A. David Lewis – författare

The roster of Muslim superheroes in the comic book medium has grown over the years, as has the complexity of their depictions. Muslim Superheroes tracks the initial absence, reluctant inclusion, tokenistic employment, and then nuanced scripting of Islamic protagonists in the American superhero comic book market and beyond.This scholarly anthology investigates the ways in which Muslim superhero characters fulfill, counter, or complicate Western stereotypes and navigate popular audience expectations globally, under the looming threat of Islamophobia. The contributors consider assumptions buried in the very notion of a character who is both a superhero and a Muslim with an interdisciplinary and international focus characteristic of both Islamic studies and comics studies scholarship. Muslim Superheroes investigates both intranational American racial formation and international American geopolitics, juxtaposed with social developments outside U.S. borders.Providing unprecedented depth to the study of Muslim superheroes, this collection analyzes, through a series of close readings and comparative studies, how Muslim and non-Muslim comics creators and critics have produced, reproduced, and represented different conceptions of Islam and Muslimness embodied in the genre characters.

This title explores the roles of religion in comic books and graphic novels. Comic books have increasingly become a vehicle for serious social commentary and, specifically, for innovative religious thought. Practitioners of both traditional religions and new religious movements have begun to employ comics as a missionary tool, while humanists and religious progressives use comics' unique fusion of text and image to criticize traditional theologies and to offer alternatives. Addressing the increasing fervor with which the public has come to view comics as an art form and Americans' fraught but passionate relationship with religion, "Graven Images" explores with real insight the roles of religion in comic books and graphic novels. In essays by scholars and comics creators, "Graven Images" observes the frequency with which religious material - in devout, educational, satirical, or critical contexts - occurs in both independent and mainstream comics.Contributors identify the unique advantages of the comics medium for religious messages; analyze how comics communicate such messages; place the religious messages contained in comics books in appropriate cultural, social, and historical frameworks; and, articulate the significance of the innovative theologies being developed in comics.

This fascinating work explores the meaning of death in the digital age, showing readers the new ways digital technology allows humans to approach, prepare for, and handle their ultimate destiny.With DeadSocial™ one can create messages to be published to social networks after death. Facebook's "If I Die" enables users to create a video or text message for posthumous publication. Twitter _LIVESON accounts will keep tweeting even after the user is gone. There is no doubt that the digital age has radically changed options related to death, dying, grieving, and remembering, allowing people to say goodbye in their own time and their own unique way. Drawing from a range of academic perspectives, this book is the only serious study to focus on the ways in which death, dying, and memorialization appear in and are influenced by digital technology. The work investigates phenomena, devices, and audiences as they affect mortality, remembrances, grieving, posthumous existence, and afterlife experience. It examines the markets to which the providers of such services are responding, and it analyzes the degree to which digital media is changing views and expectations related to death. Ultimately, the contributors seek to answer an even more important question: how digital existences affect both real-world perceptions of life's end and the way in which lives are actually lived.

This fascinating work explores the meaning of death in the digital age, showing readers the new ways digital technology allows humans to approach, prepare for, and handle their ultimate destiny.With DeadSocial™ one can create messages to be published to social networks after death. Facebook's "If I Die" enables users to create a video or text message for posthumous publication. Twitter _LIVESON accounts will keep tweeting even after the user is gone. There is no doubt that the digital age has radically changed options related to death, dying, grieving, and remembering, allowing people to say goodbye in their own time and their own unique way. Drawing from a range of academic perspectives, this book is the only serious study to focus on the ways in which death, dying, and memorialization appear in and are influenced by digital technology. The work investigates phenomena, devices, and audiences as they affect mortality, remembrances, grieving, posthumous existence, and afterlife experience. It examines the markets to which the providers of such services are responding, and it analyzes the degree to which digital media is changing views and expectations related to death. Ultimately, the contributors seek to answer an even more important question: how digital existences affect both real-world perceptions of life's end and the way in which lives are actually lived.

