What Is a Cadence?

Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire

Häftad, Engelska, 2015

672 kr

Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

Beskrivning

The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine chapters seek to account for the great variety and complexity inherent in the cadence by approaching it from different subdisciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these chapters challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the chapters are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers.Contributors: Pieter Berge (KU Leuven), Poundie Burstein (City University of New York), Vasili Byros (Northwestern University), William Caplin (McGill University), Felix Diergarten (Schola Cantorum Basiliensis), Nathan John Martin (Yale University / KU Leuven), Danuta Mirka (University of Southampton), Markus Neuwirth (KU Leuven), Julie Pedneault-Deslauriers (University of Ottawa), Martin Rohrmeier (Massachusetts Institute of Technology), and David Sears (McGill University)

Produktinformation

Utgivningsdatum:2015-04-23
Mått:160 x 239 x undefined mm
Vikt:539 g
Format:Häftad
Språk:Engelska
Antal sidor:320
Förlag:Leuven University Press
ISBN:9789462700154
Utmärkelser:Winner of Outstanding Multi-Author Collection - Society for Music Theory 2018

Utforska kategorier

Musikvetenskap inom Kultur

Mer om författaren

Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.

Innehållsförteckning

Introduction: What is a Cadence? Nine Perspectives Markus Neuwirth and Pieter BergéHarmony and Cadence in Gjerdingen's “Prinner”William E. CaplinBeyond 'Harmony' The Cadence in the Partitura Tradition Felix DiergartenThe Half Cadence and Related Analytic Fictions Poundie BursteinFuggir la Cadenza, or The Art of Avoiding Cadential Closure Physiognomy and Functions of Deceptive Cadences in the Classical Repertoire Markus NeuwirthThe Mystery of the Cadential Six-FourDanuta MirkaThe Mozartean Half CadenceNathan John Martin and Julie Pedneault-Deslauriers“Hauptruhepuncte des Geistes” Punctuation Schemas and the Late-Eighteenth-Century Sonata Vasili ByrosThe Perception of Cadential Closure David Sears Towards a Syntax of the Classical Cadence Martin Rohrmeier and Markus Neuwirth List of Contributors Index

Du kanske också är intresserad av

Del 7

Formenlehre

Felix Diergarten, Markus Neuwirth

Häftad

441 kr

Flüchtlinge sehen mit anderen Augen. Die Rolle von SozialarbeiterInnen bei der Betreuung von Flüchtlingen

Markus Neuwirth

Häftad, 2007

1 748 kr

Paul Flora

Astrid Flogel, Haug von Kuenheim, Theo Sommer, Michael Klein, Alois Hotschnig, Karl-Markus Gau, Roland Sila, Markus Neuwirth, Gunther Moschig, Rosanna Dematte, Sybille Moser-Ernst, Sigurd Paul Scheichl, Philipp Gassert, Helena Perena, Wolfgang Meighorner