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Rivals-to-lovers. Forbidden romance. Small-town magic. The Queen of Cowboy Romance is back . . . Welcome to Emerald Lake. This edition has three pieces of stunning black and white artwork throughout.Professional bull rider Emmett Bush is not looking for love - he's looking for a paycheck to save his family's farm from bankruptcy. So, when he agrees to be the leading man on a hot new reality dating show, Romance Ranch, he's already decided it's all one big performance.Until Julia Silva walks onto his property. Smart, snarky, beautiful, and off-limits in more ways than one. As the location consultant on set and the little sister of his most bitter professional rival, Theo, she's the last woman who should pique his interest.Julia has been warned about Emmett. She knows better than to fall for his cocky swagger, broad shoulders, and smoldering good looks. But when mutual distaste grows into an unexpected connection and then . . . something more, they find themselves searching for excuses to spend time together out of the cameras' reach.Knowing glances. Stolen kisses. Secret rendezvous. Emmett signed up to play the role of an eligible bachelor searching for the one. His family's land and legacy depend on him completing the show.The problem is, he's fallen in love.Just not with a contestant.From the no.1 Sunday Times bestselling author, Elsie Silver, comes a brand-new romance series set in the same beloved universe as Chestnut Springs and Rose Hill.Readers can't get enough of Emmett and Julia'Elsie never lets me down, possibly my favorite book of hers yet'⭐ ⭐ ⭐ ⭐ ⭐'I've added another book boyfriend to the list'⭐ ⭐ ⭐ ⭐ ⭐'Fever Dream is so achingly tenderhearted in ways I was never expecting. I cannot WAIT to spend more time in Emerald Lake.'⭐ ⭐ ⭐ ⭐ ⭐'Seeing my favourite characters again continues to make me feral'⭐ ⭐ ⭐ ⭐ ⭐'I was invested from the first chapter!'⭐ ⭐ ⭐ ⭐ ⭐'I'm already frothing at the mouth for the next one.'⭐ ⭐ ⭐ ⭐ ⭐'Wow this one was something special. It felt like going back to Chestnut Springs but something new and fresh at the same time'⭐ ⭐ ⭐ ⭐ ⭐

In Pam Houston’s best-selling story collection, we meet smart women who are looking for the love of a good man, and men who are wild and hard to pin down. Our heroines are part daredevil, part philosopher, all acute observers of the nuances of modern romance. Cowboys Are My Weakness is a shrewd and intoxicating look at men and women—together and apart.

From chuckwagon recipes to dutch-oven favorites for your own campfire, The Cowboy's Cookbook features recipes, photos, and lore celebrating the cowboy’s role in the shaping of the American West. From songs sung around the campfire after hearty meals of steak, beans, and skillet cornbread to the recipes you'll need to recreate those trailside meals in your own kitchen, this book will get you in touch with the spirit of the Old West.

Winner of the Pulitzer Prize for Fiction.Immerse yourself in the gritty American Frontier in Lonesome Dove by Larry McMurty. A powerful, triumphant tribute to the American West and a masterful epic from the screenwriter of Brokeback Mountain.This is the story of a group of audacious cowboys on a perilous cattle drive across the sprawling wilderness, from Texas to Montana. Bound by duty and hardened by the relentless frontier, their shared journey embodies the enduring spirit of the West.More than an adventure, beyond any love story, the first published book, chronologically third in McMurtry’s esteemed Lonesome Dove quartet, depicts an enduring American experience. A must-read for fans of evocative Western Americana, McMurtry propels you into the heart of 19th-century America, its triumphs and betrayals bound together in a dance of heightened drama and human spirit.‘Unforgettable’ – The New York Times‘It’s like the gift of reading itself’ – Geoff Dyer, The GuardianNow part of the Picador Collection, a series showcasing the very best of modern literature.

"This modern, refreshing examination of today’s American cowboys and cowgirls is something people will want to revisit time and time." — Yahoo“...captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.” – Ailbhe Macmahon, Daily Mail"Cowboys may be innately photogenic, but French photographer Anouk Krantz has succeeded in capturing their lives and surroundings like no other."  —Graphius MagazineHaving earned wide acclaim for her bestselling Wild Horses of Cumberland Island (2017) and West: The American Cowboy (2019), this new collection of work that is American Cowboys is Anouk’s strongest work yet. Join Anouk Masson Krantz in her solo journey across America where she reveals the intimate lives and families of this private, elusive icon of our American West. Through her lens Anouk showcases an incredible journey from an outsider’s perspective into the private world of the American cowboy. Real people and real stories — a remarkable and inspiring story of people coming together to share their lives and celebrate the nation’s cowboy culture. This book is a must-have title among Anouk’s fine collections of photographs.Anouk’s work has been exhibited in galleries and museums across America. She is renowned for her large-scale contemporary photography and her use of white space that defines her elegant, minimalistic style.

