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As a younger generation discovered sewing and traditional quilting, they yearned for a less restrictive way to express their creativity in fabric. By experimenting with the use of colour, asymmetrical blocks, fabric, and improvisational sewing techniques, their quilts took on a new aesthetic and the Modern Quilting movement was born. In Quilting with a Modern Slant, Rachel May shares the stories and work of 80 renowned modern quilters, as well as the techniques and patterns that serve as the foundation of the craft. With step-by-step tutorials to guide newer quilters, this book offers first-hand guidance on the quilting process and experience.

For Beth Kephart’s son, the diagnosis was "pervasive developmental disorder not otherwise specified"—a broad spectrum of difficulties, including autistic features. As the author and her husband discover, all that label really means is that their son Jeremy is "different in a million wonderful ways, and also different in ways that need our help."In intimate, incandescent prose, Kephart shares the painful and inspiring experience of loving a child whose "special needs" bring tremendous frustration and incalculable rewards. "What, in the end, are you fighting for: Normal?" Kephart asks. "Is normal possible? Can it be defined? . . . And is normal superior to what the child inherently is, to what he aspires to, fights to become, every second of his day?"With the help of passionate parental involvement and the kindness of a few open hearts, Jeremy slowly emerges from a world of obsessive play rituals, atypical language constructions, endless pacing, and lonely frustrations. Triumphantly, he begins to engage others, describe his thoughts and passions, build essential friendships. Ultimately this is a story of the shallowness of medical labels compared to a child's courage and a mother's love, of which Kephart writes, "Nothing erodes it. It is not sand on a beach. It is the nuclear heart of things—hard as the rock of this earth."

Slant Steps explores the vital role of the semi-periphery—artistic communities working between the provinces and the metropole. Premised on the collective fascination with the found object Slant Step, the book details a history of encounters among artists, filmmakers, critics, and others operating in and out of the Bay Area during the long 1960s. They revised the terms of the counterculture, the appeal of consumer goods, and the surfaces and materials of industrial design and contemporary sculpture. Whether extending to international exchanges or shrinking to local coteries, these circles helped develop process, funk, and conceptual art as they forged new directions for the art world and its members. Yet when these groups degraded their own works alongside those of their rivals, they made their political and aesthetic commitments difficult to decipher, reorganizing the ties between the visual arts and the New Left. Merging sociologies of art with the tradition of social art history, Jacob Stewart-Halevy uncovers the oblique perspectives and values of the semi-periphery, revealing its enduring impact upon contemporary art, above all in the field of pedagogy.

Political commentary is possible through ""variety"" theatre, this volume contends. Compiled from the April 2000 Theatre Symposium held on the campus of the University of Tennessee-Knoxville, this collection of essays presents a compelling mix of theoretical and practical viewpoints from a broad diversity of scholars from around the country. What remains to be learned about the political objectives of Brecht's Lehrstriucke? What political power is resident in the satirical humor of Dario Fo's drama? What can we learn from Mordecai Gorelik's political/artistic philosophy that might inform contemporary practice? What was the impact of political theatre on Broadway between the wars? Is Thornton Wilder's Our Town the play we've always imagined it to be, or does it challenge the politics of its time? What is the role of theatre activism in raising consciousness about gender politics? These are only some of the questions addressed by this lively, informative discussion.

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Two award-winning authors reveal everything you need to know to develop your own distinctive voice and craft compelling, creative nonfiction 

“Tell all the Truth but tell it Slant.”—Emily Dickinson

With these words, Dickinson offers sound advice for nonfiction writers: Tell the truth but become more than mere transcribers of daily life. Since 2003, Tell It Slant has set the standard for creative nonfiction instruction, showing writers how to move beyond mere facts and, instead, make the most of their own “slant” on the world. This revised and updated third edition offers:

• New and expanded chapters on writing about identity, maintaining a productive work/life balance, and navigating the publishing industry• An anthology with diverse pieces that range from traditional essay to the graphic memoir• Expanded discussion of contemporary and emerging literary forms• New “Try It” writing exercises throughout the book

Whether planning a course or learning on your own, Tell It Slant provides everything you need to know to develop a distinctive voice and to craft compelling creative nonfiction. This book provides the basis for a complete education in nonfiction writing, wherever your classroom might be.

“Tell It Slant is a valuable and comprehensive resource for nonfiction writers, filled with exhilarating examples, powerful exercises, and pure inspiration. Miller and Paola are gifted teachers and writers with endless wisdom to share and a lovely way of sharing it with struggling writers at every level.”—Dinty W. Moore, author of The Mindful Writer: Noble Truths of the Writing Life