"Suicide," writes the notes English poet and critic A. Alvarez, "has permeated Western culture like a dye that cannot be washed out." Although the aims of this compelling, compassionate work are broadly cultural and literary, the narrative is rooted in personal experience: it begins with a long memoir of Sylvia Plath, and ends with an account of the author's own suicide attempt. Within this dramatic framework, Alvarez launches his enquiry into the final taboo of human behavior, and traces changing attitudes towards suicide from the perspective of literature. He follows the black thread leading from Dante through Donne and the romantic agony, to the Savage God at the heart of modern literature.

As children, most of us are scared of the dark. Although we may put that fear behind us, it remains nonetheless buried deep in places where we prefer not to look. It is a terror-as old as the human race-that survives in spite of the magic of electricity, which disguises but can never erase the differences between night and day.In this powerfully written book, A. Alvarez examines night in all its aspects. How do we light it? How do we inhabit it and make it safe? In what "languages" do we dream? The search moves from the neon-lit brilliance of Las Vegas to the shadowy underworld patrolled by the police. We visit a sleep laboratory, where scientists try to understand what happens to our bodies and in our brains when sleep claims us. Alvarez shows how "night horrors" inspired and terrified Coleridge, how dreams liberated the minds of Stevenson and the Surrealists, and how his own childhood fears provided a gateway to the secret world of the unconscious. And through a highly original and accessible account of the thoughts of Freud, Jung, and their modern-day counterparts, Alvarez reveals how deeply dreams and the unconscious color and fashion our waking lives.Like his bestseller The Savage God, Night is a remarkable, eloquent combination of ideas and personal experience; it is a literary feast, a journey of discovery, and a perfect initiation into the mysteries of the dark.

For a writer, voice is the problem that never lets you go. For a reader, voice is a profound mystery. What is it? How does it develop and why should it even matter? How does the reader hear and respond to an authentic voice, and what happens when the cult of personality threatens to subvert it? These are some of the slippery questions The Writer's Voice addresses with confidence and clarity.Aspiring young writers often confuse voice with stylishness, but the voice that matters has the whole weight of a life, however young, behind it. In this compelling book, renowned poet, author, and critic A. Alvarez defines "voice" as the vehicle by which a writer expresses his aliveness, hooks his readers, and keeps them listening. These powerful reflections from a lifetime's experience belong alongside John Gardner's The Art of Fiction, E. M. Forster's Aspects of the Novel, and William Zinsser's On Writing Well.

"Suicide," writes the notes English poet and critic A. Alvarez, "has permeated Western culture like a dye that cannot be washed out." Although the aims of this compelling, compassionate work are broadly cultural and literary, the narrative is rooted in personal experience: it begins with a long memoir of Sylvia Plath, and ends with an account of the author's own suicide attempt. Within this dramatic framework, Alvarez launches his enquiry into the final taboo of human behavior, and traces changing attitudes towards suicide from the perspective of literature. He follows the black thread leading from Dante through Donne and the romantic agony, to the Savage God at the heart of modern literature.

As children, most of us are scared of the dark. Although we may put that fear behind us, it remains nonetheless buried deep in places where we prefer not to look. It is a terror-as old as the human race-that survives in spite of the magic of electricity, which disguises but can never erase the differences between night and day.In this powerfully written book, A. Alvarez examines night in all its aspects. How do we light it? How do we inhabit it and make it safe? In what "languages" do we dream? The search moves from the neon-lit brilliance of Las Vegas to the shadowy underworld patrolled by the police. We visit a sleep laboratory, where scientists try to understand what happens to our bodies and in our brains when sleep claims us. Alvarez shows how "night horrors" inspired and terrified Coleridge, how dreams liberated the minds of Stevenson and the Surrealists, and how his own childhood fears provided a gateway to the secret world of the unconscious. And through a highly original and accessible account of the thoughts of Freud, Jung, and their modern-day counterparts, Alvarez reveals how deeply dreams and the unconscious color and fashion our waking lives.Like his bestseller The Savage God, Night is a remarkable, eloquent combination of ideas and personal experience; it is a literary feast, a journey of discovery, and a perfect initiation into the mysteries of the dark.

For a writer, voice is the problem that never lets you go. For a reader, voice is a profound mystery. What is it? How does it develop and why should it even matter? How does the reader hear and respond to an authentic voice, and what happens when the cult of personality threatens to subvert it? These are some of the slippery questions The Writer's Voice addresses with confidence and clarity.Aspiring young writers often confuse voice with stylishness, but the voice that matters has the whole weight of a life, however young, behind it. In this compelling book, renowned poet, author, and critic A. Alvarez defines "voice" as the vehicle by which a writer expresses his aliveness, hooks his readers, and keeps them listening. These powerful reflections from a lifetime's experience belong alongside John Gardner's The Art of Fiction, E. M. Forster's Aspects of the Novel, and William Zinsser's On Writing Well.