Two women take a road trip through Brazil in an exploration of identity, desire, and the limitations and possibilities of female sexuality.

Life just got a whole lot more complicated… Della is the perfect student. Hardworking, intelligent and hoping to make something of herself one day.But when she finds herself needing to move house, it seems that everything is conspiring against her. The only place she can afford seems too good to be true – her own room, close to campus, reasonable rent… the only catch? Her housemates are all men. And they are all cowboys.Knowing her parents would disapprove but wanting to make her own decisions, Della decides to stay. And soon, finds that great friends can come from unexpected places…as can love, too.

“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”— Margot Lee Shetterly, New York Times bestselling author of Hidden Figures“Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose HerA rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities.In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton.  The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph.The Compton Cowboys is illustrated with 10-15 photographs.

The first novel by Joseph O'Connor, bestselling author of Star of the Sea and Shadowplay.Eddie Virago, proud owner of the last mohican haircut in Dublin, leaves his home town to find the fame and fortune he's convinced awaits in the wild world of the London rock scene.Things don't quite go as planned, however. He finds himself living in a ramshackle hotel with a girl he met on the ferry over, while a bewildering array of acid-house ravers, saloon-bar revolutionaries, music-business wideboys and media primadonnas all seem very anxious to help Eddie on his way...'Very funny... An immensely readable and entertaining book, full of truth about the world we live in' Sunday Independent'Clever, wry and often hilarious...with sardonic, very knowing digs at youthful pretension' Time Out

Country music of late 1960s and early 1970s was a powerful symbol of staunch conservative resistance to the flowering hippie counterculture. But in 1972, the city of Austin, Texas became host to a growing community of musicians, entrepreneurs, journalists, and fans who saw country music as a part of their collective heritage and sought to reclaim it for their own progressive scene. These children of the Cold War, post-World War II suburban migration, and the Baby Boom escaped the socially conservative world their parents had created, to instead create for themselves an idyllic rural Texan utopia. Progressive country music--a hybrid of country music and rock--played out the contradictions at work among the residents of the growing Austin community: at once firmly grounded in the conservative Texan culture in which they had been raised and profoundly affected by the current hippie counterculture.In Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene, Travis Stimeling connects the local Austin culture and the progressive music that became its trademark. He presents a colorful range of evidence, from behavior and dress, to newspaper articles, to personal interviews of musicians as diverse as Willie Nelson, Jerry Jeff Walker, and Doug Sahm. Along the way, Stimeling uncovers parodies of the cosmic cowboy image that reinforce the longing for a more peaceful way of life, but that also recognize an awareness of the muddled, conflicted nature of this counterculture identity. Cosmic Cowboys and New Hicks brings new insight into the inner workings of Austin's progressive country music scene -- by bringing the music and musicians brilliantly to life.This book will appeal to students and scholars of popular music studies, musicology and ethnomusicology, sociology, cultural studies, folklore, American studies, and cultural geography; the lucid prose and interviews will also make the book attractive to fans of the genre and artists discussed within. Austin residents past and present, as well as anyone with an interest in the development of progressive music or today's 'alt.country' movement will find Cosmic Cowboys and New Hicks an informative, engaging resource.

