A S Byatt - Böcker

In this stunning literary mystery, two scholars uncover a hidden love affair that refuses to stay buried. Roland Michell is a young academic drifting through obscurity when he discovers a letter in the archive of the Victorian poet Randolph Henry Ash. The letter hints at a secret relationship with another poet, Christabel LaMotte. What begins as literary curiosity becomes a covert investigation into a concealed history. Joined by Maud Bailey, a specialist in LaMotte’s work, Roland traces a correspondence that has remained hidden for over a century. As their research leads them through libraries, country houses and private collections, scholarship gives way to rivalry, secrecy and the thrill of discovery. This is a literary mystery that brings the Victorian era face-to-face with the present day, inspiring obsession and passion alike. The past does not lie quietly in its boxes. It waits to be rediscovered, and to alter the lives of those who seek it. ‘Exhilarating genius’ Guardian ‘Possession is eloquent about the intense pleasures of reading. And, with sumptuous artistry, it provides a feast of them’ Sunday Times **WINNER OF THE BOOKER PRIZE** VINTAGE QUARTERBOUND CLASSICS: Bound to be beautiful

Like A.S. Byatt’s Booker Prize-winning novel, Possession, these two mesmerising novellas are set in the nineteenth century. In Morpho Eugenia, an explorer realises that the behaviour of the people around him is alarmingly similar to that of the insects he studies. In The Conjugal Angel, curious individuals – some fictional, others drawn from history – gather to connect with the spirit world. Throughout both, Byatt examines the eccentricities of the Victorian era, weaving fact and fiction, reality and romance, science and faith into a sumptuous, magical tapestry.

In the same delectable format as The Matisse Stories, this collection deals with betrayal and loyalty, quests and longings, loneliness and passion - the mysterious absences at the heart of the fullest lives. A scholar pursues an elusive biographer, stumbling upon buried fragments of distant lives; a woman walks out of her previous existence and encounters an ice-blond stranger from a secretive world; a schoolgirl draws a blood-filled picture of jael; a swimming pool reveals a beauteous monster in its depths. The settings range from the heart of Provence in summer to the cold forests of Scandinavia, form chalk-strewn classrooms to herbscented hillsides, from suburban streets to rocky wilds.

In her powerful opening essays - 'Fathers', 'Forefathers' and 'Ancestors' - A. S. Byatt considers the renaissance of the historical novel and discusses particularly the novel of wartime experience; the surprising variety of distant pasts that British writers have invented; and the new 'Darwinian novel'. These afford new readings of writers from Elizabeth Bowen and Henry Green to Anthony Burgess, William Golding and Muriel Spark, and other contemporary authors, including Penelope Fitzgerald, Julian Barnes, Martin Amis and Pat Barker.She also offers fascinating insight into her own translation of historical fact into fiction in the two novellas which make up Angels and Insects.

Unruly Times is a superlative portrait of the relationship between Wordsworth and Coleridge, and a fascinating exploration of the Romantic Movement and the dramatic events that shaped it. With a novelist's insight and eye for detail, A. S. Byatt brings alive this tumultuous period and shows a deep understanding of the effects upon the minds of Wordsworth, Coleridge and their contemporaries - de Quincey, Lamb, Hazlitt, Byron and Keats.

A new collection of stories from A. S. Byatt is always a winner, and this one takes an unexpected turn, bringing shivers as well as delights. Leaves rustle underfoot in a dark wood: two middle-aged women walk into a forest, as they did when they were girls, confronting their fears and memories and the strange thing they saw in their childhood - or thought they saw - so long ago. A distinguished obstetrician and young woman artist find they have sharply contrasting ideas about body parts, birth and death; an innocent member of an evening class harbours unexpected view on 'raw material'. The stories in this marvellous collection are by turns funny, spooky, sparkling and haunting. The Little Black Book of Stories holds its secrets, adding a dark quality to Byatt's famous skill in mixing folk and fairy tale with everyday life.