This title explores the roles of religion in comic books and graphic novels. Comic books have increasingly become a vehicle for serious social commentary and, specifically, for innovative religious thought. Practitioners of both traditional religions and new religious movements have begun to employ comics as a missionary tool, while humanists and religious progressives use comics' unique fusion of text and image to criticize traditional theologies and to offer alternatives. Addressing the increasing fervor with which the public has come to view comics as an art form and Americans' fraught but passionate relationship with religion, "Graven Images" explores with real insight the roles of religion in comic books and graphic novels. In essays by scholars and comics creators, "Graven Images" observes the frequency with which religious material - in devout, educational, satirical, or critical contexts - occurs in both independent and mainstream comics.Contributors identify the unique advantages of the comics medium for religious messages; analyze how comics communicate such messages; place the religious messages contained in comics books in appropriate cultural, social, and historical frameworks; and, articulate the significance of the innovative theologies being developed in comics.

Body, Soul, and Comics: Graphic Religion and Graphic Medicine follows A. David Lewis’s unique scholarly journey through graphic religion and graphic medicine, exploring how comics intersect with healthcare, clinical practice, spirituality, patient experience, and belief. Drawing on more than two decades of academic research, Lewis reframes both fields through the distinct narrative and visual language of comics.Though often seen as opposites—spiritual versus scientific—religion and medicine share concerns with selfhood, community, personal well-being, and transformation. Through comics, Lewis reveals these shared concerns and examines how selfhood, identity, and embodiment emerge through visual storytelling.Blending scholarship with autobiography, Lewis weaves personal moments—a religious conversion, experiences with anxiety, and academic work within a healthcare setting—into a broader analysis of representation and meaning in comic books. His account resists the traditional divide between theory and lived experience, grounding abstract ideas in the personal and the visual.Body, Soul, and Comics is both a call for disciplinary reunification and a meditation on how comics themselves bridge seemingly disparate realms—text and image, body and spirit, illness and meaning.

Body, Soul, and Comics: Graphic Religion and Graphic Medicine follows A. David Lewis’s unique scholarly journey through graphic religion and graphic medicine, exploring how comics intersect with healthcare, clinical practice, spirituality, patient experience, and belief. Drawing on more than two decades of academic research, Lewis reframes both fields through the distinct narrative and visual language of comics.Though often seen as opposites—spiritual versus scientific—religion and medicine share concerns with selfhood, community, personal well-being, and transformation. Through comics, Lewis reveals these shared concerns and examines how selfhood, identity, and embodiment emerge through visual storytelling.Blending scholarship with autobiography, Lewis weaves personal moments—a religious conversion, experiences with anxiety, and academic work within a healthcare setting—into a broader analysis of representation and meaning in comic books. His account resists the traditional divide between theory and lived experience, grounding abstract ideas in the personal and the visual.Body, Soul, and Comics is both a call for disciplinary reunification and a meditation on how comics themselves bridge seemingly disparate realms—text and image, body and spirit, illness and meaning.

Body, Soul, and Comics: Graphic Religion and Graphic Medicine follows A. David Lewis's unique scholarly journey through graphic religion and graphic medicine, exploring how comics intersect with healthcare, clinical practice, spirituality, patient experience, and belief. Drawing on more than two decades of academic research, Lewis reframes both fields through the distinct narrative and visual language of comics. Though often seen as opposites-spiritual versus scientific-religion and medicine share concerns with selfhood, community, personal well-being, and transformation. Through comics, Lewis reveals these shared concerns and examines how selfhood, identity, and embodiment emerge through visual storytelling. Blending scholarship with autobiography, Lewis weaves personal moments-a religious conversion, experiences with anxiety, and academic work within a healthcare setting-into a broader analysis of representation and meaning in comic books. His account resists the traditional divide between theory and lived experience, grounding abstract ideas in the personal and the visual. Body, Soul, and Comics is both a call for disciplinary reunification and a meditation on how comics themselves bridge seemingly disparate realms-text and image, body and spirit, illness and meaning.