Country music of late 1960s and early 1970s was a powerful symbol of staunch conservative resistance to the flowering hippie counterculture. But in 1972, the city of Austin, Texas became host to a growing community of musicians, entrepreneurs, journalists, and fans who saw country music as a part of their collective heritage and sought to reclaim it for their own progressive scene. These children of the Cold War, post-World War II suburban migration, and the Baby Boom escaped the socially conservative world their parents had created, to instead create for themselves an idyllic rural Texan utopia. Progressive country music--a hybrid of country music and rock--played out the contradictions at work among the residents of the growing Austin community: at once firmly grounded in the conservative Texan culture in which they had been raised and profoundly affected by the current hippie counterculture.In Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene, Travis Stimeling connects the local Austin culture and the progressive music that became its trademark. He presents a colorful range of evidence, from behavior and dress, to newspaper articles, to personal interviews of musicians as diverse as Willie Nelson, Jerry Jeff Walker, and Doug Sahm. Along the way, Stimeling uncovers parodies of the cosmic cowboy image that reinforce the longing for a more peaceful way of life, but that also recognize an awareness of the muddled, conflicted nature of this counterculture identity. Cosmic Cowboys and New Hicks brings new insight into the inner workings of Austin's progressive country music scene -- by bringing the music and musicians brilliantly to life.This book will appeal to students and scholars of popular music studies, musicology and ethnomusicology, sociology, cultural studies, folklore, American studies, and cultural geography; the lucid prose and interviews will also make the book attractive to fans of the genre and artists discussed within. Austin residents past and present, as well as anyone with an interest in the development of progressive music or today's 'alt.country' movement will find Cosmic Cowboys and New Hicks an informative, engaging resource.

Think cowboys croon lullabies to cattle at night? Not exactly. Whether 'round the campfire or in the barroom, cowboys love a lusty chorus of the kinds of songs their mothers never taught them. Guy Logsdon painstakingly sought out, listened to, and recorded the bawdy songs of America's real working cowboys. Honest and hilarious songs ranging from "Little Joe, the Wrangler" to "Boring for Oil" and "Old Man's Lament" reveal an affection for humor--sometimes crude, sometimes clever--as well as an affable warts-and-all view of human nature.Winner of the Westerners International Co-Founders Awards of the Western History Association, 1990.

During the 1950s and 60s in the Congo city of Kinshasa, there emerged young urban male gangs known as "Bills" or "Yankees." Modeling themselves on the images of the iconic American cowboy from Hollywood film, the "Bills" sought to negotiate lives lived under oppressive economic, social, and political conditions. They developed their own style, subculture, and slang and as Ch. Didier Gondola shows, engaged in a quest for manhood through bodybuilding, marijuana, violent sexual behavior, and other transgressive acts. Gondola argues that this street culture became a backdrop for Congo-Zaire's emergence as an independent nation and continues to exert powerful influence on the country's urban youth culture today.

During the 1950s and 60s in the Congo city of Kinshasa, there emerged young urban male gangs known as "Bills" or "Yankees." Modeling themselves on the images of the iconic American cowboy from Hollywood film, the "Bills" sought to negotiate lives lived under oppressive economic, social, and political conditions. They developed their own style, subculture, and slang and as Ch. Didier Gondola shows, engaged in a quest for manhood through bodybuilding, marijuana, violent sexual behavior, and other transgressive acts. Gondola argues that this street culture became a backdrop for Congo-Zaire's emergence as an independent nation and continues to exert powerful influence on the country's urban youth culture today.

Rekindled at the ranch Perfect for fans of: 🤠 Cowboys💖 Second chance🚨 Romance in uniform Rancher's Return by Maisey Yates Single mother Marigold Rivers is shocked to find a boy in her daughter’s room – and even more so when she confronts his father, Buck Carson, the man she blames for her brother’s death. Back in Lone Rock to raise his three adopted sons, Buck must face his past and his chemistry with Marigold. But can she trust the former bad boy? Vegas Vows, Texas Nights by Charlene Sands Waking up next to a very virile – and very naked – Luke Boone is shocking enough. But when Katie Rodgers learns her sister's ex-fiancé is now her husband…unforgivable! Katie needs her secret marriage to Texas’ wealthiest power broker annulled – now! But when their sizzling chemistry survives the trip home, will the newlyweds want to untie the knot? The SEAL's Secret Heirs by Kat Cantrell Navy SEAL Kyle Wade returns to his family’s ranch in Royal, Texas, only to discover he’s the guardian of twins. Not only that – his high school sweetheart, Grace Haines, is the babies’ caseworker! Their chemistry is still explosive, but could it be time to give this military man a second chance?

