A. Clutton-Brock – författare

Written as the First World War was finally drawing to a close, A. Clutton-Brock’s reflections on the Kingdom of Heaven examine this challenging theological concept in light of the great religious, political and moral uncertainties thrown up by the conflict. In particular, Clutton-Brock contends that historically Christian orthodoxy has not sufficiently emphasised the role of the Kingdom in salvation, given its importance in the ministry and teaching of Christ. To preserve a religious vision capable of interacting with the modern, industrial world, Christian orthodoxy must carefully consider the scope and importance of political practice, the role of the individual in the realisation of the Kingdom, and the profound implications of reconciling the facts of the universe with the most sincerely held beliefs.

Written as the First World War was finally drawing to a close, A. Clutton-Brock’s reflections on the Kingdom of Heaven examine this challenging theological concept in light of the great religious, political and moral uncertainties thrown up by the conflict. In particular, Clutton-Brock contends that historically Christian orthodoxy has not sufficiently emphasised the role of the Kingdom in salvation, given its importance in the ministry and teaching of Christ. To preserve a religious vision capable of interacting with the modern, industrial world, Christian orthodoxy must carefully consider the scope and importance of political practice, the role of the individual in the realisation of the Kingdom, and the profound implications of reconciling the facts of the universe with the most sincerely held beliefs.

This collection of brief but insightful essays, though always returning to the author’s central conviction that the quality of artistic endeavour depends not on individuals of genius but on the attitude of the public towards art itself, examines a wide variety of unique but related issues: the relationship between natural and artistic beauty; the genius of Da Vinci and Nicholas Poussin; the influence of femininity on European art; the importance of good criticism; art as a social phenomenon; the role of the passions; and a range of associated topics.

First published in 1919, A. Clutton-Brock’s reflections on the nature and function of art bear the marks of the deep anxieties following the First World War, and can thus speak to a generation similarly faced with uncertainty.

This collection of brief but insightful essays, though always returning to the author’s central conviction that the quality of artistic endeavour depends not on individuals of genius but on the attitude of the public towards art itself, examines a wide variety of unique but related issues: the relationship between natural and artistic beauty; the genius of Da Vinci and Nicholas Poussin; the influence of femininity on European art; the importance of good criticism; art as a social phenomenon; the role of the passions; and a range of associated topics.

First published in 1919, A. Clutton-Brock’s reflections on the nature and function of art bear the marks of the deep anxieties following the First World War, and can thus speak to a generation similarly faced with uncertainty.

First published in 1909, with a second edition in 1923, this concise and easily accessible overview of Shelley’s life and work presents the poet not as popular legend would have it, but in a more objective light. A.Clutton-Brock notes his forthright and imperious attitude to life – a life in which Shelley found himself increasingly unhappy – and critically examines many facets of his artistic career which are often overlooked or misrepresented.

First published in 1909, with a second edition in 1923, this concise and easily accessible overview of Shelley’s life and work presents the poet not as popular legend would have it, but in a more objective light. A.Clutton-Brock notes his forthright and imperious attitude to life – a life in which Shelley found himself increasingly unhappy – and critically examines many facets of his artistic career which are often overlooked or misrepresented.

This volume combines two classic works on Hamlet, first published in 1919 and 1922.

The first book''s original description says that it contains a theory which attempts to explain an everlasting problem - it insists that Hamlet is neither a failure not an accident, but a very great work of art. In a final chapter, the play is examined as an aesthetic document. It is a profoundly interesting and not unprovocative work.

The second book reviews and attempts to resolve the most interesting debate of any Shakespeare play and presents proper method for investigating the genesis of the plays in this way.

This volume combines two classic works on Hamlet, first published in 1919 and 1922.

The first book''s original description says that it contains a theory which attempts to explain an everlasting problem - it insists that Hamlet is neither a failure not an accident, but a very great work of art. In a final chapter, the play is examined as an aesthetic document. It is a profoundly interesting and not unprovocative work.

The second book reviews and attempts to resolve the most interesting debate of any Shakespeare play and presents proper method for investigating the genesis of the plays in this way.