Visar resultat för..."Dramatik Bengt"

Att nå en människas inre är ett arbete där lyssnandet och sökandet ofta ger oss ett livsöde. Det handlar om att dechiffrera en människas tankar och utsagor, och vad han eller hon inte säger. Intervjun är en konst som kanske kan liknas vid att förstå poesi: tolka och knäcka koder. En intervju ska inte vara till lags eller imponera. Den ska vara koncentrerad och rak, ta upp väsentligheter. Boken är ett samarbete med DI (Dramatiska Institutet) Bengt Bok är nyutnämnd professor på Dramatiska Institutet. Han är mångårig medarbetare på Sveriges Radio med just intervjuer som specialitet.

Kuutot fyllde 1987 det nybyggda Folkets Hus i Pajala 14 gånger, ett oslaget rekord än i denna dag. Den satte igång meänkielis resa mot ett erkänt minoritetsspråk. Antigone är ett bevis på att meänkieli fungerar som litterärt verktyg och Bara en ettöring skall få skrattet att fastna i halsen.

The primary aim of this book is to attempt to identify the author of Eric’s Chronicle. Previous argumentation regarding who commissioned the Chronicle has not been impartial, which has also obscured the issue of its authorship. Here it is argued that the instigator was lawspeaker Birger Persson, father of Saint Bridget. With regard to the issue of authorship, the general opinion has been that the author was to be found within the circle close to Duke Eric and Duke Valdemar. Despite this, no researcher has previously considered the solution that lies closest to hand, namely that the author was the Duke’s own secretary. His name was Tyrgils Kristineson. The identity and contacts of the chronicler has been determined using genealogical methods. Tyrgils was a canon in Skara and Växjö, son of a priest and an unmarried woman through whom he was a member of a prominent circle of relatives. Through his mother he was related to several persons who play an important part in Eric’s Chronicle, which throws new light on several aspects of its configuation. Canon Tyrgils’ position as the Dukes’ secretary has similar significance. The interest shown by Dutchess Ingeborg has considerable significance for the genesis of the Chronicle, although Birger Persson was the actual instigator. It is probable that Tyrgils left his post with Ingeborg in 1324 and therefore was provided with the time between 1325 and 1326 to compose the Chronicle. The fact that several characteristics support an origin in Uppland and others an origin in Västergötland is to be explained by the commissioner being lawspeaker Birger Persson from Uppland, and author Canon Tyrgils, from Västergötland. A large part of this book is dedicated to clarifying the manner in which the manuscripts containing Eric’s Chronicle, that is to say Cod. Holm. D 4, D 4 a, D 3 (and D 2), have been passed down. Using detailed genealogical argumentation, the passage of the important manuscripts is followed from generation to generation up to the 17th century. Gustav Algotsson (Sture) emerges as a central figure. D 4 (which section of the Chronicle was later excised) was written for him. He was married to Märta Ulfsdotter (Sparre av Hjulsta and Ängsö) for whom D4 a was written with content which is similar to that of D 4. D 3 was subsequently written for their daughter, Elin Gustavsdotter. His first wife, Elin Arvidsdotter (Oxenstierna) was also of significance for the content of D 4. Thereto there is a relationship between Gustav’s two wives. Thereby it is clear that the central manuscripts and the Chronicle were handed down within the same family. Keywords: Rhymed chronicles, determination of authorship, old Swedish, manuscript tradition, genealogy (medieval noble families), Scandinavian history. Språk i boken: svenska

Direkt eller indirekt står nästan all västerländsk dramatik i skuld till den antika grekiska teatern. Ständigt har man återvänt till de gamla mönstren, men man har också omformat dem efter nya behov i en ny historisk och social situation. I det franskklassicistiska dramat kan vi bevittna ett spännande möte mellan två kulturer, mellan antiken och Ludvig XIV:s tidevarv. Den första delen av antologiserien Världsdramatik innehåller representativa dramer ur den antika grekiska och den franskklassicistiska traditionen. I de tre följande delarna, Drama i borgerlighetens värld, Det moderna dramat och På väg mot sekelslutet görs nedslag i 1800-talets och 1900-talets dramatik.Världsdramatik 1Aiskylos AgamemnonSofokles AntigonEuripides MedeaEuripides BackanteraAristofanes LysistrateRacine Faidra Molière Den girigeHolberg Jeppe paa BjergetVärldsdramatik 2Büchner WoyzeckIbsen Et dukkehjemeStrindberg Fröken JulieStrindberg Ett drömspelTjechov KörsbärsträdgårdenJarry Kung UbuVärldsdramatik 3Lorca BlodsbröllopPirandello Sex roller sökeren författareBrecht Mor CourageSartre FlugornaBeckettI väntan på GodotWeiss Mordet på MaratVärldsdramatik 4ChurchillTop GirlsHare UtmanarnaKoltès I bomullsfältensensamhetLugn IdlaflickornaMüller HamletmaskinenNorén Natten är dagens morOsten Medeas barnAndra upplagan