Drug Lords, Cowboys, and Desperadoes examines how historical archetypes in violent narratives on the Mexican American frontier have resulted in political discourse that feeds back into real violence.The drug battles, outlaw culture, and violence that permeate the U.S.-Mexican frontier serve as scenery and motivation for a wide swath of North American culture. In this innovative study, Rafael Acosta Morales ties the pride that many communities felt for heroic tales of banditry and rebels to the darker repercussions of the violence inflicted by the representatives of the law or the state. Narratives on bandits, cowboys, and desperadoes promise redistribution, regeneration, and community, but they often bring about the very opposite of those goals. This paradox is at the heart of Acosta Morales's book.Drug Lords, Cowboys, and Desperadoes examines the relationship between affect, narrative, and violence surrounding three historical archetypes—social bandits (often associated with the drug trade), cowboys, and desperadoes—and how these narratives create affective loops that recreate violent structures in the Mexican American frontier. Acosta Morales analyzes narrative in literary, cinematic, and musical form, examining works by Américo Paredes, Luis G. Inclán, Clint Eastwood, Rolando Hinojosa, Yuri Herrera, and Cormac McCarthy. The book focuses on how narratives of Mexican social banditry become incorporated into the social order that bandits rose against and how representations of violence in the U.S. weaponize narratives of trauma in order to justify and expand the violence that cowboys commit. Finally, it explains the usage of universality under the law as a means of criminalizing minorities by reading the stories of Mexican American men who were turned into desperadoes by the criminal law system.Drug Lords, Cowboys, and Desperadoes demonstrates how these stories led to recreated violence and criminalization of minorities, a conversation especially important during this time of recognizing social inequality and social injustices. The book is part of a growing body of scholarship that applies theoretical approaches to borderlands studies, and it will be of interest to students and scholars in American and Mexican history and literature, border studies, literary criticism, cultural criticism, and related fields.

Herding cattle from horseback has been a tradition in northern Mexico and the American West since the Spanish colonial era. The first mounted herders were the Mexican vaqueros, expert horsemen who developed the skills to work cattle in the brush country and deserts of the Southwestern borderlands. From them, Texas cowboys learned the trade, evolving their own unique culture that spread across the Southwest and Great Plains. The buckaroos of the Great Basin west of the Rockies trace their origin to the vaqueros, with influence along the way from the cowboys, though they, too, have ways and customs distinctly their own.In this book, three long-time students of the American West describe the history, working practices, and folk culture of vaqueros, cowboys, and buckaroos. They draw on historical records, contemporary interviews, and numerous photographs to show what makes each group of mounted herders distinctive in terms of working methods, gear, dress, customs, and speech. They also highlight the many common traits of all three groups.This comparative look at vaqueros, cowboys, and buckaroos brings the mythical image of the American cowboy into focus and detail and honors the regional and national variations. It will be an essential resource for anyone who would know or portray the cowboy-readers, writers, songwriters, and actors among them.

During the last third of the twentieth century, white supremacists moved, both literally and in the collective imagination, from midnight rides through Mississippi to broadband-wired cabins in Montana. But while rural Montana may be on the geographical fringe of the country, white supremacist groups were not pushed there, and they are far from "fringe elements" of society, as many Americans would like to believe. Evelyn Schlatter's startling analysis describes how many of the new white supremacist groups in the West have co-opted the region's mythology and environment based on longstanding beliefs about American character and Manifest Destiny to shape an organic, home-grown movement. Dissatisfied with the urbanized, culturally progressive coasts, disenfranchised by affirmative action and immigration, white supremacists have found new hope in the old ideal of the West as a land of opportunity waiting to be settled by self-reliant traditional families. Some even envision the region as a potential white homeland. Groups such as Aryan Nations, The Order, and Posse Comitatus use controversial issues such as affirmative action, anti-Semitism, immigration, and religion to create sympathy for their extremist views among mainstream whites-while offering a "solution" in the popular conception of the West as a place of freedom, opportunity, and escape from modern society. Aryan Cowboys exposes the exclusionist message of this "American" ideal, while documenting its dangerous appeal.

For more than sixty years, Roy Rogers and Dale Evans personified the romantic, mythic West that Americans cherished. Blazing a trail through every branch of the entertainment industry - radio, film, recordings, television, and even comic books - the couple capitalized on their attractive personas and appealed to the nation's belief in family values, an independent spirit, and community. Raymond E. White presents these two celebrities in the most comprehensive and inclusive account to date. Part narrative, part reference, this impeccably researched, highly accessible survey spans the entire scope of Rogers's and Evans's careers and highlights their place in twentieth-century American popular culture. In a dual biography, he shows how Rogers and Evans carefully husbanded their public image and - of particular note - incorporated their Christian faith into their performances. Testifying to both the breadth and the longevity of their careers, the book includes radio logs, discographies, filmographies, and comicographies that will delight historians and collectors alike.