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    1. Kultur
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    Machinic Assemblages of Desire

    Deleuze and Artistic Research

    AvPaulo de Assis,Paolo Giudici

    Häftad, Engelska, 2021

    Del i serien Orpheus Institute Series

    451 kr

    Tillfälligt slut

    Beskrivning

    The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, assemblage is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept's uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages.Contributors: Gareth Abrahams (University of Liverpool), Katarina Andjelkovic (Atelier AG Andjelkovic, Belgrade), Ian Buchanan (University of Wollongong), Edward Campbell (University of Aberdeen), Iain Campbell (University of Edinburgh), Paul Dolan (Northumbria University, ), Guy Dubious (Independent sound artist, Tel-Aviv), Vanessa Farfan (Independent artist, Berlin), Silvio Ferraz (University of Sao Paulo), Jose Gil (Nova University of Lisbon), Barbara Glowczewski (National Scientific Research Centre, CNRS), Derek Hales and Spencer Roberts (University of Salford / University of Huddersfield), Yuk Hui (Bauhaus University, Weimar), Jan Jagodzinski (University of Alberta), Niall Dermot Kennedy (Trinity College Dublin), George Lewis (Columbia University), Quirijn Menken (Avans University of Applied Sciences), Thomas Nail (University of Denver), Tero Nauha and Llona Hongisto (University of the Arts Helsinki / Macquarie University), Alex Nowitz (Stockholm University of the Arts), Peter Pal Pelbart (Pontifical Catholic University of Sao Paulo), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), David Savat (University of Western Australia), Chris Stover (Arizona State University)

    Produktinformation

    • Utgivningsdatum:2021-03-01
    • Mått:195 x 285 x 42 mm
    • Vikt:1 600 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:Orpheus Institute Series
    • Antal sidor:466
    • Förlag:Leuven University Press
    • ISBN:9789462702547

    Utforska kategorier

    • Musikvetenskap inom Kultur

    Mer om författaren

    Paulo de Assis is artist researcher (pianist, composer, music philosopher) and a full-time research fellow at the Orpheus Institute. Paolo Giudici is photographer (Royal College of Art London), and associated researcher at the Orpheus Institute.

    Innehållsförteckning

    • Editors’ PrefaceIntroduction: Assemblage and Artistic Research Paulo de Assis Cartographic Recording of Discourse: Mapping as an Emergent Rhizomatic Drawing Process Ron Wigglesworth Part 1: MusicGuattari, Consistency, and Experimental Musical Assemblages Edward Campbell Musical Interaction in the Tetravalence Chris Stover Time Music between Lines and Images : Time In-between Silvio Ferraz Abstract Cartographies and Assemblages of Minimal Sound Units: A “Body-Organon”? Clara Maïda Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism Iain Campbell “Is Our Machines Learning Yet?”: Machine Learning’s Challenge to Improvisation and the Aesthetic George E. Lewis Assemblages of Multivocal and Schizophonic Practices: Unleashing the Machined Voice Alex Nowitz Travelling with Pēratape: Narrating Poetics of an Assemblage of Recording Guy Dubious Machining the Bird Lilija Duobliene Part 2: ArtThe Dance José Gil Kinaesthetics: From Assemblages to Fields of Circulation Thomas Nail Ghastly Assemblages and Glittery Bodies without Organs in the Sculptures of David Altmejd Burcu Baykan How to Dance with Robots Christoph Hubatschke Machines with Organs: Model 5052 Vanessa Farfán Recalcitrant Temporalities: Heterogeneous Time and the Simulated Image Paul Dolan The Machinic Desire of Cinema Tero Nauha Free Indirect Discourse and Assemblages: Literary Procedures in Deleuze and Guattari’s Style Annita Costa Malufe The Intercessor or Heteronym in Gilles Deleuze and Fernando Pessoa Niall Kennedy Part 3: EcosophyAssemblages, Black Holes, and Territories Ian Buchanan Planetary Assemblages: From Organic to Inorganic and Beyond Audronė Žukauskaitė Ethology of Images as Machinic Assemblages Anne Sauvagnargues The Transversality of Assemblages in Indigenous Australia and Alternative Environmental Struggles in France Barbara Glowczewski Orquestra Errante: Improvising Assemblages Facing the Totalitarian Assemblage Rogério Luiz Moraes Costa Subjectification, Desubjectification, Assemblages Peter Pál Pelbart The Non-art of Tehching Hsieh: Art as Life/Life as Art jan jagodzinski Decoding Surveillance Assemblages: How to Read Li Zi-Fong’s Lines and Hong Kong’s Eyes Hsiu-ju Stacy Lo Addressing Problems of Our Capitalist Economies through Artistic Production Niamh Schmidtke The Milieu and the Territorial Assemblage: Insights from Architecture Gareth Abrahams Hecate: An Apparatus for Mapping Urban Complexity Yota Passia and Panagiotis Roupas Appendix: Live Transmission Morgan O’Hara Appendix: Online Materials Notes on Contributors Index