A. Smyth – författare

Very few King''s earn the appellation ''Great''. Alfred is the only English King honoured with this name and is credited with various successes (the foundation of a navy, English education system and religious revival). His memory looms large in the English Imagination. The medieval ''Life'' of King Alfred of Wessex purports to be written by Asser, a monk in the King''s service. This account of one of England''s best loved and most famous kings has been accepted as offering evidence on most aspects of life in early medieval England and beyond. It was used in Victorian times to create a ''Cult'' of Alfred. Alfred Smyth offers a carefully annotated translation of the ''Life'' together with a long commentary. He argues that the ''Life'' is a forgery which has profound implications not only for our understanding of the early English and medieval past but also for the nature of biography and history. This close scholarly rendering of the text allows the reader access to the intricacies of medieval history.

Very few King's earn the appellation 'Great'. Alfred is the only English King honoured with this name and is credited with various successes (the foundation of a navy, English education system and religious revival). His memory looms large in the English Imagination. The medieval 'Life' of King Alfred of Wessex purports to be written by Asser, a monk in the King's service. This account of one of England's best loved and most famous kings has been accepted as offering evidence on most aspects of life in early medieval England and beyond. It was used in Victorian times to create a 'Cult' of Alfred. Alfred Smyth offers a carefully annotated translation of the 'Life' together with a long commentary. He argues that the 'Life' is a forgery which has profound implications not only for our understanding of the early English and medieval past but also for the nature of biography and history. This close scholarly rendering of the text allows the reader access to the intricacies of medieval history.

This rich and varied collection of essays by scholars and interviews with artists approaches the fraught topic of book destruction from a new angle, setting out an alternative history of the cutting, burning, pulping, defacing and tearing of books from the medieval period to our own age.

This rich and varied collection of essays by scholars and interviews with artists approaches the fraught topic of book destruction from a new angle, setting out an alternative history of the cutting, burning, pulping, defacing and tearing of books from the medieval period to our own age.

Examining a wide range of works, from Gulliver's Travels to The Hunger Games, Representing the Modern Animal in Culture employs key theoretical apparatuses of Animal Studies to literary texts. Contributors address the multifarious modes of animal representation and the range of human-animal interactions that have emerged in the past 300 years.

Examining a wide range of works, from Gulliver's Travels to The Hunger Games, Representing the Modern Animal in Culture employs key theoretical apparatuses of Animal Studies to literary texts. Contributors address the multifarious modes of animal representation and the range of human-animal interactions that have emerged in the past 300 years.

Very few King's earn the appellation 'Great'. Alfred is the only English King honoured with this name and is credited with various successes (the foundation of a navy, English education system and religious revival). His memory looms large in the English Imagination. The medieval 'Life' of King Alfred of Wessex purports to be written by Asser, a monk in the King's service. This account of one of England's best loved and most famous kings has been accepted as offering evidence on most aspects of life in early medieval England and beyond. It was used in Victorian times to create a 'Cult' of Alfred. Alfred Smyth offers a carefully annotated translation of the 'Life' together with a long commentary. He argues that the 'Life' is a forgery which has profound implications not only for our understanding of the early English and medieval past but also for the nature of biography and history. This close scholarly rendering of the text allows the reader access to the intricacies of medieval history.

This rich and varied collection of essays by scholars and interviews with artists approaches the fraught topic of book destruction from a new angle, setting out an alternative history of the cutting, burning, pulping, defacing and tearing of books from the medieval period to our own age.

Examining a wide range of works, from Gulliver's Travels to The Hunger Games, Representing the Modern Animal in Culture employs key theoretical apparatuses of Animal Studies to literary texts. Contributors address the multifarious modes of animal representation and the range of human-animal interactions that have emerged in the past 300 years.