Portrait Photography: Focal Length, Color, and the Architecture of the PortraitEvery portrait rests on two decisions most photographers make separately: which lens to use, and what color story to tell. This book argues they're really one decision, and shows you how to make it that way.Built around the Canon RF system, five lenses anchor the discussion: the 28mm for environmental work, the 50mm for natural, unaffected portraiture, the 85mm for classical flattery, the 100mm for compression with macro precision, and the 135mm for maximum isolation and atmospheric depth. Each chapter breaks down what a focal length actually does optically, where it works, and the specific color grading approach that reinforces rather than fights its character.Before the lens chapters, a full grounding in color theory: the color wheel, harmony systems, tonal psychology, and five working principles of color grading, all written for photographers, not colorists.Drawn from independent study and hands-on shooting rather than studio textbook theory, this is a practical, opinionated field guide for photographers who want their optical choices and their color choices pulling in the same direction.

Portrait Photography: Focal Length, Color, and the Architecture of the PortraitEvery portrait rests on two decisions most photographers make separately: which lens to use, and what color story to tell. This book argues they're really one decision, and shows you how to make it that way.Built around the Canon RF system, five lenses anchor the discussion: the 28mm for environmental work, the 50mm for natural, unaffected portraiture, the 85mm for classical flattery, the 100mm for compression with macro precision, and the 135mm for maximum isolation and atmospheric depth. Each chapter breaks down what a focal length actually does optically, where it works, and the specific color grading approach that reinforces rather than fights its character.Before the lens chapters, a full grounding in color theory: the color wheel, harmony systems, tonal psychology, and five working principles of color grading, all written for photographers, not colorists.Drawn from independent study and hands-on shooting rather than studio textbook theory, this is a practical, opinionated field guide for photographers who want their optical choices and their color choices pulling in the same direction.