Magritte’s interarts dialog with literatureThe Belgian surrealist artist René Magritte (1898–1967) is well known for his thought-provoking and witty images that challenge the observer’s preconditioned perceptions of reality.Magritte and Literature examines some of the artist's major paintings whose titles were influenced by and related to works of literature. Baudelaire's The Flowers of Evil, Goethe's Elective Affinities, and Poe's The Domain of Arnheim are representative examples of Magritte's interarts dialog with literary figures. Despite these convergences the titles subvert the images in his paintings. It is the two images together, the image in the painting and the image in the title, that expresses the aesthetics of Surrealism -- sparked by the juxtaposition of unrelated objects. Magritte's challenge to representation compares with metafiction's challenge to classic realism, Les Chants de Maldoror for example, and the intersecting space between art and writing, sometimes referred to as the iconotext, manifests itself whenever Magritte borrows a literary title for a painting. His strategy is to paint visible thought, and this reverse ekphrasis, the opposite of a rhetorical description of a painting, undermines the written text. When he succeeds, the effect is poetry. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
