Emilie Menzel’s poetry hybridities have garnered such honors as the New Southern Voices Poetry Prize (selected by Molly McCully Brown), the Deborah Slosberg Memorial Award in Poetry (selected by Diana Khoi Nguyen), and the Cara Parravani Memorial Award in Fiction (selected by Leigh Newman), and feature in such journals as the Bennington Review, Copper Nickel, and The Offing, among others. She holds an MFA from the University of Massachusetts Amherst and serves as an editor and librarian for The Seventh Wave community. Raised on barefoot Georgia summers, they now live in Durham, North Carolina and online at emiliemenzel.com.

"Recursive, ambitious, strange and beautiful, this book-length lyric explores the way trauma and abuse make a creature of us, and asks what it’s possible to become in their aftermath. I fell into this world of this book—its rabbits, and soft deer, sliced cow-eyes and wolves—the way you wade into a cold body of water, slowly and then all at once. I couldn’t put it down. And, when I finished, I was changed." —Molly McCully Brown, author of Places I've Taken My Body, contest judge “A delectably nimble collection, ranging in scope from the ordinary to the divine—and all points between. Emilie Menzel is a marvelous writer and cataloguer of what connects and estranges us from our lives.” —Kelly Link, author of The Book of Love"If what you wish is to be for a while in a world that will inspire you to think playfully and with kindness and persistence and an openness to that which is not immediately beheld, you have found your book and your invitation to enter another world that happens to be in this one. Menzel works magic. I love this book." —Dara Barrois/Dixon, author of Tolstoy Killed Anna Karenina"In this astonishing debut, Emilie Menzel employs logic as a poetics of longing and grief, a vital instrument untangling trauma and its aftermath. Her images are both seductive and unflinching, electrifying and terrifying. Her lyric is the elixir I wish I could gift anyone who’s experienced girlhood." —Diana Khoi Nguyen, author of Root Fractures“An exquisite book-length poem that is full of fancy and thought-provoking prose. Every page is a masterclass in language. Reading this was an experience unlike any other. I need more books like Menzel’s The Girl Who Became a Rabbit.” —Adam Vitcavage, Debutiful“‘In giving yourself many rabbits, you gift yourself a kindness. Do not worry about how to justify the fables,’ writes Menzel in her tremendous, book-length lyric. Menzel pushes the boundaries of what poetry and prose can be and how language creates meaning, offering, ‘it is a skill to grow gaps…my voice discovered / through…the history of a feeling.’ Through fables, dissections, and precise and mysterious descriptions, Menzel tracks the history of said feeling, weaving in and out of points of view, around anchors of repetition, and into small turns that open into quietly sweeping movements. This is a tale that speaks of hauntings and grief and the ways a person might rewrite the rules of knowing the body, memory, and experience. Despite the serious tenor, there is also a playful daring that may be both strange and aspirational for anyone attempting to reconstruct, via language, disparate pieces of a whole. A question is posed, ‘how do you gather language for a concept you do not yet know how to see?’ Menzel begins to show us.” —Sara Verstynen, Booklist“Menzel's poetics of transformation pushes language into that imagined space where the self feels expanded into a network of intensities. The Girl Who Became a Rabbit intends to inhabit [...] a liminal [space], transparent and hard as glass, where flesh is fact and fantasy both. What a balm Menzel's language provides.” —Mark Mangelsdorf, Rain Taxi