John Rahn is professor of music composition and theory and associate director of the school of music at the University of Washington in Seattle, Washington. BenjaminBoretz is a composer and an influential music the

• Intro1 Introduction, Benjamin Boretz; Chapter 1 Repetition, John Rahn; Chapter 2 Differences, John Rahn; Chapter 3 Centers; dissenters (music, religion, and politics), John Rahn; Chapter 4 Aspects of musical explanation, John Rahn; Chapter 5 Notes on methodology in music theory, John Rahn; Chapter 6 New research paradigms, John Rahn; Chapter 7 D-light reflecting: the nature of comparison, John Rahn; Chapter 8 Logic, set theory, music theory, John Rahn; Chapter 9 How do you du (by milton babbitt)?, John Rahn; Chapter 10 What is valuable in art, and can music still achieve it?, John Rahn; Chapter 11 Music as anti-theater, Benjamin Boretz;

John Rahn is professor of music composition and theory and associate director of the school of music at the University of Washington in Seattle, Washington. BenjaminBoretz is a composer and an influential music the

• Intro1 Introduction, Benjamin Boretz; Chapter 1 Repetition, John Rahn; Chapter 2 Differences, John Rahn; Chapter 3 Centers; dissenters (music, religion, and politics), John Rahn; Chapter 4 Aspects of musical explanation, John Rahn; Chapter 5 Notes on methodology in music theory, John Rahn; Chapter 6 New research paradigms, John Rahn; Chapter 7 D-light reflecting: the nature of comparison, John Rahn; Chapter 8 Logic, set theory, music theory, John Rahn; Chapter 9 How do you du (by milton babbitt)?, John Rahn; Chapter 10 What is valuable in art, and can music still achieve it?, John Rahn; Chapter 11 Music as anti-theater, Benjamin Boretz;

John Rahn is professor of music composition and theory and associate director of the school of music at the University of Washington in Seattle, Washington. BenjaminBoretz is a composer and an influential music the

• Intro1 Introduction, Benjamin Boretz; Chapter 1 Repetition, John Rahn; Chapter 2 Differences, John Rahn; Chapter 3 Centers; dissenters (music, religion, and politics), John Rahn; Chapter 4 Aspects of musical explanation, John Rahn; Chapter 5 Notes on methodology in music theory, John Rahn; Chapter 6 New research paradigms, John Rahn; Chapter 7 D-light reflecting: the nature of comparison, John Rahn; Chapter 8 Logic, set theory, music theory, John Rahn; Chapter 9 How do you du (by milton babbitt)?, John Rahn; Chapter 10 What is valuable in art, and can music still achieve it?, John Rahn; Chapter 11 Music as anti-theater, Benjamin Boretz;