Body, Soul, and Comics: Graphic Religion and Graphic Medicine follows A. David Lewis's unique scholarly journey through graphic religion and graphic medicine, exploring how comics intersect with healthcare, clinical practice, spirituality, patient experience, and belief. Drawing on more than two decades of academic research, Lewis reframes both fields through the distinct narrative and visual language of comics. Though often seen as opposites-spiritual versus scientific-religion and medicine share concerns with selfhood, community, personal well-being, and transformation. Through comics, Lewis reveals these shared concerns and examines how selfhood, identity, and embodiment emerge through visual storytelling. Blending scholarship with autobiography, Lewis weaves personal moments-a religious conversion, experiences with anxiety, and academic work within a healthcare setting-into a broader analysis of representation and meaning in comic books. His account resists the traditional divide between theory and lived experience, grounding abstract ideas in the personal and the visual. Body, Soul, and Comics is both a call for disciplinary reunification and a meditation on how comics themselves bridge seemingly disparate realms-text and image, body and spirit, illness and meaning.

This edited book analyses how artists, authors, and cultural practitioners have responded to and represented episodes of epidemics/pandemics through history. Covering a broad range of notable epidemics/pandemics (black death, cholera, Influenza, AIDS, Ebola, COVID-19), the chapters examine the cultural representations of epidemics and pandemics in different contexts, periods, languages, media, and genres. Interdisciplinary in nature and drawing on perspectives from medicine, literature, medical anthropology, philosophy of medicine, and cultural theory, the book investigates and emphasizes the urgent need to reflect on past catastrophes caused by such outbreaks. By delving into cultural history, it re-examines how societies and communities have responded in the past to species-threatening epidemics/pandemics. Sure to be of interest to lay readers as well as students and researchers, this work situates epidemics and pandemics outbreaks within the contexts of culture and narrative, and their complex and layered representation, commenting on intersections of contagion, culture, and community. It offers a cross-cultural, global, and comparative analysis of the trajectories, histories and responses to various epidemics/pandemics that impacted people worldwide.

This edited book analyses how artists, authors, and cultural practitioners have responded to and represented episodes of epidemics/pandemics through history. Covering a broad range of notable epidemics/pandemics (black death, cholera, Influenza, AIDS, Ebola, COVID-19), the chapters examine the cultural representations of epidemics and pandemics in different contexts, periods, languages, media, and genres. Interdisciplinary in nature and drawing on perspectives from medicine, literature, medical anthropology, philosophy of medicine, and cultural theory, the book investigates and emphasizes the urgent need to reflect on past catastrophes caused by such outbreaks. By delving into cultural history, it re-examines how societies and communities have responded in the past to species-threatening epidemics/pandemics. Sure to be of interest to lay readers as well as students and researchers, this work situates epidemics and pandemics outbreaks within the contexts of culture and narrative, and their complex and layered representation, commenting on intersections of contagion, culture, and community. It offers a cross-cultural, global, and comparative analysis of the trajectories, histories and responses to various epidemics/pandemics that impacted people worldwide.

This edited book analyses how artists, authors, and cultural practitioners have responded to and represented episodes of epidemics/pandemics through history. Covering a broad range of notable epidemics/pandemics (black death, cholera, Influenza, AIDS, Ebola, COVID-19), the chapters examine the cultural representations of epidemics and pandemics in different contexts, periods, languages, media, and genres. Interdisciplinary in nature and drawing on perspectives from medicine, literature, medical anthropology, philosophy of medicine, and cultural theory, the book investigates and emphasizes the urgent need to reflect on past catastrophes caused by such outbreaks. By delving into cultural history, it re-examines how societies and communities have responded in the past to species-threatening epidemics/pandemics. Sure to be of interest to lay readers as well as students and researchers, this work situates epidemics and pandemics outbreaks within the contexts of culture and narrative, and their complex and layered representation, commenting on intersections of contagion, culture, and community. It offers a cross-cultural, global, and comparative analysis of the trajectories, histories and responses to various epidemics/pandemics that impacted people worldwide.