary practice and the Renaissance theories from which they stemmed and which they helped to outgrow.
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How did ideas about the poet's art surface in early modern texts? By looking into the intersections between poetry, poetics and other discourses logic, rhetoric, natural philosophy, medicine, mythography or religion the essays in this volume unearth notions that remained largely unwritten in the official literary criticism of the period. Focusing on questions of poetry's origins and style, and exploring individual responses to issues of authenticity, career design, difficulty, or inspiration, this collection revisits and renews the critical lexicons that connect poetic theory and practice in early modern English texts and their European contexts. Reading canonical poets and critics Sidney, Spenser, Marlowe, Shakespeare, Puttenham, Dryden alongside less studied figures such as Henry Constable, Barnabe Barnes, Thomas Lodge, Aemilia Lanyer, Fulke Greville or George Chapman, this book extends the coordinates for a dialogue between literary practice and the Renaissance theories from which they stemmed and which they helped to outgrow.
355 kr
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533 kr
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1 121 kr
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870 kr
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Del 145 - Costerus New Series
In Words and Deeds
The Spectacle of Incest in English Renaissance Tragedy
Häftad, Engelska, 2002
1 346 kr
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Departing from earlier studies which regarded incest as a literary topos or dramatic metaphor foregrounding political, social, or legal issues, Words and Deeds: The Spectacle of Incest in English Renaissance Tragedy argues that the presence of incest on the Renaissance stage is a strategy for the enactment of the spectator’s tragic experience. Incest is explored neither as a sin nor as a crime, but as an “unspeakable” experience filtered through dramatic words and deeds. The incitement of desire, visual pleasure, and unconscious fantasy, as well as traumatic rejection, pain, and horror, are all aspects of this paradoxical and uncanny experience. Aristotelian theory of tragedy, Freudian and Lacanian psychoanalysis, and Michel Foucault’s notions of the deployment of sexuality and alliance, concur in the analysis of plays where incest is a central or a secondary motif – Ford’s ’Tis Pity She’s a Whore, Beaumont and Fletcher’s Cupid’s Revenge, Webster’s The Duchess of Malfi – and others where incest is an effect of language and mise-en-scène – Sackville and Norton’s Gorboduc, Shakespeare’s King Lear. The variety of topics and the combination of critical perspectives makes In Words and Deeds an attractive book for students and teachers of Renaissance drama, as well as for those with a special interest in psychoanalytic and other new theoretical approaches to the literary text.