Qi Li is a scholar, artist, and designer who has lectured at universities in China and New Zealand. Li obtained his Ph.D. degree from Edith Cowan University in Perth, Australia. He is currently a lecturer in School of Art and Design in Shanghai University of Engineering Science and a senior research fellow in Tongji University. His research examines aesthetic approaches to data visualisation through the combination of gaming technology and traditional Chinese philosophies. He is interested in how digital technologies enhance creativity and artistic practices. Li has exhibited his work internationally in England, Australia, New Zealand, and China. In addition to authoring the book Interpretation of Online Gaming, he has published papers on the application of traditional Chinese aesthetics to data visualisation and environmental art in the journals Environmental Values and Humanities and Technology and also a paper published in Journal of Visual Communication. Li’s recent work on designtheory has been published as a book chapter in Southeast Asian Ecocriticism: Theories, Practices, Prospects (Lanham, MD: Lexington, 2017).

• Introduction.- Data Visualisation and Aesthetics: Cross-Cultural Perspectives.- A Traditional Chinese Aesthetics of Data Visualisation.- Implementing the Aesthetic Model.- Taoist Data Visualisation.- Conclusion.- References.- Appendices.

Qi Li is a scholar, artist, and designer who has lectured at universities in China and New Zealand. Li obtained his Ph.D. degree from Edith Cowan University in Perth, Australia. He is currently a lecturer in School of Art and Design in Shanghai University of Engineering Science and a senior research fellow in Tongji University. His research examines aesthetic approaches to data visualisation through the combination of gaming technology and traditional Chinese philosophies. He is interested in how digital technologies enhance creativity and artistic practices. Li has exhibited his work internationally in England, Australia, New Zealand, and China. In addition to authoring the book Interpretation of Online Gaming, he has published papers on the application of traditional Chinese aesthetics to data visualisation and environmental art in the journals Environmental Values and Humanities and Technology and also a paper published in Journal of Visual Communication. Li’s recent work on designtheory has been published as a book chapter in Southeast Asian Ecocriticism: Theories, Practices, Prospects (Lanham, MD: Lexington, 2017).

• Introduction.- Data Visualisation and Aesthetics: Cross-Cultural Perspectives.- A Traditional Chinese Aesthetics of Data Visualisation.- Implementing the Aesthetic Model.- Taoist Data Visualisation.- Conclusion.- References.- Appendices.

Qi Li is a scholar, artist, and designer who has lectured at universities in China and New Zealand. Li obtained his Ph.D. degree from Edith Cowan University in Perth, Australia. He is currently a lecturer in School of Art and Design in Shanghai University of Engineering Science and a senior research fellow in Tongji University. His research examines aesthetic approaches to data visualisation through the combination of gaming technology and traditional Chinese philosophies. He is interested in how digital technologies enhance creativity and artistic practices. Li has exhibited his work internationally in England, Australia, New Zealand, and China. In addition to authoring the book Interpretation of Online Gaming, he has published papers on the application of traditional Chinese aesthetics to data visualisation and environmental art in the journals Environmental Values and Humanities and Technology and also a paper published in Journal of Visual Communication. Li’s recent work on designtheory has been published as a book chapter in Southeast Asian Ecocriticism: Theories, Practices, Prospects (Lanham, MD: Lexington, 2017).

• Introduction.- Data Visualisation and Aesthetics: Cross-Cultural Perspectives.- A Traditional Chinese Aesthetics of Data Visualisation.- Implementing the Aesthetic Model.- Taoist Data Visualisation.- Conclusion.- References.- Appendices.