Rembrandt-Hoogstraten

Colour and Illusion

Inbunden, Engelska, 2024

528 kr

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Beskrivning

Published to accompany the once-in-a-lifetime Rembrandt exhibition at the Kunsthistorisches Museum Vienna. Rembrandt’s powerful art left a lasting impression on his gifted pupil Samuel van Hoogstraten. The fascinating interplay between Rembrandt and Hoogstraten is on display in a unique way – you have never seen Rembrandt like this before.This book delves into the depths of colour and illusion, exploring the powerful techniques employed by the master artists Rembrandt and Hoogstraten to create virtual realities on canvas. Through insightful analysis and breathtaking visuals, this in-depth examination reveals the secrets behind the magnificent illusionist effects that have captivated audiences for centuries. Rembrandt-Hoogstraten offers a profound exploration of the transformative power of colour and technique in the hands of two of history's greatest painters.Image © The Royal Caste, Warsaw – photo Andrzej Ring, Lech Sandzewicz

Produktinformation

Utgivningsdatum:2024-10-16
Mått:240 x 280 x 31 mm
Vikt:1 724 g
Format:Inbunden
Språk:Engelska
Antal sidor:288
Förlag:Hannibal Books
ISBN:9789464941319

Utforska kategorier

Konsthistoria inom Kultur

Mer om författaren

Dr. Sabine Pénot is Curator of Netherlandish and Dutch Paintings at the Kunsthistorisches Museum (KHM) in Vienna, Austria.

Innehållsförteckning

8 Foreword Sabine Haag10 Acknowledgements Sabine Pénot13 Introduction Sabine Pénot26 Comparative Timeline Angelina Illes37 Rembrandt and Samuel van Hoogstraten: Collecting, Presence, and Esteem in the Habsburg Patrimonial Lands and CollectionsSabine Pénot63 ‘Come, behold Hochstraet!’: Samuel van Hoogstraten’s Self-Portraits and RembrandtVolker Manuth81 Reflecting on the Visible WorldCeleste Brusati91 ‘Art cannot attain any perfection unless one … is guided by unerring rules of instruction.’ Van Hoogstraten’s Estimation of Rembrandt as a teacherJonathan Bikker113 History PaintingVolker Manuth123 From Rembrandt’s nae ’t leven to Van Hoogstraten’s zichtbaere wereltDavid de Witt153 Rembrandt and Samuel van Hoogstraten and their Passion for IllusionsLeonore van Sloten183 Precious Props. Rembrandt’s Strategic Use of Fashion Accessories in his PortraitsMarieke de Winkel199 GoldMarieke de Winkel207 Rembrandt’s A Woman in Bed (Sarah Awaiting Tobias): Ambiguity and IllusionChristian Tico Seifert219 Samuel van Hoogstraten and the Central European Scientists of Sight: Astronomy, Jesuit Optics, Perspective TechniquePaolo Sanvito233 Samuel van Hoogstraten’s Illusionistic Paintings for Emperor Ferdinand III – Two Case StudiesErma Hermens and Sabine Pénot in collaboration with Eva Götz, Elke Oberthaler, and Ina Slama254 List of Works264 Reference List273 Index