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Vast in its scope, incomparably dense in its imagery, Parzival ranks alongside Dante's Divine Comedy as one of the foremost narrative works to emerge from medieval Europe.Written in the first decade of the thirteenth century, Parzival is the greatest of the medieval Grail romances. It tells of Parzival's growth from youthful folly to knighthood at the court of King Arthur, and of his quest for the Holy Grail. Full of incident and excitement, the story involves deeds of chivalry, tournaments and sieges, courtly love and other erotic adventures. Parzival's quest becomes a moral and spiritual journey of self-discovery, as he learns that he must repent of his past misdeeds if he is to succeed. Exuberant and Gothic in its telling, as well as profoundly moving, Parzival has inspired and influenced works as diverse as Wagner's Parsifal and Lohengrin, Terry Gilliam's film The Fisher King, and Umberto Eco's Baudolino.Cyril Edwards's fine translation also includes the fragments of Titurel, an elegiac offshoot of Parzival. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Composed in the early thirteenth century, Wolfram von Eschenbach's Parzival is the re-creation and completion of the story left unfinished by its initiator Chrétien de Troyes. It follows Parzival from his boyhood and career as a knight in the court of King Arthur to his ultimate achievement as King of the Temple of the Grail, which Wolfram describes as a life-giving Stone. As a knight serving the German nobility in the imperial Hohenstauffen period, the author was uniquely placed to describe the zest and colour of his hero's world, with dazzling depictions of courtly luxury, jousting and adventure. Yet this is not simply a tale of chivalry, but an epic quest for spiritual education, as Parzival must conquer his ignorance and pride and learn humility before he can finally win the Holy Grail.

Originally published in 1990, this massive work of scholarship provides an invaluable reference tool for efficient textual investigation to a medieval masterpiece and one of the most significant Middle High German poems. Function words and selected high frequency words with related forms, omitted from many concordances, are given in single verse context in the Verse Concordance. The shorter format offers enough information for most research needs, and certainly enough to indicate where recourse to the text itself is required. While the Key Word in Context (KWIC) concordance is in traditional text-order, headwords in the verse concordance are sorted on neighbouring words to the right to reveal patterns which would otherwise remain undisclosed because of sheer numbers.

Originally published in 1990, this massive work of scholarship provides an invaluable reference tool for efficient textual investigation to a medieval masterpiece and one of the most significant Middle High German poems. Function words and selected high frequency words with related forms, omitted from many concordances, are given in single verse context in the Verse Concordance. The shorter format offers enough information for most research needs, and certainly enough to indicate where recourse to the text itself is required. While the Key Word in Context (KWIC) concordance is in traditional text-order, headwords in the verse concordance are sorted on neighbouring words to the right to reveal patterns which would otherwise remain undisclosed because of sheer numbers.

Although much work has recently been done on the relationship between poet, narrator and audience in medieval literature, no sustained attempt has yet been made to inquire into the ways in which the listener's responses are rhetorically controlled and guided in the case of the Parzival of Wolfram von Eschenbach. This book attempts such an inquiry by combining five approaches which have so far been used only separately or partially: the narrator's use of a point of view technique, a specific problem concerning the medieval technique, a specific problem concerning the medieval reception of his work, a procedure best described as 'revealing while concealing', the technique used in naming characters, and the theme of recognition in Parzival. These approaches are combined and applied in detail to the narrative sequence of Wolfram's romance. Although the narratives dealing with Gahmuret, Parzival and Gawan are all dealt with, the lion's share falls to Parzival as the hero of the work (whereby special importance is attached to his crucial dialogue with the hermit Trevrizent in Book IX), but due regard is also paid to Gawan as a means of highlighting the special position of the hero. The discussion throughout is organised around the various encounters in the work in which recognition or non-recognition plays a part.

Wolfram's Parzival is one of the great medieval romances, but the complexities and obscurities of source, language and the Grail symbol have led to a virtual neglect by scholars of the problems of structure and characterisation. Medieval characterisation tended towards idealisation, symbolism and the view that the individual could be considered a member of a class or type; in Wolfram however the beginnings of individual characterisation can be seen. This 1966 book studies the types and techniques of character-portrayal in Parzival and of the emergence of the idea of individuality. Dr Blamires analyses each of the main characters - Gahmuret, Herzeloyde, Parzival, Gawan and Feirefiz - and shows how Wolfram presents them and the variety of methods he uses. From this approach he deals with the main problems the poem presents and brings out its closeness and complexity of texture.

This 1981 text is a study of the narrative techniques in two important thirteenth-century German romances: one by Wolfram von Eschenbach, considered by many as the greatest poet of medieval Germany; the other by a lesser-known but highly skilled follower of Wolfram. This analysis of narrative technique contributes to the trend towards a broader perspective in medieval literary studies, in which critical modes developed in the study of modern works are applied helpfully to older literature. The conclusions reached should prove important for the understanding of modern conceptions of narrative as well.

Originally published in 1963, this book provides a series of introductory essays relating to Wolfram von Eschenbach's Parzival, one of the great German epic poems of the medieval period. At the time of publication there was a relative lack of critical literature relating to Parzival; in particular, there were very few texts aimed at undergraduates. Given the complicated nature of the story and its often tortuous linguistic structure, this absence was rendered all the more conspicuous. This volume filled the gap in Parzival criticism through a highly rigorous, yet accessible, textual analysis which broadly followed the narrative of the poem. This volme will remain of value to anyone with an interest in medieval German literature or literary criticism.

Although much work has recently been done on the relationship between poet, narrator and audience in medieval literature, no sustained attempt has yet been made to inquire into the ways in which the listener's responses are rhetorically controlled and guided in the case of the Parzival of Wolfram von Eschenbach. This book attempts such an inquiry by combining five approaches which have so far been used only separately or partially: the narrator's use of a point of view technique, a specific problem concerning the medieval technique, a specific problem concerning the medieval reception of his work, a procedure best described as 'revealing while concealing', the technique used in naming characters, and the theme of recognition in Parzival. These approaches are combined and applied in detail to the narrative sequence of Wolfram's romance. Although the narratives dealing with Gahmuret, Parzival and Gawan are all dealt with, the lion's share falls to Parzival as the hero of the work (whereby special importance is attached to his crucial dialogue with the hermit Trevrizent in Book IX), but due regard is also paid to Gawan as a means of highlighting the special position of the hero. The discussion throughout is organised around the various encounters in the work in which recognition or non-recognition plays a part.

This volume in the Arthurian Characters and Themes series treats the fascinating character of Perceval, the naive and flawed but gifted youth who becomes the Grail hero in some texts and yet is eclipsed in others by Galahad. Also includes eight musical examples.

Parzival, an Arthurian romance completed by Wolfram von Eschenbach in the first years of the thirteenth century, is one of the foremost works of German literature and a classic that can stand with the great masterpieces of the world. The most important aspects of human existence, worldly and spiritual, are presented in strikingly modern terms against the panorama of battles and tournaments and Parzival's long search for the Grail. The world of knighthood, of love and loyalty and human endeavor despite the cruelty and suffering of life, is constantly mingling with the world of the Grail, affirming the inherent unity between man's temporal condition and his quest for something beyond human existence.