Each story is in some way inspired by a painting of Henri Matisse, each is also about the intimate connection between seeing and feeling -- about the ways in which a glance we meant to be casual may suddenly call forth the deepest reserves of our being.Their subjects' lives unravel from simple beginnings -- a trip to the hair dresser, a cleaning woman's passion for knitting, lunch in a Chinese restaurant but gradually the veneer of ordinariness is peeled back to expose pain, reveal desire, or express the intensity of joy in color and creation. These stories are all about human beings: about how little we can know (or may care to know) about the people with whom we spend our lives, and how tragic the results of that ignorance or indifference can be.

In Yorkshire, the Potter family are preparing to celebrate Elizabeth II’s arrival on the throne. Its three youngest members, however, are preoccupied with other matters. Stephanie has grown tired of their overbearing father and resolves to marry the local curate. Anxious teenager Marcus gains a new teacher and suffers increasingly disturbing visions. Then there is Frederica. On the brink of adulthood, a love affair with a young playwright may offer the freedom she desperately desires.THE FIRST FREDERICA POTTER NOVEL

Frederica Potter arrives at Cambridge University greedy for knowledge, sex and love. It isn’t long before she becomes infatuated with a mysterious and controlling poet. Back in Yorkshire, her sister Stephanie abandons academia and is confronted with the boredom and frustrations of motherhood. Meanwhile, their younger brother Marcus begins to recover from a nervous breakdown. Each sibling is desperate to shape their own future, but a horrifying event will soon change their lives forever.

A romance, a literary quest, a modern classic.‘Possession is eloquent about the intense pleasures of reading. And, with sumptuous artistry, it provides a feast of them’ Sunday TimesA pair of young scholars investigate the lives of two Victorian poets. Following a trail of letters, journals and poems they uncover a web of passion, deceit and tragedy, and their quest becomes a battle against time. Possession is an exhilarating novel of wit and romance, at once a literary detective novel and a triumphant love story.‘Exhilarating genius’ Guardian**WINNER OF THE BOOKER PRIZE**

**FEATURING THE STORY THAT INSPIRED NEW FILM THREE THOUSAND YEARS OF LONGING**A S Byatt's fairy tales and fables are among the best-loved features of her fiction. Innumerable readers have asked for the two marvellous fairy tales in POSSESSION - 'The Glass Coffin' and 'Gode's Tale' of the Breton Naie des Trepasses - to be published separately.Here they take their place with three other stories with medieval and middle eastern settings. The title story, 'The Djinn and the Nightingale's Eye', a long story about an Englishwoman in Turkey who unwittingly releases a genie from his bottle, is a reflection on women's lives, on magic and on the power of storytelling itself, and has inspired the new film Three Thousand Years of Longing starring Idris Elba and Tilda Swinton.

Famous author Olive Wellwood writes a special private book, bound in different colours, for each of her children. In their rambling house near Romney Marsh they play in a story-book world - but their lives, and those of their rich cousins and their friends, the son and daughter of a curator at the new Victoria and Albert Museum, are already inscribed with mystery. Each family carries its own secrets. They grow up in the golden summers of Edwardian times, but as the sons rebel against their parents and the girls dream of independent futures, they are unaware that in the darkness ahead they will be betrayed unintentionally by the adults who love them. This is the children's book.

Possession is an exhilarating novel of wit and romance, at once a literary detective novel and a triumphant love story. It is the tale of a pair of young scholars investigating the lives of two Victorian poets. Following a trail of letters, journals and poems they uncover a web of passion, deceit and tragedy, and their quest becomes a battle against time.WINNER OF THE BOOKER PRIZE

After her husband becomes violent, Frederica Potter flees with her young son to London. There, she secures a teaching position in an art school, and finds herself surrounded by painters and poets with dreams of rebellion. Then Frederica meets Jude Mason, the strange and charismatic author of a wildly controversial novel. When her husband files for divorce and Jude becomes the target of a high-profile court case, Frederica’s life threatens to spiral out of control.THE THIRD FREDERICA POTTER NOVEL

It is the height of summer. After she is expelled from boarding school, Anna Severell returns to the strict, orderly house of her father, a celebrated novelist. The family is soon joined by Oliver Canning, a talented young academic who urges her to take control of her future. As autumn begins and Anna enters university, the pair grow closer. A single mistake, however, could put her newfound independence at risk…

Cassandra is an Oxford don; Julia, her sister, a bestselling novelist. They share a set of disturbing memories of a strange childhood game and of Simon, the handsome young neighbour who loved them both.Years later Simon re-enters their lives via a television programme on snakes and intrudes into their uneasy compromise of mutual antagonism and distrust. The old, wild emotions surge back, demanding and urgent, and this time the game is played out to a fatal finish.

