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    Trends in Twenty-First-Century African Theatre and Performance

    AvKene Igweonu

    Inbunden, Engelska, 2011

    Del 6 i serien Themes in Theatre

    2 550 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Trends in Twenty-First Century African Theatre and Performance is a collection of regionally focused articles on African theatre and performance. The volume provides a broad exploration of the current state of African theatre and performance and considers the directions they are taking in the 21st Century. It contains sections on current trends in theatre and performance studies, on applied/community theatre and on playwrights. The chapters have evolved out of a working group process, in which papers were submitted to peer-group scrutiny over a period of four years, at four international conferences. The book will be particularly useful as a key text for undergraduate and postgraduate courses in non-western theatre and performance (where this includes African theatre and performance), and would be a very useful resource for theatre scholars and anyone interested in African performance forms and cultures.

    Produktinformation

    • Utgivningsdatum:2011-01-01
    • Mått:155 x 235 x 33 mm
    • Vikt:871 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Themes in Theatre
    • Antal sidor:476
    • Förlag:Brill
    • Medarbetare:Kene Igweonu
    • ISBN:9789042033863

    Utforska kategorier

    • Teater inom Kultur

    Innehållsförteckning

    • AcknowledgementsTemple Hauptfleisch: ForewordKene Igweonu: Striding Out: Emergent Trends in Twenty-First Century African Theatre and PerformanceGeneral Trends in Theatre and Performance StudiesSamuel Ravengai: The Dilemma of the African Body as a Site of Performance in the Context of Western TrainingKene Igweonu: Interculturalism Revisited: Identity Construction in African and African-Caribbean PerformanceJohann van Heerden: Beyond the Miracle: Trends in South African Theatre and Performance after 1994Patrick Ebewo: Transformation and the Drama Studies Curriculum in South Africa: A Survey of Selected UniversitiesPetrus du Preez: The Tall Tale of Tall Horse: The Illusion (or Manifestation) of African Cultural and TraditionalAesthetics in Hybrid PerformancesTemple Hauptfleisch: From Trance Dance to PaR: Theatre and Performance Studies in South AfricaApplied/Community Theatre and PerformanceVicensia Shule: Theatre in/for Development in Tanzania: A Neoliberal NightmarePraise Zenenga: A Voice in the Teeth of Power: Popular Theatre under the Censorship Radar in Zimbabwe (1998-2008)Vibeke Glørstad: Citizens’ Stories – or Theatre as Performing Citizenship in ZimbabweOla Johansson: Towards a Politically Efficacious Community-Based TheatreGladys Ijeoma Akunna: Dance Movement Analysis as Psycho-Diagnostic Tool in Modern Nigerian Medical Practice: An IntroductionPlaywrights and PerformanceOsita Ezenwanebe: Treading Subtly on Volatile Ground: Ahmed Yerima’s Hard Ground and the Dramatization of the Niger Delta Crisis in NigeriaAdebisi Ademakinwa: Drama as an Analytical Tool of Contemporary Society: Ahmed Yerima’s Hard Ground and the Politics of the Niger DeltaNgozi Udengwu: Theatre-on-Demand: Stella Oyedepo – Theatrical Megastar of the Twenty-First CenturyAwo Mana Asiedu: Abibigoro: Mohamed Ben Abdallah’s Search for an African Aesthetic in the TheatreJeleel O. Ojuade: African Dance in Diaspora: The Examples of Nigerian Yoruba bàtá and dùndúnChris Ugolo: Celebration as Aesthetic Device in Contemporary Nigerian Dance Productions: Hubert Ogunde’s Destiny as ExampleAlude Mahali: ‘Piecing Together a Girlhood’: Using the ‘Girlfriend Aesthetic’ as a Practical Methodology in the Making and Performance of Katuntu (…and you too)AbstractsA Selected Bibliography of African Theatre (1990-2011)Notes on Contributors