A. Ng – författare

Interweaving psychoanalysis, gender and cultural studies, and postmodern theories of geopolitics, this study of the monster in contemporary narratives demonstrates that the monster (and monstrosity) is largely a cultural and ideological production. Figures such as the serial-killer, the monstrous child, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela Carter (among others). The conclusion proposes that language itself becomes monstrous when it attempts, and fails, to articulate the monster.

This book investigates the trends and challenges that ports, logistics and supply chains have tackled in recent decades and the way forward. A new concept, port focal logistics is introduced which appreciates the efforts by previous studies in this field, but simultaneously recognize the limitations, and the need for further improvements.

This book investigates the trends and challenges that ports, logistics and supply chains have tackled in recent decades and the way forward. A new concept, port focal logistics is introduced which appreciates the efforts by previous studies in this field, but simultaneously recognize the limitations, and the need for further improvements.

This book investigates the trends and challenges that ports, logistics and supply chains have tackled in recent decades and the way forward. A new concept, port focal logistics is introduced which appreciates the efforts by previous studies in this field, but simultaneously recognize the limitations, and the need for further improvements.

Interweaving psychoanalysis, gender and cultural studies, and postmodern theories of geopolitics, this study of the monster in contemporary narratives demonstrates that the monster (and monstrosity) is largely a cultural and ideological production. Figures such as the serial-killer, the monstrous child, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela Carter (among others). The conclusion proposes that language itself becomes monstrous when it attempts, and fails, to articulate the monster.