Mary Bergstein won the “Courage to Dream” book prize from the American Psychoanalytic Association for Mirrors of Memory: Freud, Photography, and the History of Art (Cornell 2010). She has published widely on topics from Italian Renaissance sculpture to contemporary photography. Mary Bergstein has been Professor of History of Art and Visual Culture at the Rhode Island School of Design since 1990.

"Aus dem facettenreichen Buch spricht die vielfältige und teilweise widersprüchliche visuelle Kultur des 19. Jahrhunderts: Prousts Recherche bildet nur den Schnitt- und Symmetriepunkt der vielen Figuren, die sich in diesem Kaleidoskop andeuten, kurz aufleuchten und dann zu einer neuen Gestalt übergehen."- Mattei Chiaia, Zeitschrift für Französische Sprache und Literatur, 126, 2016/1–2, 136–139."tje groundbreaking nature of Bergstein’s foray into [the] historicizing triad of French intellectualism, photography and Jewishness [...] a significant contribution to Jewish studies and visual culture."- Maya Balakirsky Katz, Images, 2017.

• Preface, Acknowledgements, and Notes on the Text Introduction: “Pleasure… is like photography” Chapter 1: Photography and Memory Chapter 2: Photography and the Cultural Archive Chapter 3: The Enigma of Character Illustrations chapters 1-3 Chapter 4: Long Ago and Far Away: Jews, Orientals, and Ghosts Chapter 5: Odette “En Abyme” Chapter 6: Botticelli/Vermeer/Leonardo Coda: “In Looking Back One Learns to See” Illustrations chapters 4-6 Bibliography Index

Mary Bergstein won the “Courage to Dream” book prize from the American Psychoanalytic Association for Mirrors of Memory: Freud, Photography, and the History of Art (Cornell 2010). She has published widely on topics from Italian Renaissance sculpture to contemporary photography. Mary Bergstein has been Professor of History of Art and Visual Culture at the Rhode Island School of Design since 1990.

"Aus dem facettenreichen Buch spricht die vielfältige und teilweise widersprüchliche visuelle Kultur des 19. Jahrhunderts: Prousts Recherche bildet nur den Schnitt- und Symmetriepunkt der vielen Figuren, die sich in diesem Kaleidoskop andeuten, kurz aufleuchten und dann zu einer neuen Gestalt übergehen."- Mattei Chiaia, Zeitschrift für Französische Sprache und Literatur, 126, 2016/1–2, 136–139."tje groundbreaking nature of Bergstein’s foray into [the] historicizing triad of French intellectualism, photography and Jewishness [...] a significant contribution to Jewish studies and visual culture."- Maya Balakirsky Katz, Images, 2017.

• Preface, Acknowledgements, and Notes on the Text Introduction: “Pleasure… is like photography” Chapter 1: Photography and Memory Chapter 2: Photography and the Cultural Archive Chapter 3: The Enigma of Character Illustrations chapters 1-3 Chapter 4: Long Ago and Far Away: Jews, Orientals, and Ghosts Chapter 5: Odette “En Abyme” Chapter 6: Botticelli/Vermeer/Leonardo Coda: “In Looking Back One Learns to See” Illustrations chapters 4-6 Bibliography Index

Mary Bergstein won the “Courage to Dream” book prize from the American Psychoanalytic Association for Mirrors of Memory: Freud, Photography, and the History of Art (Cornell 2010). She has published widely on topics from Italian Renaissance sculpture to contemporary photography. Mary Bergstein has been Professor of History of Art and Visual Culture at the Rhode Island School of Design since 1990.

"Aus dem facettenreichen Buch spricht die vielfältige und teilweise widersprüchliche visuelle Kultur des 19. Jahrhunderts: Prousts Recherche bildet nur den Schnitt- und Symmetriepunkt der vielen Figuren, die sich in diesem Kaleidoskop andeuten, kurz aufleuchten und dann zu einer neuen Gestalt übergehen."- Mattei Chiaia, Zeitschrift für Französische Sprache und Literatur, 126, 2016/1–2, 136–139."tje groundbreaking nature of Bergstein’s foray into [the] historicizing triad of French intellectualism, photography and Jewishness [...] a significant contribution to Jewish studies and visual culture."- Maya Balakirsky Katz, Images, 2017.

• Preface, Acknowledgements, and Notes on the Text Introduction: “Pleasure… is like photography” Chapter 1: Photography and Memory Chapter 2: Photography and the Cultural Archive Chapter 3: The Enigma of Character Illustrations chapters 1-3 Chapter 4: Long Ago and Far Away: Jews, Orientals, and Ghosts Chapter 5: Odette “En Abyme” Chapter 6: Botticelli/Vermeer/Leonardo Coda: “In Looking Back One Learns to See” Illustrations chapters 4-6 Bibliography Index