The works collected in this volume provide an illuminating introduction to George Eliot's incisive views on religion, art and science, and the nature and purpose of fiction. Essays such as 'Evangelical Teaching' show her rejecting her earlier religious beliefs, while 'Woman in France' questions conventional ideas about female virtues and marriage, and 'Notes on Form in Art' sets out theories of idealism and realism that she developed further in Middlemarch and Daniel Deronda. It also includes selections from Eliot's translations of works by Strauss and Feuerbach that challenged many ideas about Christianity; excerpts from her poems; and reviews of writers such as Wollstonecraft, Goethe and Browning. Wonderfully rich in imagery and observations, these pieces reveal the intellectual development of this most challenging and rewarding of writers.

Drawing on George Eliot's own childhood experiences to craft an unforgettable story of first love, sibling rivalry and regret, The Mill on the Floss is edited with an introduction and notes by A.S. Byatt, author of Possession, in Penguin Classics.Brought up at Dorlcote Mill, Maggie Tulliver worships her brother Tom and is desperate to win the approval of her parents, but her passionate, wayward nature and her fierce intelligence bring her into constant conflict with her family. As she reaches adulthood, the clash between their expectations and her desires is painfully played out as she finds herself torn between her relationships with three very different men: her proud and stubborn brother; hunchbacked Tom Wakem, the son of her family's worst enemy; and the charismatic but dangerous Stephen Guest. With its poignant portrayal of sibling relationships, The Mill on the Floss is considered George Eliot's most autobiographical novel; it is also one of her most powerful and moving.In this edition, writer and critic A.S. Byatt, author of Possession, provides full explanatory notes and an introduction relating The Mill on the Floss to George Eliot's own life and times.Mary Ann Evans (1819-80) began her literary career as a translator, and later editor, of the Westminster Review. In 1857, she published Scenes of Clerical Life, the first of eight novels she would publish under the name of 'George Eliot', including The Mill on the Floss, Middlemarch, and Daniel Deronda.If you enjoyed The Mill on the Floss, you might like Thomas Hardy's Jude the Obscure, also available in Penguin Classics.

The Oxford Book of English Short Stories , edited by A. S. Byatt, herself the author of several collections of short stories, is the first anthology to specifically take the English short story as its theme. The 37 stories featured here are selected from the nineteenth and twentieth centuries, ranging from Dickens, Trollope, and Hardy to J. G. Ballard, Angela Carter, and Ian McEwan, though many draw ingeniously from the richness of earlier English literary writing.There are all sorts of threads of connection and contrast running through these stories. Their subjects vary from the sublime to the ridiculous, from the momentous to the trivial, from the grim to the farcical. There is English empiricism, English pragmatism, English starkness, English humour, English satire, English dandyism, English horror, and English whimsy. There are examples of social realism, from rural poverty to blitzed London; ghost stories and tales of the supernatural; surreal fantasy and science fiction. There are stories of sensibility, precisely delineated, from Hardy's reluctant bride to the shocked heroine of Elizabeth Taylor's The Blush, from H. E. Bates's brilliant fusion of class, sex, death, and landscape, to D. H. Lawrence's exploration of a consciousness slowly detaching itself from its world. There are exuberant stories by Saki and Waugh, Wodehouse and Firbank, with a particularly English range from high irony to pure orchestrated farce.The very range and scope of the collection celebrates the eccentric differences and excellences of English short stories. Some of A. S. Byatt's choices clearly take their place in the grand tradition of story-telling, while others are more unusual. Many break all the rules of unity of tone and narrative, appearing to be one kind of story before unexpectedly turning into another. They pack together comedy and tragedy, farce and delicacy, elegance and the grotesque, with language as various as the subject matter. As A. S. Byatt explains: 'My only criterion was that those stories I selected should be startling and satisfying, and if possible make the hairs on the neck prickle with excitement, aesthetic or narrative'.